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"People treated it with respect, but didn't particularly enjoy it."

In 1973, The Who released their sixth album, Quadrophenia. The epic double album tells the story of a boy named Jimmy Cooper who deals with mental illness on top of the run-of-the-mill stresses of teen life. But Jimmy Cooper isn't just any London teen.  Jimmy Cooper is a Mod. [more inside]
posted by Pirate-Bartender-Zombie-Monkey on Jul 29, 2013 - 68 comments

My name is GRiZ

GRiZ - Mad Liberation. Take a 21 year old bedroom producer from Michigan, raise them on the the internet with a near complete access to the history of modern music with a focus on electronic/dance and apparently you get this incredibly humanistic and cross-cultural album that's both homage, monument and appropriation of hundreds of influences in modern music in an incredibly dubby dubstep framework. (Free album download here.)
posted by loquacious on Sep 5, 2012 - 67 comments

Best Music Writing 2010

Best Music Writing 2010 - Links inside! [more inside]
posted by chaff on Dec 16, 2010 - 15 comments

She was a BIG FREAK!!

"A wildly flamboyant funk diva with few equals even three decades after her debut, Betty Davis combined the gritty emotional realism of Tina Turner, the futurist fashion sense of David Bowie, and the trendsetting flair of Miles Davis, her husband for a year. ... she turned Miles on to Jimi Hendrix and Sly Stone (providing the spark that led to his musical reinvention on In a Silent Way and Bitches Brew), then proved her own talents with a trio of sizzling mid-'70s solo LPs." - All Music Guide (many links nsfw-ish)
posted by Joe Beese on Feb 17, 2009 - 22 comments

The Show Must Go On

After the Storm Sometime this weekend, you may be able to hear one of the best expressions of New Orleans’ role in music and culture available in any mass media. It's American Routes, a weekly show carried on many US public radio affiliates. Programmed and hosted by folklorist and UNO professor of folklore and culture Nick Spitzer, the show normally broadcasts from a studio in the heart of the French Quarter, but has found a temporary home on a Creole/Cajun French/English public radio station in Lafayette. Spitzer told the NYT that he began planning the music for this week’s show as he was fleeing the flooding city in his car, playing Fats Domino’s “Walking to New Orleans." This week’s show highlights New Orleans’ recovery from disasters past, emphasizing the city’s role as the greatest single wellspring of American music. The Crescent City, after all, has either birthed or nurtured everything from jazz, R & B, cajun and the related black-influenced zydeco, soul, blues, gospel, and rock and roll.) With an encyclopedic knowledge of American vernacular music, an utterly democratic spirit, and an unmistakeable respect and love for American musical forms and the people who create them, Spitzer has stepped forward several times this week to serve as a compassionate and optimistic spokesman for the irrepressible creative spirit of a suffering city and a culture in diaspora.
posted by Miko on Sep 10, 2005 - 19 comments

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