Join 3,552 readers in helping fund MetaFilter (Hide)

455 posts tagged with jazz. (View popular tags)
Displaying 351 through 400 of 455. Subscribe:

Related tags:
+ (270)
+ (37)
+ (33)
+ (27)
+ (26)
+ (25)
+ (23)
+ (23)
+ (20)
+ (19)
+ (18)
+ (17)
+ (16)
+ (16)
+ (15)
+ (14)
+ (13)
+ (13)
+ (13)
+ (13)
+ (13)
+ (12)
+ (12)
+ (12)
+ (11)
+ (10)
+ (10)
+ (10)
+ (9)
+ (9)
+ (8)
+ (8)
+ (8)
+ (8)
+ (8)
+ (8)
+ (7)
+ (7)
+ (7)
+ (7)
+ (7)
+ (7)
+ (7)
+ (6)
+ (6)
+ (6)
+ (6)
+ (6)
+ (6)
+ (6)
+ (6)
+ (6)
+ (6)
+ (6)
+ (6)
+ (5)
+ (5)
+ (5)
+ (5)
+ (5)


Users that often use this tag:
y2karl (22)
flapjax at midnite (18)
filthy light thief (15)
Trurl (10)
kenko (8)
Joe Beese (7)
nicolin (7)
Kattullus (7)
Miko (6)
madamjujujive (6)
bluedaniel (5)
MiguelCardoso (5)
sleepy pete (5)
Seekerofsplendor (4)
growabrain (4)
languagehat (4)
carsonb (3)
jonp72 (3)
timsteil (3)
netbros (3)
semmi (3)
safetyfork (3)
fings (3)
klangklangston (3)
beelzbubba (3)
progosk (3)
miss lynnster (3)
Lutoslawski (3)
ornate insect (3)
overeducated_allig... (3)
not_on_display (3)
MartinWisse (3)
Gygesringtone (2)
The Emperor of Ice... (2)
puny human (2)
Rory Marinich (2)
Vibrissae (2)
hippybear (2)
idiopath (2)
philip-random (2)
mannequito (2)
Rhaomi (2)
St Urbain's Horseman (2)
louche mustachio (2)
motty (2)
shakespeherian (2)
snsranch (2)
rossination (2)
gman (2)
Artw (2)
paulsc (2)
IndigoJones (2)
nola (2)
zarq (2)
box (2)
.kobayashi. (2)
plep (2)
crunchland (2)
Smart Dalek (2)
LinusMines (2)

Gil! Scott! Heron!

Gil! Scott! Heron!
posted by Kattullus on Apr 19, 2007 - 32 comments

Gentrification and Tonic

Tonic closes. At the end of a farewell performance, Marc Ribot and Rebecca Moore refused to leave the stage. They were arrested for trespassing, and hope to bring attention to New York's dwindling number of performance spaces for independent music. Previous discussions.
posted by Benjamin Nushmutt on Apr 17, 2007 - 73 comments

In the Moment

Consciousness is a mystery, and Paul Broks thinks Nicholas Humphrey (not to mention jazz guitarist Pat Martino) may have some answers.
posted by cgc373 on Mar 30, 2007 - 25 comments

The pataphysical world of Fred Lane.

I talk to my haircut. The Rev. Dr. Fred Lane was a dada jazzbo as part of the Raudelunas scene in Tuscaloosa, Alabama in the 70s and 80s. His real name is T. R. Reed, and he's a creator of wonderful whirligigs. There's also a documentary in the works (careful of your eyes on that page).
posted by sleepy pete on Mar 27, 2007 - 13 comments

Big Brutus' Glory days

"A bad way to make a living." A series on the history and ecological impact of strip mining in southeast Kansas during the early 20th century that includes articles, photo galleries with sound files, and video slideshows about the region. The area, known as the "Little Balkans," because of the large Eastern European population that worked the mines, was a large mining community that has given the US the second largest electric shovel in the country, a home to one of the largest socialist newspapers in the country (called Appeal to Reason and founded by Julius Wayland) as well as the Little Blue Books series started by Emanuel Haldeman-Julius in 1919. Oh yeah, it was also --second paragraph-- the place that most of the bootleg alcohol that fueled the Kansas City Jazz Scene of that time was from as well. Of course, if you should ever find yourself in SEKS, and you eat meat, go to either Chicken Annie's or Chicken Mary's [transcript] since they're only a few miles apart in their modern incarnation. The legends you hear growing up there aren't always true, but it doesn't matter because the onion rings are fantastic. And yes, in some ways all Kansas has left is history.
posted by sleepy pete on Mar 22, 2007 - 9 comments

Play it Billy!

