A program at the Boston Museum of Fine Arts inviting visitors to don a replica kimono from a Monet work has sparked protests over appropriation. Boston Art blog Big, Red & Shiny also has a write-up. [more inside]
"For my part I don't need Japanese pictures here, for I am always telling myself that here I am in Japan"
I envy the Japanese for the enormous clarity that pervades their work. It is never dull and never seems to have been made in haste. Their work is as simple as breathing and they draw a figure with a few well chosen lines with the same ease, as effortless as buttoning up one's waistcoat..... --Vincent van Gogh to Theo van Gogh, 24 September, 1888 The term "Japonisme" came up in France in the seventies of the 19th century to describe the craze for Japanese culture and art. Van Gogh, like so many other Impressionist and Post-Impressionist artists, was one of the admirers (and collectors) of Japanese art. He defined himself as “a simple worshipper of the eternal Buddha”, and the most peculiar among his many self-portraits is "Self-Portrait as Buddhist Monk" (see a comparison here and here), painted in 1888 and dedicated to Paul Gauguin. More inside.