In its all-too-brief 3½ year run, Comedy Central's sketch comedy powerhouse Key & Peele burned brightly, leavening Peabody-award-winning social commentary with sublime silliness and Hollywood-quality production values, all centered on the impeccable character acting of co-stars Jordan (Peele) and Keegan-Michael (Key). By the time its end was announced, characters like the Substitute Teacher, the East/West College Bowl players, and Obama's Anger Translator had captured the popular consciousness, while skits like TeachingCenter and Negrotown deftly spotlighted our most pressing problems. With the finale airing tonight, and the dynamic duo free to tackle other projects, why not revisit the program's concentrated brilliance in the form of ~100 of their very best short bits available on the web, sorted loosely by topic. [more inside]
Tonight! He's "a well-meaning, poorly informed, high-status idiot." An it-getter. A knight. A doctor (of fine arts). A Real American Hero. And after tonight, his arched eyebrow of justice will never again grace American television screens in quite the same way. "Stephen Colbert": a brief retrospective. Truthiness - The White House Correspondents' Dinner - Better Know a District - Formidable Opponent - Tek Jansen - Papa Bear - I Am America (And So Can You!) - Americone Dream - The ThreatDown - Late Night Fight! - Testifying to Congress - The Rally to Restore Sanity - Colbert Super PAC - Maurice Sendak - Wheat Thins - Lorna Colbert - Tolkien-off - Ask a Grown Man - The Decree. So much more inside. [more inside]
With the momentous series finale of Breaking Bad just hours away, fans of the show are hungry for something, anything to wile away the time before the epic conclusion tonight. So why not kick back and chew the fat with your fellow MeFites with the help of a little tool I like to call "The Periodic Table of Breaking Bad." [more inside]
Initiate salutation cascade, star-citizens! Seven years ago tonight, Stephen Colbert introduced Tek Jansen to the world. Originally a one-off parody of vanity fiction by media blowhards, the "super-awesome spectacular ultraspy" became the center of a small universe of comics, cartoons, and books, his exploits satirizing awful pulp sci-fi, rampant
Mary Sue "Marty Sue" syndrome, and the cheesy melodrama of 1970s Hanna-Barbera. Look inside for US/Canadian links to both animated seasons along with other content available on the web. [more inside]
The Onion's great for a witty skewering of current events. But its historical editions, as collected in the book Our Dumb Century, are a gem all their own, full of razor-sharp satire, trenchant social commentary, period-accurate advertisements, running gags, historical irony, photoshoppery, and even some editorial cartoons for every year of the twentieth century. Luckily for history (and humor) buffs, nearly the whole run of the series is available piecemeal on their website. Click inside for an organized timeline of links to all the front pages from this brilliant work (plus a bonus!). [more inside]
Young Edd Gould always enjoyed drawing comics of himself and his friends. Growing up in the internet age, his doodles evolved into Flash animations of increasing complexity, and in time Edd and pals Tom Ridgewell and Matt Hargreaves teamed up to produce an "Eddsworld" series of online webtoons and comics. At first crude and halting, the group's "eddisodes" progressed from surreal shorts and one-shots into full-fledged productions that pushed the boundaries of amateur web animation, with expressive characters, full soundtracks, complex effects, and a fast-paced, off-kilter sense of humor: MovieMakers - Spares - WTFuture - Rock Bottom - Hammer & Fail (2). At its height, the college co-op was producing shorts for Mitchell & Webb and the UN Climate Change Conference, fielding offers from Paramount and Cartoon Network, and racking up millions of hits on YouTube. Work slowed, however, when Gould was diagnosed with leukemia -- a relatively survivable form, though, and Gould carried on working gamely through his hospital stays. So it came as a shock last week when Matt and Tom announced that Edd had passed away, prompting an outpouring of grief and gratitude from all the fans he'd entertained and inspired in his short 23 years.
