The Federal Communications Commission has announced that they would propose new rules allowing content providers to pay ISPs for priority "fast lanes," reversing their earlier position and effectively rejecting the principle of net neutrality held since the earliest days of the internet. The full set of proposed rules will be announced on May 15. [more inside]
#PostModem [SLVimeo,nsfw:nudity] is "a comedic satirical sci-fi pop-musical based on the theories of Ray Kurzweil and other futurists. It’s the story of two Miami girls and how they deal with the technological singularity, as told through as series of cinematic tweets." [more inside]
How I got here in the end. Picture this: you're a former drug dealer who has turned to hacking for a living. You're crashing in an apartment a bit older than Texas, surrounded by about seventeen computers, sleeping on a futon with a girlfriend with metre-long purple dreadlocks, and planning your defection from one net-based futuristic corporation to another over Korean take-away food. [more inside]
Jeremy Rifkin posted an article today on HuffPo titled The Internet of Things: Monopoly Capitalism vs. Collaborative Commons discussing his new book, The Zero Marginal Cost Society:The Internet of Things, the Collaborative Commons, and the Eclipse of Capitalism. Wikipedia's page on IoT is here. There was some debate on a recent NPR Science Friday about whether it should be called the Internet of Bits. See also, The Zero Marginal Society website.
Back in 2011, ICANN started taking applications to expand the list of generic top level domains (GTDLs) from 22 to ... a lot more, possibly 1,400 new names. This tidal wave of new GTLDs started with شبكة (shabaka, Arabic for "web"), then expanded from there. Enter the promotions of domain names no one will remember: .guitars, .sexy, .tattoo, and more. [more inside]
Eight years after the Million Dollar Homepage (previously) sold out its pixels and funded Alex Tew's college education, 22% of the page has fallen victim to link rot. Article inspired by musings from our own Fearless Leader.
Chief Scientist Demetrios Matsakis gives us a tour of the U.S. Naval Observatory's Time Services and explains where time comes from.
Each week, the Internet Archive's tumblr account is completely transformed by a digital resident along a theme of their choosing. [more inside]
“It isn’t just the crazy cat ladies, although they’re there in droves. It’s the six year-olds chanting the name of their favourite cats. It’s the hipsters there smoking cigarettes, hip-hop dudes, country dudes… It is the kind of thing where you have to learn to make everybody happy,”
Meet the people who hold the master keys to the internet. Hear all about their quirky sci-fi get together.
A Defense of Internet Linguistics --because "sometimes “AODEHwhddhwdwebw” is far more eloquent than saying “I’m so overtaken with emotion, I can barely type so I smashed the keyboard with my forehead.” [more inside]
On Valentine's Day, Netflix released the second season of House of Cards. 16 percent of Netflix users on one particular Internet service watched at least one episode of the show over the weekend, and shares of Netflix hit an all-time high of $439.49 on Thursday. But when, exactly, Does Watching a Lot of Netflix Become a 'Binge'?
The Day We Fight Back is a protest against mass surveillance. "The SOPA and PIPA protests were successful because we all took part, as a community. As Aaron Swartz put it, everybody "made themselves the hero of their own story." We can set a date, but we need all of you, the users of the Internet, to make it a movement. [more inside]
Visiting the Big Apple? "Don't ask a pedestrian where a certain street is. He is usually too busy to stop, and if polite enough to stop, won't know. No New Yorker knows anything about New York." And another kind reminder: "Don't gape at women smoking cigarettes in restaurants. They are harmless and respectable, notwithstanding and nevertheless. They are also smart." Advice from Valentine’s City of New York: A Guide Book, published in 1920. [more inside]
Keith Hampton, an associate professor in Rutgers' School of Communication and Information, filmed people in Bryant Park (among other locations) in an ongoing effort to recreate and update sociologist William H. Whyte's Street Life Project. [more inside]
Rodrigo Davis of the MIT Center for Civic Media is currently researching crowdfunding for civic and community purposes. Some of the issues he covers includes the ethics of crowdfunding (including Kickstarter's seduction guide debacle and Gawker's attempt to crowdfund a video showing Toronto Mayor Rob Ford smoking crack), a case study of Kansas City's crowdfunding campaign for their bikeshare program, a timeline of online crowdfunding since 2000, and how the Statue of Liberty was made possible via crowdfunding.
