"Twenty-five years after its release, The Abyss remains an oddity in director James Cameron's filmography. But the fact that it's an oddity seems like an oddity. The underwater sci-fi epic, about a team of commercial drillers who stumble upon a deep-sea alien civilization, wasn't a flop by any means. It made more money than The Terminator and came very close to matching Aliens at the box office. It holds a higher critical rating than Avatar and Titanic (according to the almighty Rotten Tomatoes, at least). And yet it has utterly failed to reach the same levels of cultural saturation as Cameron’s other works."
Alex Pappademas and Sean Witzke over at Grantland have a long, detailed, super geeky film-nerd discussion of the Alien franchise. "It's important to note here that this is a nuke-it-from-space kind of conversation in which just about every aspect of the original "Alien Quadrilogy" is spoiled, as are some fairly crucial plot points from Prometheus. The Alien vs. Predator movies are neither spoiled nor discussed, because that would mean acknowledging their existence. Some people will undoubtedly view this as curatorial negligence on our part, but we welcome their scorn. "
The most expensive movie ever made, is getting its first reviews ... and so far the thumbs are mostly up. [more inside]
Meanwhile in Hollywoodland, the trailer for James Cameron's much anticipated AVATAR debuted online yesterday and ... ooops! [more inside]
Watch The Skies! Directors Steven Spielberg, George Lucas, Ridley Scott and James Cameron discuss the science fiction movies of the 1950s that influenced them. 1::2::3::4::5::6:: 1 hour.
Wired.com is really pimping the Terminator franchise right now. With the success of the television series and the upcoming fourth installment hitting the big screens at the end of May, is the continuing appeal simply science fiction geekdom or is the concept really a deep philosophical metaphor? [more inside]
Dark Angel is a rip-off of Heinlein's Friday, which I completely agree with. Cameron has been successfully sued by Harlon Ellison before for blatantly ripping off his ideas. Then again the sci-fi word is a static world of either super-humans/machines/aliens/time-trave/alternate dimensions.