Billy Tipton (1914-1989) was a moderately popular jazz musician who happened to have been born a girl and lived as a man. In retrospect, some see Billy as a woman pragmatically trying to make it in a male dominated field, others see Billy as clearly transexual. If you like jazz of the 30's and 40's, forget Billy's gender for a moment and take a listen to Billy's playing! For more backstory, biographer Diane Middlebrook has posted a timeline of Tipton's life. More recently, Tipton has inspired jazz ensemble The Tiptons launches sound, a novel, a few plays and butch/punk/queer director Silas Howard is working on a film. Oh, and here's WP.
posted by serazin on Mar 19, 2007 - 22 comments

y2karl4hepcats

Jazztube.com has hundreds of great jazz performances in one place
posted by petsounds on Feb 19, 2007 - 9 comments

But is it jazz?

Jazz '71-'89 Dave Douglas posed the challenge: “Is there a writer who can take on the project of an unbiased overview of music since the end of the Vietnam War?” The Bad Plus answered (though not unbiased). The Guardian and NY Times weighed in. Suck it, haters. And ultimately, Behearer used a wiki to answer the call.
posted by klangklangston on Feb 15, 2007 - 20 comments

Warning: contains those guitars that are like, double guitars

Mahavishnu Orchestra - One Word
Weather Report - Seventh Arrow/Umbrellas
Squarepusher's 8-track [1] [2 + Buddy Rich]
Jaco Pastorius - Portrait of Tracy
Cannibal Ox - Pigeon
posted by rxrfrx on Feb 13, 2007 - 22 comments

Robot Jazz

Robot plays Coltrane (via)
posted by roll truck roll on Feb 13, 2007 - 60 comments

RIP, Saxophonist Michael Brecker

Michael Brecker has passed away Arguably, one of the most influential saxophonists of all time, he has lost his fight against myelodysplastic syndrome. Truly a major loss for the jazz and rock worlds.
posted by milnak on Jan 13, 2007 - 30 comments

Sometimes I Feel Like a Motherless Child

"...People do have an attitude of curiosity toward me. They say, 'This guy looks funny, he looks too young, he looks like a woman, but I can't be sure.'"

Jimmy Scott's unforgettable voice has inspired generations of singers-- both male and female-- from the 1940's to present day (he worked with David Lynch on a song for "Twin Peaks: Fire Walk With Me," and is still making recordings). Read his bittersweet story on his official website. Born with Kallman Syndrome [Wikipedia], his voice has remained the undiluted, soaring soprano that he's had since childhood. A couple of mp3's here, as well as the inevitable YouTubery.
posted by hermitosis on Jan 12, 2007 - 15 comments

As the robot gets herself to-ge-ther...

"Feelings" - As only the brilliant but... ummm... eccentric (case in point: July/August 1995 in that last link) Dr. Nina Simone could've performed it.
posted by miss lynnster on Jan 12, 2007 - 39 comments

Jazz Age Novelties, Obscurities and Outliers on the YouTube

Here are some antique jazz novelties, obscurities and outliers:

Mae West with Duke Ellington - My Old Flame
The Hoosier Hotshots - She Broke My Heart In Three Places
Harry 'The Hipster' Gibson - Handsome Harry The Hipster
Spike Jones & His City Slickers - I Like To Sock Myself In The Face
Ina Ray Hutton and Her Melodears - Truckin'
Cliff Edwards - I Feel Pestamistic
Red Ingle - Nowhere
The King Cole Trio - I'm An Errand Boy for Rhythm
Jack Teagarden - The Sliphorn King of Polaroo
Reg Kehoe & His Marimba Queens - A Study In Brown
The Slim Gaillard Trio - Laguna Melody
posted by y2karl on Dec 21, 2006 - 33 comments

A futuristic instrumental classic rock fusion look at life.

