A Mother Jones Investigation: Fully Loaded: Inside the Shadowy World of America's 10 Biggest Gunmakers. [more inside]
The entirety of Greene Street in SoHo is pretty short, as New York City streets go -- just five blocks long. Walk along it today between Houston and Prince Streets and you’ll pass an Apple Store, a Ralph Lauren store, and a variety of other high-end retailers. A hundred and forty years ago, you’d be walking by brothels. A new website, The Greene Street Project: A Long History of a Short Block, covers more than four hundred years of that one block section -- just 486 feet long -- illustrated with photographs, maps, newspaper clippings, survey data, and charts. [more inside]
"With over 200 breweries, Oregon is often considered the craft beer capital of America. Beer geeks and casual drinkers across the country can also thank the state’s farmers for their brews: hops, the essential ingredient that gives beer its bitter flavor, is a rare crop throughout the U.S. but not in Oregon. Last year, Oregon State University established the Oregon Hops & Brewing Archives (OHBA), the first archive in the U.S., dedicated to preserving and telling the intertwined story of hop and beer production and the craft brewing movement. They're posting materials from their collection to Tumblr, Flickr and Zotero.
Filmmaker IQ offers an extensive variety of free online courses, articles and tutorial videos for aspiring filmmakers. Their image gallery is also fun to browse through. [more inside]
In 2003, the New York Times published a lengthy article by Lisa Belkin about women who were choosing to leave the workforce to be stay-at-home moms: The Opt-Out Generation. In the the last ten years, the article's conclusions regarding upper-middle-class women's choices about work and motherhood have been debated, studied, rediscovered, denied, lamented, and defended. It's been noted by many that "most mothers have to work to make ends meet but the press writes mostly about the elite few who don’t." Ms. Belkin's piece also never mentioned what what a disaster divorce or the death of a spouse can create for dependent women in such situations. After a decade, the Times is revisiting the topic: The Opt-Out Generation Wants Back In.
Rape in the Fields is a Frontline documentary that explores the persistent allegations that female agricultural workers in the U.S. are frequently sexually assaulted and harassed by supervisors who exploit their (often undocumented) immigrant status. Victims typically do not seek help from US law enforcement, either out of fear that they will be fired, deported or worse, or from a lack of understanding of U.S. law. Reviews: Popmatters. NY Times [more inside]
"On an average afternoon in the area around 44th and Broadway in Midtown Manhattan, you’ll find a motley crew of Chewbaccas, Buzz Lightyears, and Minnie Mouses — along with the usual Naked Cowboy and face-painted Statues of Liberty—posing for tourists’ pictures and demanding cash in return." Condé Nast Traveler editor Eimear Lynch spent a couple of days dressed up as Cookie Monster to see what it was like. Video. [more inside]
"Trusting your child with someone else is one of the hardest things that a parent has to do — and in the United States, it’s harder still, because American day care is a mess. About 8.2 million kids—about 40 percent of children under five — spend at least part of their week in the care of somebody other than a parent. Most of them are in centers, although a sizable minority attend home day cares.... In other countries, such services are subsidized and well-regulated. In the United States, despite the fact that work and family life has changed profoundly in recent decades, we lack anything resembling an actual child care system. Excellent day cares are available, of course, if you have the money to pay for them and the luck to secure a spot. But the overall quality is wildly uneven and barely monitored, and at the lower end, it’s Dickensian."
Ephemeral New York 'chronicles an ever-changing, constantly reinvented city through photos, newspaper archives, and other scraps and artifacts that have been edged into New York’s collective remainder bin.' [more inside]