In the 1950s, Club Hangover
was the place to go in San Francisco to hear Dixieland and New Orleans jazz. Thanks to tapes from KCBS being preserved and passed on, you can now listen to 25 complete and unedited half-hour broadcasts from Club Hangover
, with recordings of Louis Armstrong, Earl "Fatha" Hines, Kid Ory, Muggsy Spanier, Ralph Sutton, and Jack Teagarden, all from 1954-58.
posted by fings
on Apr 25, 2013 -
The World According to John Coltrane
is a one-hour documentary, featuring lots of music footage and interviews with prominent jazz musicians such as Wayne Shorter, Tommy Flanagan and many others. It's an excellent primer on the enormously influential saxophonist's life and music.
posted by flapjax at midnite
on Apr 6, 2013 -
While best remembered for his starring role in a horrible movie, once upon a time, the man had some chops. A surprising mix of world-tinged fusion and straight ahead jazz from 1969, I give you:
"The Dudley Moore Trio
posted by timsteil
on Mar 21, 2013 -
Inspired by the sound of an alarm clock going off, Hiromi, Anthony Jackson and Simon Phillips perform Hiromi's composition Move.
posted by Lutoslawski
on Mar 11, 2013 -
"One day, in the early 1960's, Mongo Santamaria called up Herbie Hancock and asked him to sit in as a pianist with Mongo's band
, which was then performing at Club Cubano InterAmericano on Prospect Avenue, a popular Latin music spot. Herbie was reluctant to do it because he never played Latin before, but accepted the offer and was doing pretty well by the end of the first set. Then during intermission, Donald Byrd, who was there, asked Herbie to play his original composition "Watermelon Man
" for Mongo. When Herbie started doing this, Mongo's band, especially his huge percussion section, started joining in, and before you knew it the whole club was dancing. Mongo was so excited by what happened that he asked if he could record the song. He did, and it became his greatest hit
." [more inside]
posted by MartinWisse
on Feb 11, 2013 -
The poet Jayne Cortez passed away this past December 28th
in New York City (New York Times obituary
). She started publishing her poems in the late 1960s and in the 70s began performing her poetry backed by music, first
with bassist Richard Davis, and then backed by her own band The Firespitters. Some of their tracks have found their way to YouTube: I See Chano Pozo
, If the Drum Is a Woman
, There It Is
, Maintain Control & Economic Love Song I
, Everybody Wants to Be Somebody
, Takin' the Blues Back Home
, Talk to Me (for Don Cherry)
, I've Been Searching
, You Can Be
and Endangered Species List Blues
. Just two years ago she performed solo with her son by Ornette Coleman, drummer Denardo Coleman: Find Your Own Voice
, I'm Gonna Shake
and She Got He Got
. In 1997 she was featured on University of California television network in the series Artists on the Cutting Edge
where she read poems and discussed her work. Finally, here's a brief clip
from the 1982 documentary Poetry in Motion, where she was interviewed.
posted by Kattullus
on Jan 5, 2013 -
"Before playing he explained the story
behind the song, which was a journey – it was in 1993 as a 12 year old that he was able to return to Beirut alone for the first time (his parents having fled to Paris during the war) and he wandered the streets with his walkman, earphones plugged but playing no music, instead composing music in his mind and looking at the bullet marks in the walls of homes which had been rebuilt so many times over during the war that not much of the devastation was actually visible.. but after walking for a while, he sat and rested for some time.. and then suddenly when he got up again he noticed a street in front of him completely devastated and abandoned – something that he had actually been looking to see – but in that moment he was listening to (having just discovered) Led Zepplin and the combination of seeing the devastation and the music actually scared him and he ran away. And so this song tells that journey." The song is Beirut
, and he is Ibrahim Maalouf
. [more inside]
posted by filthy light thief
on Nov 22, 2012 -
Jazz prodigy Austin Peralta has died.
