Sure, the follies of art-speak are easy to laugh at, but often criticism of it begins and ends with a dismissive chuckle – which ignores profounder problems. Why should academic terminology be the default vehicle for discussing art? Why is there such an emphasis on newness, schism and radicality? Even when the art itself may be enjoyably throwaway, language pins it to deathlessly auratic registers of exchange. This suggests a subliminal fear that, if the subject in question is not talked up as Big and Culturally Significant, then the point of fussing over it in the first place might be called into question, bringing the whole house of cards tumbling down - Dan Fox, the associate editor of frieze magazine, discusses the contemporary art scene in detail.
The Images of Eyes Gallery exhibits images and paintings of eyes by international artists, featuring work from about 200 artists from Algeria to Zimbabwe. Gallery I contains figurative paintings, oil and watercolor paintings, portraits, charcoal and ink drawings, lithographs, sculpture, digital, and other fine art content. Gallery II exhibits nude paintings, so may be NSFW.
Photoblogging becomes international There are photoblogs from China, Iran, Indonesia, Malaysia, and Israel. How about photoblogs by languages: Persian, Chinese, and Malay.