In the wake of their grunge-y breakout hit
"Creep" and the success of sophomore record
The Bends, Thom Yorke and the rest of
Radiohead were under pressure to deliver once more.
So they shut themselves away inside the echoing halls of
a secluded 16th century manor and got to work.
What emerged from that crumbling Elizabethan castle fifteen years ago today was a shockingly ambitious masterpiece of progressive rock, a visionary concept album that explored
the "fridge buzz" of modernity -- alienation, social disconnection, existential dread,
the impersonal hum of technology -- through a mosaic of
challenging,
innovative,
eerily beautiful music unlike anything else at the time.
Tentatively called
Ones and Zeroes, then
Your Home May Be at Risk If You Do Not Keep Up Payments, the band finally settled on
OK Computer, an appropriately enigmatic title for this
acclaimed harbinger of millennial angst. For more, you can watch the retrospective
OK Computer: A Classic Album Under Review for a track-by-track rundown, or the unsettling documentary
Meeting People is Easy for a look at how the album's whirlwind tour nearly gave Yorke
a nervous breakdown. Or look inside for more details and cool interpretations of all the tracks -- including
an upcoming MeFi Music Challenge! [more inside]
posted by Rhaomi
on Jun 16, 2012 -
66 comments
The SF Jazz Collective just began their month-long Spring 2012
tour. Each year since 2004 the eight musicians have selected a composer to honor — including many of the usual suspects: Coltrane, Hancock, Monk, Shorter, Tyner. (In 2013 it will be Chick Corea) This year, changing things up a bit, they've decided to showcase the music of
Stevland Hardaway Morris.
[more inside]
posted by LeLiLo
on Mar 4, 2012 -
3 comments
A decade on, the Coen brothers' woefully underrated
O Brother, Where Art Thou? [alt] is remembered for
a lot of things: its sun-drenched, sepia-rich
cinematography (a pioneer of
digital color grading), its
whimsical humor,
fluid vernacular, and
many subtle references to Homer's
Odyssey. But one part of its legacy truly stands out:
the music.
Assembled by
T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from
cheery ballads and
angelic hymns to
wistful blues and
chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a
heartfelt, homespun feel that echoed its cultural heritage,
a paean and uchronia of the Old South.
Though the multiplatinum album was recently
reissued, the movie's medley is best heard via famed documentarian
D. A. Pennebaker's
Down from the Mountain, an
extraordinary yet
intimate concert film focused on a night of live music by the soundtrack's stars (among them
Gillian Welch,
Emmylou Harris,
Chris Thomas King, bluegrass legend
Dr. Ralph Stanley) and wryly hosted by
John Hartford, an accomplished
fiddler,
riverboat captain, and
raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on
Hulu and
YouTube -- click inside for individual clips, song links, and breakdowns of
the set list's fascinating history.
[more inside]
posted by Rhaomi
on Dec 22, 2011 -
107 comments
Soul! New York City PBS affiliate WNET have digitized 9 episodes of
Soul!, a early 1970's live music program, providing a groovy video interface with chapters to break down each hour long episode.
[more inside]
posted by myopicman
on Apr 23, 2009 -
20 comments
(
Follow-upFilter) It's rare that jazz videos venture beyond filming live performances. This makes the exceptions all the more notable.
Animation seems the medium of choice: from George Griffin's 1988 paper collage for Charlie Parker's "
Ko Ko" to Len Lye's swinging
The Lambeth Walk (1939), or (stretching musical definitions just a bit) his 1958 masterpiece "
Free Radicals". More recent jazz seems to fit just as well: witness Lung's psychotic piece for Ladyscraper's "
Thou Art Fucking Dead".
[more inside]
posted by progosk
on Jul 14, 2008 -
11 comments
NickCaveFilter: Fifty years ago this very day,
Nicholas Edward Cave [
previously] crawled from the womb and started to plot. At 16 he formed his first band which evolved quickly into the
Boys Next Door [
Shivers]. This in turn mutated into
the Birthday Party (1980) who terrorised the post-punk soundscape in Australia and the UK [
Release the Bats |
Nick the Stripper]. The
Birthday Party relocated to England and in 1984 the band imploded in an orgy of drugs and booze. Shortly after
Nick Cave and the Bad Seeds were born [The Ship Song -
video &
solo live | The Mercy Seat -
video &
live |
Where the Wild Roses Grow], and 23 years and 11 studio albums later (not to mention a
best selling book, a
great screenplay,
some acting and several soundtrack projects) he is still going strong. But, instead of sitting on his musical laurels he decided to get back to basics and, in 2006,
grew a huge moustache and formed
Grinderman – a four piece with a primeval hybrid Birthday Party/Bad Seeds sound [
No Pussy Blues |
Honey Bee]. Fellow Mefites, I ask you to raise a glass to
Mr. Cave… And, especially if you are not familiar to his work, don’t forget to “look inside” for my primer on the enigma that is Nick Cave, one of the
finest song-writers on the face of this miserable planet.
[more inside]
posted by the_very_hungry_caterpillar
on Sep 22, 2007 -
98 comments
Before music videos on MTV, even before Scopitones (previously on MeFi
1,
2,
3), there were Soundies. In a brief period during the early 40s, patrons of bars, diners and bus stations could slip a dime into a Panoram jukebox and see a three-minute 16mm video clip projected inside the machine. Soundies featured popular musicians of the era including
Duke Ellington,
Fats Waller,
Nat King Cole, and
Louis Armstrong. You can also find
Soundies at Archive.org, including a great one from
Reg Kehoe and his Marimba Queens.
posted by Otis
on Dec 1, 2006 -
7 comments
