무키무키만만수 (Mukimukimanmansu) is a South Korean indie band that's gone mildly viral thanks to a thirty second clip from a television performance of their song Andromeda. The acoustic guitar and janggu drum duo released their first album 2012 in the eponymous year, and they played other songs off that album on television, which have been gathered into a handy playlist by YouTube user HachikoTanuki. Here are a few other videos: Studio versions of 내가 고백을 하면 깜짝 놀랄거야, 2008년 석관동, 너의 선물; television performances of 방화범 (with guests) and 투쟁과 다이어트; music video maker Vio Kim has recorded them many times, including up close at a concert last year (1, 2, 3, 4, 5); here they are performing with a jazz band earlier this year. And finally, here are demos they made in 2011.
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An independent Pakistani musician, Asfandyar Khan, writes up the indie scene in Pakistan.
In the last decade, no organ of music criticism has wielded as much influence as Pitchfork. It is the only publication, online or print, that can have a decisive effect on a musician or band’s career.... [W]hatever attracts people to Pitchfork, it isn’t the writing. Even writers who admire the site’s reviews almost always feel obliged to describe the prose as “uneven,” and that’s charitable. Pitchfork has a very specific scoring system that grades albums on a scale from 0.0 to 10.0, and that accounts for some of the site’s appeal, but it can’t just be the scores.... How has Pitchfork succeeded where so many other websites and magazines have not? And why is that success depressing? A lengthy history and review of Pitchfork [Media], from an inexpensive online alternative to a music zine, to "indie" music kingmaker, and thoughts on pop music (criticism). [more inside]
Canadian Independent Radio. CBC Radio 3 has over 25,000 uploaded artists, broadcasting on satellite and streaming on the web. The programming mix is "100 per cent Canadian music on both platforms" with exceptions for collaborations. Previously here and here.
Music Hack Day heads back to Boston October 16 and 17. Music Hack Day is a free-to-attend 24-hour convergence over two calendar days designed to throw together programmers, musicians, artists, conceptualizers, and, of course, marketers and promoters. "Music + software + hardware + art + the web. Anything goes as long as it's music related." Music Hack Day London just ended (September 4, 5). My favorite (and the MHD-London winner!) was Speakatron, which is WebCam + Software = Goofy Fun! (related, previously) [more inside]
Touch and Go Records, distributor for Drag City, Merge, and Kill Rock Stars (among others) has announced they will be cutting their distribution service and scale back to being a record label only.
Jeffrey Lewis brings you The Complete History of Punk Rock and Its Development on the Lower East Side (1950-1975) in eight and a half minutes. [more inside]
The Internet Hype Machine Bubble. Idolator has an introspective on the boom and bust cycle of the online indie music scene, focusing on the band Black Kids, who with only one EP under their belt, are already being hyped to an extreme extent. With the conversation taking prominence over the music itself, are we seeing the dark side of the Cluetrain? [more inside]
The Superfantastics, a catchy, pop indie music band from Halifax, Nova Scotia, recently completed work on a music video, Tonight, Tonight. Innovative and cute!
"So I think we maybe have this sort of snobbish reputation. But we're just really honest, opinionated music fans." (via)