From deities to data - "For thousands of years humans believed that authority came from the gods. Then, during the modern era, humanism gradually shifted authority from deities to people... Now, a fresh shift is taking place. Just as divine authority was legitimised by religious mythologies, and human authority was legitimised by humanist ideologies, so high-tech gurus and Silicon Valley prophets are creating a new universal narrative that legitimises the authority of algorithms and Big Data." [more inside]
In his follow-up to Sapiens, Yuval Noah Harari envisions what a 'useless class' of humans might look like as AI advances and spreads - "I'm aware that these kinds of forecasts have been around for at least 200 years, from the beginning of the Industrial Revolution, and they never came true so far. It's basically the boy who cried wolf, but in the original story of the boy who cried wolf, in the end, the wolf actually comes, and I think that is true this time." [more inside]
After leading with a cover story criticizing Xi Jinping (otoh) The Economist has been censored in China; Time too and now Medium. [more inside]
A Journal of Insomnia is an interactive documentary that only comes alive at night. Make a nighttime appointment to experience a sleepless night through stories, images and webcam videos shared by the insomniac of your choice. [more inside]
As newsrooms disappear, veteran reporters are being forced from the profession. They dedicated their lives to telling other people’s stories. What happens when no one wants to print their words anymore?
Lo and Behold: Reveries of the Connected World - "With interviewees ranging from Elon Musk to a gaming addict, Werner Herzog presents the web in all its wildness and utopian potential in this dizzying documentary." (via)
MetaFilter is long familiar with the dichotomy between Ask Culture and Guess Culture. Alice Maz, a programmer writing for the new group blog Status 451, has described another common dichotomy between “harmonious emotional experience” and “information sharing”, and what happens when the two meet. (In short: “Harsh words may be exchanged, and everyone exits the encounter thinking the other person was monumentally rude for no reason.”) [more inside]
Everyone you know will be able to rate you on the terrifying ‘Yelp for people’ — whether you want them to or not
As part of an emerging online technologies project, the BBC set up Island Blogging in the early 2000s to allow residents of three groups of sparsely populated and often windswept Scottish islands (the Outer Hebrides or Western Isles, Argyll and Clyde Islands and the Northern Isles) to blog for free. As nearly all were on often unreliable dial-up, the service was simple and web-based, allowing comments (by anyone) and posts and pictures (blogging residents only). Moderation and rules were light; controversies were infrequent. [more inside]
How the Internet Changed the World of Fashion: from seapunk and normcore to vaporwave and health goth.
Each week, the Internet Archive's tumblr account is completely transformed by a digital resident along a theme of their choosing. [more inside]
"With a flood of dark memes and viral horror stories, the internet is mapping the contours of modern fear" - How creepypasta is reinventing folklore, via io9.
There is a fundamental disconnect between large-scale, for-profit media and the crushing power of enthusiasm, which is that when they try to control it, it instantly isn't real. It's patently unreal. It's excitement given life by force, Pet Sematary-style. But when they don't control it, it isn't profitable. And that means that when they run into people excited about their stuff, they vacillate between an Ebenezerian lack of generosity and a Professor-Harold-Hillian smarm. To own enthusiasm and to exploit it are competing instincts, much as they often seem to be twins. You can, in fact, sometimes best exploit it — or only exploit it — by leaving it alone. -- In what could be considered a Metafilter Manifesto, Mefi's own Linda Holmes takes on the multivariate economics of fandom and the internet.
How The Economic Machine Works by Ray Dalio actually makes a case against austerity and for redistribution, but also for money printing (and, arguably, for bailouts), while stressing the need to keep making productivity-improving public and private investments. However, it could be equally entitled: How The Industrial Age Political-Economy Doesn't Work Anymore, viz. Surviving Progress (2011)... [more inside]
The Internet's Love Affair With Introverts Online might just be the introvert's natural environment, where conversations can be staged, staggered and stopped at their discretion – all from a distance. Thoughts can be edited to perfection, solitary hobbies and pursuits can be meticulously researched before being shared online, friendships maintained without the obligation to meet face-to-face … plus it's never been easier to uncover other introverts and forge friendships without the inconvenience of meeting.