In 1994, Douglas Davis [personal blog] created The World's First Collaborative Sentence. Last summer, The Whitney Museum faced a new challenge: what happens to digital art when the technology becomes obsolete? [more inside]
Model View Culture is a new online publication that concerns itself with technology, culture and diversity. [more inside]
"It’s 1999. Popular search engines include Yahoo! Lycos, and AOL. Cable and DSL are peeking their heads out into a world of dial-up. Netscape Navigator is on the decline, and Internet Explorer 5 is the new hotness. People are using terms like “World Wide Web” and “Information Superhighway.” And meanwhile, in the background, Swatch is undergoing a wildly hubristic attempt to reinvent the very nature of time..." [more inside]
The Columbia Journalism Review interviews Evgeny Morozov: Evgeny vs. the internet
The entire Morozov aesthetic is in this sentence: the venom, the derision, the reverse jujitsu of his opponents’ sanctimony, the bald accusation that all the talk about a new age of human flourishing is nothing but an attempt to vamp the speaker’s consulting business. Tech enthusiasts channel hope. Tech skeptics channel worry. Morozov channels anger, and this can be a very satisfying emotion to anyone unconvinced that everything is getting better. Leon Wieseltier, who has published some of Morozov’s most acid criticism at The New Republic, compares him to the ferocious jazz musician Charles Mingus, who once responded to an interviewer who accused him of “hollerin’ ” by saying, “I feel like hollerin’.” I asked Morozov if he considers his Twitter feed, which spews a constant stream of invective and absurdist satire, to be performative. This was a bit like asking Mingus if he considers jazz performative. “Absolutely,” he said. “I consider it art.”[more inside]
The Atlantic attempts to explain how Reddit's Ask Me Anything became a "mainstream delight." [Previously]. [Even more previously]. [Even more previously than that]. [more inside]
"With a flood of dark memes and viral horror stories, the internet is mapping the contours of modern fear" - How creepypasta is reinventing folklore, via io9.
The State of the World 2014 Bruce Sterling and Jon Lebkowsky have started this year's WELL-based review.
Jesse Willms, the Dark Lord of the Internet. How one of the most notorious alleged hustlers in the history of e-commerce made a fortune on the Web.
Peter Scott (February 14, 1947 - December 30, 2013) worked in the Systems Department of the University of Saskatchewan (Saskatoon, Canada) Libraries from 1976 to 2005. One of the early library weblog writers, Peter is most well known for HyTelnet, an interface for Telnet services he developed from 1990. In his 1991 video, Peter demonstrates a later version of HyTelnet, while an archive lists the resources available through the service. [more inside]
Ryan Mullen was on the run for over 14 years. Then, a professional skip tracer named Michelle Gomez got on the case.
There is a fundamental disconnect between large-scale, for-profit media and the crushing power of enthusiasm, which is that when they try to control it, it instantly isn't real. It's patently unreal. It's excitement given life by force, Pet Sematary-style. But when they don't control it, it isn't profitable. And that means that when they run into people excited about their stuff, they vacillate between an Ebenezerian lack of generosity and a Professor-Harold-Hillian smarm. To own enthusiasm and to exploit it are competing instincts, much as they often seem to be twins. You can, in fact, sometimes best exploit it — or only exploit it — by leaving it alone. -- In what could be considered a Metafilter Manifesto, Mefi's own Linda Holmes takes on the multivariate economics of fandom and the internet.
"After two decades online, I'm perplexed. It's not that I haven't had a gas of a good time on the Internet. I've met great people and even caught a hacker or two. But today, I'm uneasy about this most trendy and oversold community. Visionaries see a future of telecommuting workers, interactive libraries and multimedia classrooms. They speak of electronic town meetings and virtual communities. Commerce and business will shift from offices and malls to networks and modems. And the freedom of digital networks will make government more democratic. Baloney. Do our computer pundits lack all common sense? The truth [is] no online database will replace your daily newspaper, no CD-ROM can take the place of a competent teacher and no computer network will change the way government works." A view of the Internet's future from February 26, 1995 at 7:00 PM
"(TL;DR summary: AT&T is buying entire legislatures to rewrite the laws to allow them to become a fully unregulated company with no wholesale obligations, creating a de-facto monopoly. They can (and likely will) use it to squash or hurt wireless competitors as well, as they're permitted to favor their own subsidiaries with the network built and created over a hundred plus year monopoly, and Comcast is fully on-board because they'd like to split the market created when all their competitors are dead)" Paul Timmins, the telco nerd behind TelcoData.US (Previously), expounds on how the big players in the telecom business (AT&T, Verizon, and Comcast) are ruining the future of connectivity in the US.
