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Mr. Quentin Crisp and Mr. John Hurt. Mark Simpson conducts a kind of comparative iconography of John Hurt as Quentin Crisp in the
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Naked Civil Servant and, 33 years later, as Crisp again in
An Englishman in New York. “[A]s an effeminate homosexual, he was imprisoned inside an exquisite paradox, like some kind of ancient insect trapped in amber: Attracted to masculine males – the famous Great Dark Man – he cannot himself be attracted to a man who finds him, another male, attractive because then they cannot be the Great Dark Man any more.”
posted by joeclark
on Jan 22, 2010 -
28 comments
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