A decade on, the Coen brothers' woefully underrated O Brother, Where Art Thou? [alt] is remembered for a lot of things: its sun-drenched, sepia-rich cinematography (a pioneer of digital color grading), its whimsical humor, fluid vernacular, and many subtle references to Homer's Odyssey. But one part of its legacy truly stands out: the music. Assembled by T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from cheery ballads and angelic hymns to wistful blues and chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a heartfelt, homespun feel that echoed its cultural heritage, a paean and uchronia of the Old South. Though the multiplatinum album was recently reissued, the movie's medley is best heard via famed documentarian D. A. Pennebaker's Down from the Mountain, an extraordinary yet intimate concert film focused on a night of live music by the soundtrack's stars (among them Gillian Welch, Emmylou Harris, Chris Thomas King, bluegrass legend Dr. Ralph Stanley) and wryly hosted by John Hartford, an accomplished fiddler, riverboat captain, and raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on Hulu and YouTube -- click inside for individual clips, song links, and breakdowns of the set list's fascinating history. [more inside]
Start a home business, get rich quick, win financial freedom! If you watch late-night TV, you've heard it all before. But what's the story behind these slick pitchmen and their dubious schemes? Enter The Salty Droid, your ornery metal guide to the corrupt underworld of scam-marketing scum. This charmingly acerbic bot (owned and operated by mild-mannered Chicago dog-lover Jason Michael Jones [inter-view, long talk + transcript]) is a valiant crusader against the vile con-men who bankrupt the elderly and the desperate with beautiful lies. Exposed so far: A shadowy "Syndicate" of frauduct-pushing personality cults polluting the media with blogspam and woo-woo talking points. Boiler rooms in the Utah desert where telemarketers farm credit from easy targets with cunning, probing scripts [PDF]. Powerful politicians bought wholesale. Believers left to die in fraudulent new-age vision quests. It's a soul-crushing beat, enough to make one feel like a regular catcher-bot in the digital rye. But somebody's got to do it -- preferably someone with plasma nunchucks and titanium skin.
Two and a half years ago, we explored the early history of Cartoon Network... but it wasn't the only player in the youth television game. As a matter of fact, Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly venerable forerunner: Nickelodeon. Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire. Much has changed since then, from the mascots and game shows to the versatile orange "splat." But starting tonight in response to popular demand, the network is looking back with a summer programming block dedicated to the greatest hits of the 1990s, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and All That. To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
After Kad & Olivier sign off and the Satisfaction production logo fades, viewing audiences are oftentimes treated to a cold open of an empty talk show set... one that quickly becomes the impromptu dance floor for a shameless Frenchman making an absolute giddy fool of himself while lip-syncing pop songs alongside a menagerie of... wait, *what*?! That's right. The Late Late Show's Craig Ferguson appears to have a not-so-secret French admirer -- one who's not above ripping off both his opening titles and his signature dance sequences (including the iconic animal puppets): "ABC" by The Jackson 5, "Flashdance" by Irene Cara, "On the Floor" by Jennifer Lopez and Pitbull, "Waka Waka" by Shakira, "Men in Black" by Will Smith, "Let's All Chant" by the Michael Zager Band, "Wake Me Up Before You Go-Go" by Wham!, "It's Raining Men" by The Weather Girls, and "Vive Le Vent (Jingle Bells)" by Tino Rossi. Luckily, Ferguson's sense of showmanship is more prodigious than litigious -- he responded to Arthur's "homáge" by booking a pair of translatlantic crossover shows, with Arthur visiting LA that week and Ferguson flying out to Paris just last month. Video of both shows (plus lots more) inside! [more inside]
Larry Gonick is a veteran American cartoonist best known for his delightful comic-book guides to science and history, many of which have previews online. Chief among them is his long-running Cartoon History of the Universe (later The Cartoon History of the Modern World), a sprawling multi-volume opus documenting everything from the Big Bang to the Bush administration. Published over the course of three decades, it takes a truly global view -- its time-traveling Professor thoroughly explores not only familiar topics like Rome and World War II but the oft-neglected stories of Asia and Africa, blending caricature and myth with careful scholarship (cited by fun illustrated bibliographies) and tackling even the most obscure events with intelligence and wit. This savvy satire carried over to Gonick's Zinn-by-way-of-Pogo chronicle The Cartoon History of the United States, along with a bevy of Cartoon Guides to other topics, including Genetics, Computer Science, Chemistry, Physics, Statistics, The Environment, and (yes!) Sex. Gonick has also maintained a few sideprojects, such as a webcomic look at Chinese invention, assorted math comics (previously), the Muse magazine mainstay Kokopelli & Co. (featuring the shenanigans of his "New Muses"), and more. See also these lengthy interview snippets, linked previously. Want more? Amazon links to the complete oeuvre inside! [more inside]
