Folger Shakespeare Library Releases 80,000 Images for Creative Common Use. The Folger Shakespeare Library announced yesterday, that they have released the contents of their Digital Image Collection under a Creative Commons Share-Alike (CC-BY-SA) license. Full database can be accessed here.
Biomedical Ephemera, or, a Frog for your Boils is "A blog for all biological and medical ephemera, from the age of Abraham through the era of medical quackery and cure-all nostrums. Sometimes featuring illustrations of diseases and conditions of the times, sometimes fascinating ephemeral medical equipment, and sometimes clippings and information about the theories themselves." The archive page is also a useful starting point. via Things Magazine.
Stephen Biesty is an award-winning British illustrator famous for his bestselling "Incredible" series of engineering art books: Incredible Cross-Sections, Incredible Explosions, Incredible Body, and many more. A master draftsman, Biesty does not use computers or even rulers in composing his intricate and imaginative drawings, relying on nothing more than pen and ink, watercolor, and a steady hand. Over the years, he's adapted his work to many other mediums, including pop-up books, educational games (video), interactive history sites, and animation. You can view much of his work in the zoomable galleries on his professional page, or click inside for a full listing of direct links to high-resolution, desktop-quality copies from his and other sites, including several with written commentary from collaborator Richard Platt [site, .mp3 chat]. [more inside]
Nearly three decades ago, folklorist Alvin Schwartz published Scary Stories to Tell in the Dark, the first of three horror anthologies that would go on to become the single most challenged book series of the 1990s. But most of the backlash was against not the stories themselves (which were fairly tame), but rather the illustrations of artist Stephen Gammell. His bizarre, grotesque, nightmarish black-and-white inkscapes suffused every page with an eerie, unsettling menace. Sadly, the series has since been re-issued with new illustrations by Brett Helquist, of A Series of Unfortunate Events fame. Luckily for fans of Gammell's dark vision, copies of the old artwork abound online, including in these three image galleries: Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, Scary Stories 3: More Tales to Chill Your Bones. Interested in revisiting the stories themselves? Then don't miss the virtual re-enactments of YouTube user MoonRaven09, or the dramatic readings of fellow YouTuber daMeatHook.
From cops vs. hoods and other toughies to mad science and dramatic ledges and bridgewalkers, a vast and entertaining collection of vintage pulp art categorized into themes.
If you are a fan of longtime MeFite peacay's extraordinary blog, BibliOdyssey - and who isn't? - you can now get the coffee table version, The Annotated Archives of BibliOdyssey. (Or, in the U.S.) Forward by artist Dinos Chapman (NSFW). Kudos, peacay! Via.
First, interrobang got the ball rolling with his cool illustrations that can be shuffled in any order to create a new continuous panorama. Cortex added some coded widgetry to automate the process, creating a neat little toy. Then taz and iconomy joined in with their own creative spin. It's nice to see a contemporary techno version of the polyrama, a fine creative tradition dating back to the mid 1800s.
Wonderfully surreal. Five galleries of (literally) fantastic, mostly figurative images by Maggie Taylor. Serendipity has me reading Perdido Street Station at the moment, and these quaintly eerie portraits seem almost as though they could have been plucked from Miéville's mythic population of bizarre Remades, uncanny constructs and outlandish alien races. Beautiful. (Click the eye.)
The Fantastic in Art & Fiction - Cornell University's bank of nearly 300 images of the fantastic, the grotesque, the macabre, the marvelous and more "from works spanning a period from medieval manuscripts and printed incunabulae, to the early twentieth century."