Too much information: Our instincts for privacy evolved in tribal societies where walls didn't exist. No wonder we are hopeless oversharers. [Via]
Reflecting upon 14 years of blogging and observing internet communities, Anil Dash proposes 10 Rules of the Internet, based upon the lessons that he learned during that time. (via ★interesting; anildash previously on Metafilter)
"Its not like we all sat in silence and stared blankly at our TVs waiting for the Internet to show up. We have probably always had vernacular webs of communication." Digital studies scholar Robert Glenn Howard talks about vaccines, the Christian right [PDF], AC/DC guitar tutorials and other "born-digital folklore" on the "vernacular web."
Every minute a new impossible thing is uploaded to the internet and that improbable event becomes just one of hundreds of extraordinary events that we'll see or hear about today. The internet is like a lens which focuses the extraordinary into a beam, and that beam has become our illumination
Geek Masculinity and the Myth of the Fake Geek Girl - why we get things like the "Imposter" ad and the Tony Harris rant.
"If you’re not getting it wrong really a lot when you’re creating imaginary futures, then you’re just not doing it enough."
Wired talks to William Gibson: on Why Sci-Fi Writers Are (Thankfully) Almost Always Wrong, on Twitter, Antique Watches and Internet Obsessions, and and on Punk Rock, Internet Memes, and ‘Gangnam Style’.
Both inside and outside the walls of Facebook, the story of social games has become one of dead geese and golden eggs, flatlined growth, formulaic games and shady practises. Many warned that the sector was slowing down, but sometimes giants need to fall. It needs to get bad enough before people start to really consider what's next... So what comes next?
In yet another attempt to bring order and usefulness to the comments section of a high traffic news site, Gawker has implemented a new comment system. They are borrowing the basic concept from Slashdot that most comments will never be seen, and thus the focus is to find the interesting conversations that do occur under the article, and promote them with no regard for chronological order . The system shows some promise, although it clearly has a ways to go as a recent article failed to highlight replies in the comments from the subject of the article. Also of note, the photo of Nick Denton used in the article is by MeFi's own mathowie.
The Mommy-Fight Site. What does it mean to raise a child in "America’s highest-income, best-educated Census area? D.C. Urban Moms and Dads might be as close as it gets to a field guide to parentis Washingtonianis" [more inside]
Fungible: A treatise on fungibility, or, a framework for understanding the mess the news industry is in and the opportunities that lie ahead. The younger the person you ask, the less likely it is you’ll find that link between wanting to know what’s going on and grabbing a paper or opening up a news website. They use Pinterest to figure out what’s fashionable and Facebook to see if there’s anything fun going on next weekend. They use Facebook just the same to figure out whether there’s anything they need to be upset about and need to protest against.
"In almost all cases it is not possible to bring a civil action against" a website that hosts your nude images posted without your consent.
This past July, Forbes blogger Kashmir Hill posted a three-part series about "online defamation and involuntary nudity." The first entry focused on an offender: Hunter Moore, owner of IsAnyoneUp.com (Link is NSFW.) The second entry focused on a victim: Paul Syiek, whose company was defamed by a disgruntled ex-employee on the consumer website Rip-off Report. The third profiled a Senior Copyright attorney at Microsoft, Colette Vogele, who co-founded a side project this year to help victims: WithoutMyConsent.org. [more inside]
On October 18, Wired embedded a reporter with both Anonymous and the #Occupy movement, calling both "a new kind of hybrid entity, one that breaks the boundaries between “real life” and the internet, creatures of the network embodied as citizens in the real world." The first entries in Quinn Norton's ongoing special report: Anonymous 101: Behind the Lulz were posted today. Coverage from Wired's other special report, Occupy: Dispatches from the Occupation are already online. NPR: Members Of Anonymous Share Values, Aesthetics [more inside]
"While we still live in a sexist society, any woman who sticks her head above the parapet will encounter misogynistic abuse."