Years after its final broadcast, the award-winning, pond-hopping, cult comedy hit Whose Line is it Anyway? is returning to television! Sort of! Tonight in just a few minutes, Drew Carey's Improv-A-Ganza (promo, sample segment) makes its debut on GSN, reuniting Carey with popular "Whosers" Ryan Stiles, Colin Mochrie, Greg Proops, Brad Sherwood, Wayne Brady, and many more. Though the show will air every weekday, you don't have to wait around for new episodes to get your improv fix -- in spite of the lack of DVD box sets, there's a veritable treasure trove of past content available free from multiple online sources, including the complete run of the American Whose Line on both YouTube and fansite WatchWLIIA along with every episode of the original UK run from Channel4's official YouTube channel and their streaming video site 4oD. Too much content? Look inside for selections of the show's most hilarious moments as sampled from the show's burgeoning TVTropes entry. See also: Fan guide - American episode guide (UK version) - List of game types [more inside]
Romantically Apocalyptic is a morbidly funny webcomic from Russo-Canadian digital artist Vitaly Alexius (interview, gallery). Set in the starkly diaphanous wreckage of post-nuclear Manhattan, it follows an eccentric contingent of Soviet soldiers as they poke through the detritus of the past and contend with the mutants, cultists, aliens, and other horrors that inhabit the ruins. The comic's striking art style is the result of an arduous process, using "Photoshop, live actors, dead actors, sexy assistants, greenscreen, a camera, and a Wacom tablet" to composite "6 years worth of textures: 1 terabyte of stock footage, shot in real abandoned, forgotten places of our world." This multimedia ambition has burgeoned into plans for a community-powered animated/live-action web series (teaser video, animatic, fanart). While waiting for that to come together, be sure to spend some time on Kimmo Lemetti's excellent Gone With the Blastwave (previously), a very similar webcomic project with a more subdued palette that turned out nearly fifty pages of richly-illustrated post-apocalyptic humor before going on indefinite hiatus.
Social news site Reddit recently held their "Best of Reddit 2010" awards honoring key players in the site over the last year, including the progenitor of the Rally to Restore Sanity, the clever drive-by cartoonist Sure_Ill_Draw_That, unofficial image host Imgur, and feel-good story of the year "Today you, tomorrow me." But perhaps most interesting was the winner for Best Big Community: FFFFFFFUUUUUUUUUUUU! Originally inspired by 4chan's popular Rage Guy meme, F7U12 (for short) is a clearinghouse for user-made web comics, slice-of-life affairs that tell a story or share a common frustration using a small collection of crudely drawn yet highly evocative facial expressions. Several have become small memes in their own right -- the wily Trolldad, the doormat Okay, the prideful Fuck Yea, the melodramatic Gasp. And one comic, inspired by the warped text randomly generated by reCAPTCHAs (previously), has given us Lord Inglip -- god of a dark religion now rivaling FSM whose cryptic commands marshal loyal armies of gropagas, falcows, Sellicks, and... canary into exploits both monstrous and inconvenient (timeline, wiki). Obey him -- or else! More fun with F7U12: rage face origins, rage faces in real life, Twitter feed, search comics, create your own (alternate).
Futurama has always been a haven for geek humor, but last week's episode "The Prisoner of Benda" pushed things to the next level. First hinted at in an American Physical Society interview with showrunner David X. Cohen (previously), staff writer and mathematics Ph.D. Ken Keeler devised a novel mathematical proof based on group theory to resolve the logic puzzle spawned by the episode's brain-swapping (but no backsies!) conceit. Curious how it works? Read the proof (in the show or in plain text), then see it in action using this handy chart. Too much math for a lazy Sunday? Then entertain your brain with lengthy clips from the episode -- including two of the funniest moments in the series in the span of two minutes.
Almost Everything by Kirby Ferguson: A web series featuring a good-natured Canadian geek who uses slick, fast-paced video presentations to comment on the world's ills. Episodes: Apple's Stealth Jabs at Microsoft - Protecting and Maintaining Your Heterosexual House of Cards - Americans Love Lists - Trajan is the Movie Font - Thank You For All the Butt Cracks - Passive Resistance, Like Gandhi - Punchline Piracy - The Fag Bomb - I Love Progress Bars - Slumdog Controversy - The Distraction Machine - Talent is Hard Work - 2012 and the Conspiracy Conspiracy - I Don't Care About Tiger Woods' Penis (An Open Letter to the American Media). Like the background music? The full soundtrack by Windom Earle is available for preview or download on Amazon. A product of Goodiebag.tv (YouTube, Twitter, Facebook, blog, more videos).