The Disabled Life is a Tumblr by two Canadian sisters with comics that illustrate how everyday experiences impact people with a disability compared to their non-disabled counterparts. For example: they've heard them all before.
Olympus Overdrive is a webcomic in which the gods of Greek mythology compete to replace Zeus as the ruler of Olympus. Each deity is rebooted into the modern world and bound to a mortal companion, and together they must try to defeat the other teams. The winner immortal gets Zeus's Thunderbolt, while the winner mortal gets anything they desire. [Via]
The Economist on the decline of British boy's comics as The Dandy ceases print publication. As it circles oblivion it risks joining the ranks of Whizzer and Chips, Buster, The Beezer and subversive late entry to the genre Oink. The days of the Great British girl's comic are sadly long passed.
A 3 hour podcast interview (part 2 here) with British comics legend Pat Mills, most famous for the anti-war WW1 strip Charley's War, the creation 2000ad and many of the most enduring characters within it, superhero hunter Marshall Law and numerous other comics. His work usually combines combines dark humour, a dash of left wing politics and ludicrous amounts of violence, now as much as ever with puritan zombie hunter Defoe. Subjects discussed in the intreview include the death of artist John Hicklenton, being Irish-English, Sláine and the comparitive lack of celtic heroes in modern popular culture, Oliver Cromwell and the Levellers. Bonus link: 20 pages of Metalzoic, Pat Mills and Kevin O'Neills "lost" story.
PORTRAIT-DEX! Cartoonists create Pokémon self-portraits, with all three evolved forms. Featuring, among other fine artists, Scott Kurtz (PVP), Box Brown (Everything Dies, Bellen!), Anthony Clark (Nedroid), Aaron Diaz (Dresden Codak), and Steve Wolfhard (Cat Rackham), who also runs the project.
Monster Commute: A webcomic about the hell that is driving to work in the cute Orwellian steampunk monster-infested mirror universe of Monstru. [more inside]
"By 'grawlixes', I mean icons representing unprintable words, occurring within speech balloons belonging to characters who are agitated." – Gwillim Law. Via Ben Zimmer's post at Language Log on Obscenicons a century ago.
Punch Cartoons has over 8000 cartoons from the pages of Punch, the long-running British satirical magazine. It cast its eye on everything from quintessentially British entertainment to children's books to computer games to optometrists. Punch ran from 1841 to 1992 and was relaunched in 1996 and finally closed shop in 2002. You can read up on the history of the magazine on their website and if you want to read some old issues to see what they were like, Project Gutenberg has quite a few. [Punch previously]
Why chicks cry. Images of women and girls crying, taken from DC romance comics 1957 to 1968. [more inside]
How bad does All-Star Batman and Robin suck? Super-bad, apparently. Tales from the Long Box (and it's predecessor Hey Dork! Let's talk comics - all about halfway down the linked page) at i-mockery.com continue the fine tradition of providing perspective on both the anciently awful (such as the transcendental Superman Jr and Batman Jr's Excellent Adventure - Saga of the Super Sons) and the up-to-the-minute. So why is it more fun to read about comics these days than to read the things themselves?
Kill Bill + Harry Potter = Kill Harry, featuring cameo appearances by Bender the robot, Bruce Campbell, and Zombie Rick James, bitch.
Have you hugged a psycho killer today? Possibly the best black humour on the whole of the Internet! Jason meets Dilbert... kinda