Pitch Battles: How a paranoid fringe group made musical tuning an international issue.
The petition had its origins in one of the strangest conflicts to have overtaken classical music in the past thirty years, and many of these luminaries were completely unaware of what they’d gotten themselves into. The sponsor of both the petition and the conference that featured Tebaldi was an organization called the Schiller Institute, dedicated to, among other things, lowering standard musical pitch. ...
But behind this respectable front lurks a strange mélange of conspiracy, demagoguery, and cultish behavior. At its founding in 1984, its chairman Helga Zepp-LaRouche laid out the Institute’s role in surprisingly apocalyptic terms
Tourists black out reflective retinas in snapshots before printing them, and millions of people refer to strangers they’ve never spoken to as friends, because they’ve connected through a social-networking platform. [...] It should come as no surprise, then, that singers sometimes choose to correct recorded flaws in pitch with modern software, like Antares’s Auto-Tune.
It’s not what you say, it's the way you say it--Part 2. This observation was cleverly illustrated by Prof. Howard L. Chace in Anguish Languish, an exercise to demonstrate to his French Language students that intonation is key to understanding spoken language. Here is the complete text. You can read his best known Furry Tell about a Wicket Woof and a Ladle Gull or hear it read.(Warning-has sound.) I first found out about Howard Chace from an article in The Whole Earth Catalog and certain phrases have rattled around my head ever since. Here is a discussion of Anguish Languish if you want to write your own. Like this version of Gender Cyst from the Homely Babble.
posted by lobakgo
on Sep 22, 2003 -