Announcement and links to his music at Brainfeeder
. Peralta contributed to Flying Lotus' recent album Until the Quiet comes; on Twitter this morning Flying Lotus wrote "it kills me to type that we lost a member of our family, Austin Peralta. I don't really have the right words right now." From Fact
: "In his tragically short life, the California native had proved himself to be a fearsome and precocious talent. At 15 years old, Peralta was already touring the world with his own trio, and performing alongside legends like Chick Corea and Omar Hakim. Whilst still at high school, Peralta headed up ensembles featuring luminaries like Ron Carter and Buster Williams. He also released two LPs (2006′s Maiden Voyage and Mantra) in Japan before the age of 16." His entry on Wikipedia
. Tribute from Frank Ocean
posted by jokeefe
on Nov 22, 2012 -
“Her early records are collectors’ items. Her writing and playing have become part of the pattern of jazz history. She has transcended the difficulties experienced by women in the music field and through several decades has held a position of eminence as one of jazz’s most original and creative pianists. She speaks softly: ‘Anything you are shows up in your music—jazz is whatever you are playing yourself
, being yourself, letting your thoughts come through.’” Mary Lou Williams: Into The Sun
, a conversational profile by fellow pianist Marian McPartland, 1964. [more inside]
posted by koeselitz
on Nov 16, 2012 -
When looking for inspiration, most songwriters to go well-used emotional wells – triumph or loss, love or heartbreak. But Peter Larsen, a biologist at Argonne National Laboratory, looked to the microbes of the English Channel. He used seven years’ worth of genetic and environmental data, converting geochemical and microbial abundance measurements into notes, beats, and chords.
posted by Egg Shen
on Oct 8, 2012 -
GRiZ - Mad Liberation.
Take a 21 year old bedroom producer from Michigan, raise them on the the internet with a near complete access to the history of modern music with a focus on electronic/dance and apparently you get this incredibly humanistic and cross-cultural album that's both homage, monument and appropriation of hundreds of influences in modern music in an incredibly dubby dubstep framework. (Free album download here.
posted by loquacious
on Sep 5, 2012 -
In the wake of their grunge-y breakout hit "Creep"
and the success of sophomore record The Bends
, Thom Yorke and the rest of Radiohead
were under pressure to deliver once more.
So they shut themselves away inside the echoing halls of a secluded 16th century manor
and got to work.
What emerged from that crumbling Elizabethan castle fifteen years ago today was a shockingly ambitious masterpiece of progressive rock, a visionary concept album that explored the "fridge buzz" of modernity
-- alienation, social disconnection, existential dread, the impersonal hum of technology
-- through a mosaic of challenging
, eerily beautiful
music unlike anything else at the time.
Tentatively called Ones and Zeroes
, then Your Home May Be at Risk If You Do Not Keep Up Payments
, the band finally settled on OK Computer
, an appropriately enigmatic title for this acclaimed
harbinger of millennial angst. For more, you can watch the retrospective OK Computer: A Classic Album Under Review
for a track-by-track rundown, or the unsettling documentary Meeting People is Easy
for a look at how the album's whirlwind tour nearly gave Yorke a nervous breakdown
. Or look inside for more details and cool interpretations of all the tracks -- including an upcoming MeFi Music Challenge! [more inside]
posted by Rhaomi
on Jun 16, 2012 -
Pete Cosey dead at 68.
Though he had a career as a session guitarist prior to and had some important appearances after, Cosey is most well known for his brief time playing with Miles Davis (1973 - 1975) during an era of Miles' that has at times confounded critics*. Cosey appeared on Get Up with It, Dark Magus, Agharta
with Miles. [more inside]
posted by safetyfork
on Jun 3, 2012 -
So-called jazz compositions may contain at most 10% syncopation; the remainder must consist of a natural legato movement devoid of the hysterical rhythmic reverses characteristic of the barbarian races and conductive to dark instincts alien to the German people (so-called riffs)
The story of Nazi jazz
.] [more inside]
posted by Sonny Jim
on May 19, 2012 -
Eric Dolphy [auto-music] was a true original with his own distinctive styles on alto, flute, and bass clarinet. His music fell into the "avant-garde" category yet he did not discard chordal improvisation altogether (although the relationship of his notes to the chords was often pretty abstract). While most of the other "free jazz" players sounded very serious in their playing, Dolphy's solos often came across as ecstatic and exuberant. His improvisations utilized very wide intervals, a variety of nonmusical speechlike sounds, and its own logic. Although the alto was his main axe, Dolphy was the first flutist to move beyond bop (influencing James Newton) and he largely introduced the bass clarinet to jazz as a solo instrument. He was also one of the first (after Coleman Hawkins) to record unaccompanied horn solos, preceding Anthony Braxton by five years.
- AllMusic (previously: 1, 2)
posted by Trurl
on Apr 21, 2012 -