What Does Pussy Riot Mean Now? "With all eyes on Russia, two members of the country’s most notorious band of shit-stirrers are free after nearly two years of political imprisonment and enjoying the rock-star treatment during their first trip to the U.S. But the group’s unlikely journey from art-school project to international icons shows just how rotten Russia has become and how much the mission has changed."
On The Tamms Poetry Committee: "One of the artists' initiatives was "photo requests from solitary." Prisoners on solitary would request photos and professional photographers would then shoot the request and send the photo back. The gallery of prisoners requests is surprising and poignant."
Good 50x70 is an annual poster contest run by a worldwide partnership. Each year they ask seven charities to prepare briefs on major global issues, and then invite anyone to submit original posters that address the issue. The call for 2010 posters is now on; explore the archives from previous years to see posters on health care access, the War on Terror, women's rights, child mortality, water scarcity, global warming, and more.
Explosive art; "weapons" paintings by San Minn are not shown in his native Burma where Rappers, journalists and comedians have discovered a new crime – helping people devastated by cyclone Nargis. [more inside]
Burmese artist Htein Lin was imprisoned by his country's military government from 1998 to 2004 on charges of planning opposition protests. In prison he was forced to improvise to continue painting, using paints smuggled in by guards and white cotton prison uniforms as canvases. In place of brushes he used his fingers, cigarette lighters, syringes, pieces of netting, dinner plates, and blocks of soap. Burma Inside Out (PDF), an exhibition of some of his prison work, will be on display at the Asia House Gallery in London from July 27 to October 13.
Harold Pinter at 75. In One for the Road, the protagonist is Nicolas, a whisky-sodden interrogator who has brought in a family for questioning (and, it is implied, raping and torturing). In the short, sharp shock of The New World Order, we eavesdrop on a conversation between two torturers, held over the top of their mute, blindfolded victim's head ("We haven't even finished with him. We haven't begun."). In Ashes to Ashes, the interrogation of Rebecca by Devlin takes a sinister turn as we learn that her ex-lover participated in state-sponsored violence. In Mountain Language, a sadistic guard plays power games with a group of mountain dwellers, who are forbidden from speaking in anything but the language of the state. In Party Time, Pinter lampoons the smug security of the middle classes, portraying an insufferably élite party which carries on regardless of the violence and terror on the streets outside. Now, for Pinter's 75th birthday, some of the tormentors and the tormented so potently etched in his later plays are assembled together in a new dramatic work with a musical setting by the composer James Clarke.
Fazal Sheikh's photographs have documented the plight of refugees in camps across Central and East Africa and the Middle East. However, his photographs are distinctly different from the images of refugees we commonly see in printed news articles. Sheikh's photographs implicitly assert that the individual refugees share humanity with their oppressive rulers. He does so by depicting the individuals in portraits rather than as victims of a social and political drama. Sheikh, an American citizen, was just awarded the Grand Prix International Henri Cartier-Bresson.