"There’s no way to know whether Kitty is feeling something or simply manipulating her audience into feeling something, and whether that distinction even matters becomes arguable at a certain point—precisely what Infamous is about. " - for Scene Routes, Mike D'Angelo talks about the opening scene to Infamous.
"Much has been said about the storytelling techniques of 'Serial,' which comes out in weekly installments even as the show’s host, Sarah Koenig, reinvestigates the conviction of a Baltimore-area teenager for the murder of his ex-girlfriend. The serialized approach teases its audience with cliffhangers, prompts its listeners to construct their own theories and invites outsiders to glimpse the tricky winnowing process of reporting. But 'Serial' also testifies to how much the criminal justice system itself is founded on storytelling." (Laura Miller, Salon: The new "In Cold Blood" revisionism: Why it doesn't matter if Capote’s classic wasn't fully true) [more inside]
An unpublished interview with novelist Sol Yurick by BLDGBLOG's Geoff Manaugh. "[S]uppose we think of The Iliad as one big trade war. Troy, as you know, sat on the route into the Black Sea, which means it commanded the whole hinterland where people like the Greeks and the Trojans did trading. The Trojan War was a trade war." (previously on the 2013 passing of the writer of The Warriors) [more inside]
You will never have anything else. You will never write another sentence above the level of In Cold Blood. As a writer you are finished. William Burroughs’ Curse on Truman Capote (full text of the letter)
In Cold Blood, 50 Years On : The Guardian takes a look at Holcomb, Kansas 50 years (to the day) after the crimes depicted in Truman Capote's In Cold Blood.
In Cold Blood. Forty-five years ago today, the bodies of four members of the Clutter family were discovered in Holcomb, Kansas. The killers made off with $40 and a transistor radio. This New York Times report inspired Truman Capote to write what he called the first "non-fiction" novel. There are other accounts of the murders, including one that says the book is not honest. In 1996, Capote and George Plimpton discussed creative journalism and the book in a long interview. (Plimpton's own biography of Capote details some of the liberties Capote took.) [All links SFW.]