“It is going to be rough for us Top 20 publishers. It will be epic for anyone smaller. Lots of folks will vanish due to this, even some bigger guys.” - Hard times ahead for indie comics: Diamond Distribution, which has an effective monopoly on American comics distribution, will be raising it’s wholesale benchmark, meaning many of the comiocs currently available in comics stores will soon be dropped. In a further blow to the adult comics market Diamond will be dropping that section from the print version of Previews, in favour of a PDF only available to retailers. Comics are about to get a whole lot blander.
posted by Artw on Jan 21, 2009 - 76 comments

Alien Breed + arena shooter + online highscores = Alien Deathmatch 2. Windows only.
posted by pancreas on Dec 18, 2008 - 7 comments

The Indie Band Survival Guide: A fantastic, free, 101 pages collection of useful information for musicians - covers topics such as recording, copyright, major label contracts, commercial radio, promoting your music, band websites, distribution, filesharing and live shows.
posted by Ira.metafilter on Feb 25, 2007 - 9 comments

2007 Independent Games Festival Finalists. Most have downloadable demo and full versions (on the PC, anyway). Share and enjoy.
posted by stavrosthewonderchicken on Jan 29, 2007 - 3 comments

Make an independent sitcom? These guys did. On a shoestring budget, a collection of very funny folk have created a 22-minute-long pilot episode of Break a Leg. Heavily influenced by Arrested Development, I found it funnier than most sitcoms I see on TV. The next episode is apparently a few months away.
posted by Wataki on Dec 1, 2006 - 35 comments

The Room: The Movie. Triple-threat (actor/writer/director) Tommy Wiseau made his cinematic debut in 2003 with the The Room (see trailer and various scenes), "a blend between a softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual looking and sounding-with an unidentifiable Eastern European accent-leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem the apotheosis of cinematic self-restraint...may be something of a first: A movie that prompts most of its viewers to ask for their money back-before even 30 minutes have passed." - Variety), allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals). Audience members, including comedian David Cross, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit sex scenes and, of course, the enigma of Wiseau himself" as the film played monthly for years in Los Angeles. Available on DVD, diehard "roomies" swear by the theatrical experience, shout out their own commentary, hurl spoons at the screen and singalong to the soundtrack. Some call it "The Rocky Horror of the New Millenium" and stage "Room" parties. If you look at the marketing campaign or survived a screening you might see The Room as "a seminar on how NOT to make a movie." [Inspired by Boing Boing]
posted by boost ventilator on Jun 1, 2006 - 28 comments

Publishers must die, claims Greg Costikyan, industry insider. But can he win out in the end, or is his princess in another castle? It seems that Mr. Costikyan is putting his money where his mouth is. I'm pulling the trigger. At this point, I have no funding, other than a little money myself; nothing ready to launch, either. But I do have a partner, the offered support of some other companies, a clear sense of what I need to accomplish in the next few months, and a draft (not a final one) of a business plan and financials. This is, of course, terrifying. Mr. Costikyan mentioned previously here and here. [via] [personal opinion inside]
posted by shmegegge on Sep 28, 2005 - 26 comments

I don't know what "independent film" means. At a time when the Weinsteins are trying to extricate themselves from Disney, it seems an appropriate question to ask. There are Indie films (non-industry money) that are supposed to imitate fancy hollywood films, there are new studios being opened outside of LA by Wealthy Christians in Denver hoping to convert through CS Lewis movies and there are Garden State, Lost in Translation, Eternal Sunshine etc. which are like other Hollywood films: have stars, and studio money but are marketed as "Independent Films." What makes these independent? Finally, and seemingly too infrequently, there are privately financed and self-distributed unusual films like Assisted Living which despite their obvious merits and the critic's adoration are presumably ignored by the studios, blasted by the brain-numbing EW and distributed instead by the two young first-time filmmakers Why can't we see more non-hollywood and non-hollywood espousing independent ART on the screen? Why do we let every other multi-million dollar romantic comedy be sold to us as "indy" just because it has a quirky soundtrack or aesthetic sensibility. What can we do about it? I'm going to the movies. You?
posted by tallbuildings on Apr 15, 2005 - 30 comments

Jesus Christ Vampire Hunter
posted by Mwongozi on Sep 9, 2004 - 18 comments

The Son of God and Mexican wrestler El Santos team up to fight evil in Jesus Christ: Vampire Hunter!
posted by the biscuit man on Sep 19, 2002 - 18 comments