"Alt lit [previously] is accused of navel-gazing myopia, but technically any writing occurring outside of traditional institutions qualifies for the label. Everyone I know has written alt lit: every status update, every blog post, everything that has ever been said on Twitter. And Twitter, unbeknown to Jonathan Franzen, is especially literary...Which brings me to Heiko Julien," Author (and composer) of "I Am Ready To Die A Violent Death." [more inside]
The worst thing about cats is that you can't play with them unless you're physically present. Being elsewhere means being unable to play with a cat! It's a horrible situation, but now there's a solution. iPet Companion lets you select a shelter and control a camera and trigger toys in the selected shelter's kitty play room. If there's other people on that shelter's page, you'll have to wait your turn, but turns are two minutes long so there's rarely much of a wait.
Imgur began as a photo sharing site to be used by Redditors. It now outpaces Reddit in total traffic. What's next for the site?
Why Did 9,000 Porny Spambots Descend on This San Diego High Schooler? A voyage into the strange underworld of spambots, shady marketing, and non-human intelligence.
The Langner Group, based in Germany, has published the most detailed report yet on the Stuxnet malware that was used to sabotage Iran's uranium enrichment efforts. [more inside]
An Atlas of Cyberspaces An archive of late 90s cybergeography research: Conceptual (Neuromancer/Snow Crash/The Matrix), Geographic, ARPANET, Usenet, submarine cable systems, early African fibre optics, Cospace screenshots and a ton of 90s web visualisations. via silentservant in /r/techonolgy (reddit).
The best of Jerome Jarre, a hilarious young Frenchman who delights in singing on subways, violating personal boundaries, and grinning like a loon on Vine. Previously on MetaFilter.
What I think we forget–or worse, never even realized—is the extreme privilege often inherent in “digital literacy.” Yes, much of the Internet is free. But it takes time and energy to develop the skills and habits necessary to successfully derive value from today’s media. Knowing how to tell a troll from a serious thinker, spotting linkbait, understanding a meme, cross checking articles against each other, even posting a comment to disagree with something–these are skills. They might not feel like it, but they are. And they’re easier to acquire the higher your tax bracket. - The New Digital Divide: Privilege, Misinformation and Outright B.S. in Modern Media
"It was as if, while Mark Zuckerberg was still in high school, Bowie was bracing for the 21st Century, the demand for everyone to “share” accessible versions of themselves. The self as a business card, to be distributed to anyone who asked for it. He also saw opportunity: on 1 September 1998, he launched BowieNet." Pushing Ahead Of The Dame (previously, previously) takes a look at David Bowie's late-90s, technophile projects and the future they foreshadowed - Omikron: The Nomad Soul (& BowieBanc & BowieNet)
Rewarding friendly hackers who contribute to a more secure internet. "We've selected some of the most important software that supports the internet stack, and we want you to hack it. If the public is demonstrably safer as a result of your contribution to internet security, we'd like to be the first to recognize your work and say "thanks" by sending some cash to you or your favorite non-profit." This is a full disclosure bug bounty program, and all vulnerability reports will eventually be made public. Also featuring an Allie Brosh logo for The Internet.
An examination of how near-ubiquitous internet connectivity has reshaped our public spaces and social mores--and what to do about it: "It would be unfair to say [a person consulting her smartphone] isn’t engaged in the city; on the contrary, she may be more finely attuned to neighborhood history and happenings than her companions. But her awareness is secondhand: She misses the quirks and cues of the sidewalk ballet, fails to make eye contact, and limits her perception to a claustrophobic one-fifth of normal. Engrossed in the virtual, she really isn’t here with the rest of us."
These days, selfies are how we make ourselves real, to ourselves and to the outside world. So, it’s no wonder that some of us turn to our iPhones in these moments of loss. It’s a way of saying, “I still exist.”