<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
     xmlns:admin="http://webns.net/mvcb/"
     xmlns:content="http://purl.org/rss/1.0/modules/content/"
     xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
	<channel>
	<title>MetaFilter posts tagged with intonation</title>
	<link>http://www.metafilter.com/tags/intonation</link>
	<description>Posts tagged with 'intonation' at MetaFilter.</description>
	<pubDate>Sun, 15 Mar 2009 18:52:25 -0800</pubDate> <lastBuildDate>Sun, 15 Mar 2009 18:52:25 -0800</lastBuildDate>

	<language>en-us</language>
	<docs>http://blogs.law.harvard.edu/tech/rss</docs>
	<ttl>60</ttl>
	<item>
		<title>What language is music?</title>
		<link>http://www.metafilter.com/80004/What%2Dlanguage%2Dis%2Dmusic</link>
		<description>&lt;a href="http://www.purveslab.net/research/explanation/sound/sound.html#f1"&gt;Western musical intervals are derived from speech tendencies,&lt;/a&gt; according to Duke scientists. Specifically, &quot;most of the 12 chromatic scale intervals correspond to peaks of relative power in the normalized spectrum of human vocalizations.&quot; A somewhat more layperson-friendly summary of the study is &lt;a href=&quot;http://scienceblogs.com/notrocketscience/2009/03/why_music_sounds_right_-_the_hidden_tones_in_our_own_speech.php&quot;&gt;here&lt;/a&gt;. Some think that language and musicality evolved in tandem (see &lt;a href=&quot;http://www.bookslut.com/features/2005_10_006832.php&quot;&gt;the singing Neanderthals&lt;/a&gt;), and Mendelssohn thought that the communicative ability of music is even more precise than that of language (&lt;a href=&quot;  http://downloads.newyorker.com/mp3/070723on_audio_sacks.mp3&quot;&gt;as related by Oliver Sacks, at 9:05&lt;/a&gt; - .mp3 link). </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.80004</guid>
		<pubDate>Sun, 15 Mar 2009 18:52:25 -0800</pubDate>
		<category>intonation</category>
		<category>language</category>
		<category>music</category>
		<category>notes</category>
		<category>oliversacks</category>
		<category>science</category>
		<category>sound</category>
		<category>speech</category>
		<category>tones</category>
		<category>tuning</category>
		<dc:creator>univac</dc:creator>
	</item>
      <item>
		<title>The New Yorker: The Gerbil&apos;s Revenge</title>
		<link>http://www.metafilter.com/72418/The%2DNew%2DYorker%2DThe%2DGerbils%2DRevenge</link>
		<description> &lt;em&gt;Tourists black out reflective retinas in snapshots before printing them, and millions of people refer to strangers they&#8217;ve never spoken to as friends, because they&#8217;ve connected through a social-networking platform. [...] It should come as no surprise, then, that singers sometimes choose to correct recorded flaws in pitch with modern software, like Antares&#8217;s Auto-Tune.&lt;/em&gt;&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.newyorker.com/arts/critics/musical/2008/06/09/080609crmu_music_frerejones?printable=true&quot;&gt;Sasha Frere-Jones on auto-tuning, in &lt;em&gt;The New Yorker&lt;/em&gt;&lt;/a&gt;. &lt;a href=&quot;http://www.newyorker.com/arts/critics/musical/2008/06/09/080609crmu_music_frerejones&quot;&gt;Non-print version&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.antarestech.com/products/auto-tune5.shtml&quot;&gt;Via Antares&apos;s own site, interestingly enough&lt;/a&gt;.&lt;br&gt;&lt;br&gt;Previously: &lt;a href=&quot;http://www.metafilter.com/69871/If-it-really-works-its-the-coolest-audio-production-tool-ever&quot;&gt;1&lt;/a&gt;, &lt;a href=&quot;http://www.metafilter.com/58937/Francis-Scott-OffKey&quot;&gt;2&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://sashafrerejones.com/&quot;&gt;Sasha Frere Jones&apos;s personal site&lt;/a&gt;, &lt;a href=&quot;http://www.newyorker.com/online/blogs/sashafrerejones&quot;&gt;New Yorker blog&lt;/a&gt;. </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.72418</guid>
		<pubDate>Tue, 10 Jun 2008 19:09:30 -0800</pubDate>
		<category>antares</category>
		<category>autotune</category>
		<category>auto-tune</category>
		<category>daw</category>
		<category>desktopaudio</category>
		<category>hyperreality</category>
		<category>intonation</category>
		<category>music</category>
		<category>musicproduction</category>
		<category>newyorker</category>
		<category>pitch</category>
		<category>pitchcorrection</category>
		<category>popmusic</category>
		<category>recording</category>
		<category>robotchoir</category>
		<category>sashafrerejones</category>
		<category>SCIENCE!</category>
		<category>thegerbilsrevenge</category>
		<category>thenewyorker</category>
		<category>therobotchoir</category>
		<category>thesemoderntimes</category>
		<dc:creator>goodnewsfortheinsane</dc:creator>
	</item>
      <item>
		<title>Anguish Languish</title>
		<link>http://www.metafilter.com/28482/Anguish%2DLanguish</link>
		<description>&lt;a href="http://english.unitecnology.ac.nz/resources/resources/exp_lang/intonation.html"&gt;It&#8217;s not what you say, it&apos;s the way you say it--Part 2.&lt;/a&gt; This observation was cleverly illustrated by Prof. Howard L. Chace in &lt;em&gt;Anguish Languish&lt;/em&gt;, an exercise to demonstrate to his French Language students that intonation is key to understanding spoken language.  &lt;a href=&quot;http://www.crockford.com/wrrrld/anguish.html&quot;&gt;Here &lt;/a&gt;is the complete text.  You can &lt;a href=&quot;http://www.crockford.com/wrrrld/anguish.html#Ladle Rat Rotten Hut&quot;&gt;read &lt;/a&gt;his best known Furry Tell about a Wicket Woof and a Ladle Gull or &lt;a href=&quot;http://www.iwannasabbatical.com/ladlerat.html&quot;&gt;hear &lt;/a&gt;it read.&lt;strong&gt;(Warning-has sound.)&lt;/strong&gt;  I first found out about Howard Chace from an &lt;a href=&quot;http://fei-hung.tripod.com/history.html&quot;&gt;article &lt;/a&gt;in The Whole Earth Catalog and certain phrases have rattled around my head ever since.  &lt;a href=&quot;http://wordways.com/anguish.htm&quot;&gt;Here &lt;/a&gt;is a discussion of Anguish Languish if you want to write your own.  Like &lt;a href=&quot;http://dynamics.org/~altenber/PAPERS/GenderCyst.html&quot;&gt;this version&lt;/a&gt; of &lt;em&gt;Gender Cyst &lt;/em&gt;from the &lt;em&gt;Homely Babble&lt;/em&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2003:site.28482</guid>
		<pubDate>Mon, 22 Sep 2003 12:19:13 -0800</pubDate>
		<category>AnguishLanguish</category>
		<category>HowardChace</category>
		<category>intonation</category>
		<category>language</category>
		<category>pronunciation</category>
		<dc:creator>lobakgo</dc:creator>
	</item>
      
	</channel>
</rss>