"You should have your tongue ripped out." Female bloggers speak out about misogynist comments, rape threats and death threats. [more inside]
She Was A Camera. Melissa Gira Grant writes about camgirl culture. (NSFW?)
If your website is full of assholes, it's your fault. from Anil Dash. [more inside]
Wikipedia And The Death Of The Expert - "McLuhan prefigured the Internet era in a number of surprising ways. As he said in a March 1969 Playboy interview: 'The computer thus holds out the promise of a technologically engendered state of universal understanding and unity, a state of absorption in the Logos that could knit mankind into one family and create a perpetuity of harmony and peace' ... Wikipedia, along with other crowd-sourced resources, is wreaking a certain amount of McLuhanesque havoc on conventional notions of 'authority', 'authorship', and even 'knowledge' ... Knowledge is growing more broadly and immediately participatory and collaborative by the moment."
Facebook needs a facelift. The Pros and Cons of Facebook's Design. A concept redesign by Bruce Mau Design. [more inside]
The rise of the f*** yeah tumblrs has been noted on MeFi, but with the appearance of Is it a F*** Yeah!?, it's easier to find curious FYTs. So in addition to the obvious cats, sharks and what have you, one might happen upon modernism, Hamlet, e.e cummings, chinchillas, archeology, Romania, The Kinks, weather, and ballet.
UK adoption agencies are reporting "huge numbers of calls from 'deeply distressed' adoptive parents whose children have been contacted" through Facebook and other social networking sites, in violation of the traditional, confidential reunion process between birth parents and their offspring who have been placed with other families. Full report from Channel 4. [more inside]
A South Korean couple meet online, make a real baby and neglect her -- to the point of starvation -- while raising a virtual child. [more inside]
Corey Arcangel is perhaps the internet's most infamous hack, masher-upper, digi/net artist. His work stands for a growing culture of artists who run wildly through animated GIF landscapes populated with corrupted data-compressed bunny rabbits and tinny, MIDI renditions of Savage Garden ballads. As the Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net art be set to infect the real, fleshy world, like a rampant Conficker Worm? Has YouTube become the truest reflection of our anthropological selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore, hoping, in time, that digi art can free us from the confines of this fleshy void? [...previously]
The overall effect is like listening to an erudite gentleman employing $20 words while he screams at a bunch of punk kids to get off his front lawn. A review of Mark Helprin's Digital Barbarism : A Writer's Manifesto. [more inside]
Been overjoyed with hulu and other online internet television sources? You need to know about Miro, the video podcast tracker and media display program for everyone. [more inside]
A tempest in a Livejournal: It starts with author Elizabeth Bear's post Writing for The Other. Or maybe it started with Jay Lake's Thinking about the Other. It leads to a wide ranging, intense and angry debate on the portrayal of ethnicity in fiction, culture and the media. Avalon's Willow responds with an open letter on the racial content in one of her books, and relates it to media portrayals of ethnic peoples. Deepa D follows up with a post on, cultural appropriation. And then things get intense. [more inside]
Anthropologists in the digital domain tend to be a day late and a dollar short as far as us early adopters are concerned, but Michael Wesch managed to capture the popular imagination with his YouTube video, The Machine is Us/ing Us. He recently gave a presentation to the Library of Congress titled An Anthropological Introduction to YouTube in which he talks about the best of the web (not to be confused with The Best of The Web.)
E-motional breakdown: The state of e-mail misery. Is email finally at the breaking point? My inbox is so oversaturated I need professional advice to avoid bankrupcy. Or maybe I'll just wait it out -- the kids might know best.
Reality Sandwich is a new web magazine whose subjects "run the gamut from sustainability to shamanism, alternate realities to alternative energy, remixing media to re-imagining community, holistic healing techniques to the promise and perils of new technologies." Daniel Pinchbeck, the author of Breaking Open the Head, is the editorial director of the site. [Via Disinformation.]
MITV: A how to for internet video production, from the friendly people at the Participatory Culture Foundation (makers of the Democracy Player).
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