After the triumph of OK Computer, Radiohead fell into a creative tailspin -- and frontman Thom Yorke into a nervous breakdown. Exhausted from touring, hounded by press, and jaded by copycats, he escaped into the electronica scene pioneered by Kraftwerk and Warp Records -- fertile ground, the band discovered. Trading spacey rock for apocalyptic brooding, they teased their new sound not with singles or music videos but with innovative web streaming and cryptic, dreamlike "blips" -- winterlands, flocks of cubes, eyeballs, bears. After nearly breaking up over tracklist angst, they cut the kid in half. Thus fifteen years ago today, Kid A and (later) Amnesiac debuted, a confounding mix of electronic fugue, whalesong, pulsing IDM, drunken piano, and epic jazz funeral whose insights into anxiety, political dysfunction, and climate crisis would make it one of the most revered albums of the twenty-first century. See the documentary Reflections on Kid A for interviews and live cuts, or look inside for much more. [more inside]
"[In] the face of a culture that would deny them, it becomes necessary for an artist of color in the west to defiantly announce to the world: I am a fact." In April 2014, at the first ever Yale Asian Alumni Reunion, Vijay Iyer delivered a powerful speech "on two intertwined issues: the role of Asian Americans as upwardly mobile minorities and the role of the artist as a potential transgressor within elite institutions."
In the wake of their grunge-y breakout hit "Creep" and the success of sophomore record The Bends, Thom Yorke and the rest of Radiohead were under pressure to deliver once more. So they shut themselves away inside the echoing halls of a secluded 16th century manor and got to work. What emerged from that crumbling Elizabethan castle fifteen years ago today was a shockingly ambitious masterpiece of progressive rock, a visionary concept album that explored the "fridge buzz" of modernity -- alienation, social disconnection, existential dread, the impersonal hum of technology -- through a mosaic of challenging, innovative, eerily beautiful music unlike anything else at the time. Tentatively called Ones and Zeroes, then Your Home May Be at Risk If You Do Not Keep Up Payments, the band finally settled on OK Computer, an appropriately enigmatic title for this acclaimed harbinger of millennial angst. For more, you can watch the retrospective OK Computer: A Classic Album Under Review for a track-by-track rundown, or the unsettling documentary Meeting People is Easy for a look at how the album's whirlwind tour nearly gave Yorke a nervous breakdown. Or look inside for more details and cool interpretations of all the tracks -- including an upcoming MeFi Music Challenge! [more inside]
HONK! is a showcase and annual festival for a "new kind of street band": motley, theatrical, activist protest groups working within the marching band tradition. From this central site, link to video and audio from twenty bands currently playing in the "honk" genre, from New York's Rude Mechanical Orchestra to to Atlanta's Seed and Feed Marching Abominables to Portsmouth, NH's Leftist Marching Band. Heavy on the brass and percussion, rousing, raucous, and fun, these bands form part of a worldwide musical phenomenon.