The Kantar Information is Beautiful Awards 2014 celebrate excellence and beauty in data visualizations, infographics and information art.
Artist and film-maker, Hito Steyerl, asks us to stand shoulder to shoulder with our digital equivalents. Digital images are Things (like you and me) - a plethora of compressed, corrupted representations pushed and pulled through increasingly policed and capitalised information networks. If 80% of all internet traffic* is SPAM - a liberated excess withdrawn** from accepted channels of communication - perhaps it is in The Poor Image we find our closest kin? [more inside]
Generative Typografie - experimental programmatic type and infographics (demos and text auf Deutsch)
“If you display information the right way, anybody can be an analyst,” Tufte once told me. “Anybody can be an investigator.” - The Washington Monthly interviews informaticist Edward Tufte [via]
John Jerome O'Connor produces infographics of a different sort. Subjects include; obesity and binge drinking by US state; cultural differences regarding personal space; the lottery; earthquakes and wars; offensive words on TV; differences between predicted and actual temperatures; and itches. (via) [more inside]
The Coenfographic (large jpg), by Tom Muller, is a visual representation of actors in Coen Brothers films.
HINDSIGHT IS ALWAYS 20/20 is an information art piece. Artist/composer R. Luke DuBois [previously] manipulated the text of individual State of the Union addresses from each presidency, sorting the words according to frequency of use, to generate a Snellen eye chart for each President. [more inside]
Max Gadney works at the BBC in London, but he also creates graphics and infographics for WWII Magazine in the US. (Flickr Photostream).
The Agrippa Files presents a fairly expansive overview of the original and very rare 1992 art book Agrippa (a book of the dead), a collaboration between artist Dennis Ashbaugh, author William Gibson, and award-winning journalist Kevin Begos, Jr. that presciently explored the ephemeral nature of and decay of memories and information. [more inside]
There is nothing wrong in this whole wide world. Artist Chris Cobb convinced Adobe Bookshop in San Francisco to allow him to reclassify 20,000 books based solely on their color. The result is like something out of a dream. Here are some pictures, and here's an interview with him.