Mr. Frank J. Stola (flash): a self-described professional musician who mangles any and all genres he attempts. Don't miss his take on instrumental fusion rock classical jazz, revolutionary country n western traditional, or heavy metal instrumental on CD Baby. Equally marvelous are his strange, minimal videos. And don't forget to pick up Mr. Stola's myriad products at his Cafepress store. Is he serious?
posted by zonkout on Dec 11, 2006 - 10 comments

Jukebox Heroes

Before music videos on MTV, even before Scopitones (previously on MeFi 1, 2, 3), there were Soundies. In a brief period during the early 40s, patrons of bars, diners and bus stations could slip a dime into a Panoram jukebox and see a three-minute 16mm video clip projected inside the machine. Soundies featured popular musicians of the era including Duke Ellington, Fats Waller, Nat King Cole, and Louis Armstrong. You can also find Soundies at Archive.org, including a great one from Reg Kehoe and his Marimba Queens.
posted by Otis on Dec 1, 2006 - 7 comments

So Long Eric

Jazz Pour Tous vous a presente Charles Mingus (via google video) Today I viewed the Time Magazine "allTIME 100 Recordings" (Nov13). I rarely spend much time with such lists because they rarely are more than fanlists, and this one is no exception. The Holy Three Albums of jazz were included, but no room for Charles Mingus or Eric Dolphy. So here, via a circuitous route that included this PopMatters review of a new release of Mingus material, I offer this video of the Mingus Sextet in Paris (Johnny Coles is absent). (more inside)
posted by beelzbubba on Nov 16, 2006 - 19 comments

Satchmo in Music City

Country Music in Black and White. Read the story behind the intertwined roots of Jazz and Country when Louis Armstrong famously backed up Jimmie Rodgers for Blue Yodel No. 9. Then see how he came back to the historic Ryman Auditorium to do his final concert with none other than Johnny Cash. Finally be glad that you can see this meeting of giants online.
(last link is an embedded flash movie, some sites have flash, but no noise)
posted by 1f2frfbf on Sep 25, 2006 - 16 comments

You know that cool intro music for Monsters, Inc?

Ever heard of Andy Martin? Probably not. But have you ever watched Family Guy or King of the Hill, or watched movies such as Spiderman, The Day After Tomorrow, or Monsters, Inc? Andy is on all of them. Trombonist Martin is one of many studio musicians (aka session musicians) in the LA area who are called upon day after day to record the music that we take for granted. Although it may not be the most fulfilling job, it pays the bills, and for someone with a talent as relatively obscure as trombone playing (or clarinet playing, or drumming, or anything else), it's one of the few careers left. Even so, drummer Russ Miller reminds us that studio musicians are rapidly being replaced by synthesizers (Hans Zimmer's score for Gladiator, for instance, uses lots of synths in lieu of real players) and that "we don't have the luxury of just playing our instrument like we used to".
posted by rossination on Sep 8, 2006 - 26 comments

Doxy

Sonny Rollins, one of the founding tenors of bop and post-bop jazz, is 76 today. Unlike many other jazz giants who passed away well before they ought to have, Sonny is still going strong. Rollins became famous with his record Saxophone Colossus which included, among others, the memorable St. Thomas. Sonny also became known for his ability to craft imaginative, articulate solos while playing with just a bassist and drummer (without the benefit of a chordal instrument such as piano to "flesh out" the harmonies). Happy Birthday, Sonny!
posted by rossination on Sep 7, 2006 - 28 comments

y2karl's 78 RPM jukebox-o-rama

For murder ballads, here's your Mississippi John Hurt's Louis Collins and your Grayson & Whitter's Ommie Wise. Then, for some early white blues bottleneck guitar, here's your Frank Hutchison's K. C. Blues. Not to mention Charley Patton's Screamin' And Hollerin' The Blues. All courtesy the Internet Archives 78 RPM tag. where there is way more--like Bix Beiderbecke's first record, Davenport Blues, Louis Armstrong's Ain't Misbehavin' and Geeshie Wiley's Last Kind Words, among many others. Then, for more, Nugrape Records has an mp3 page. The standout there, at least for me, is Gus Cannon's Poor Boy Long Ways From Home. As for their namesake, the Nugrape Twins, well, the Archive has the mp3 of I've Got Your Ice Cold Nugrape. And don't let me omit mentioning PublicDomain4U. They have Mississippi John Hurt's Frankie, for one. Tyrone's Record and Phonograph Links will lead you to more 78 RPM goodness. And don't forget the inestimable and erudite vacapinta first directed us to Dismuke's Virtual Talking Machine.
posted by y2karl on Aug 25, 2006 - 48 comments

the most famous unknown artist

Abdul Mati Klarwein is the the thoughtful guy who painted the wonderous gatefold sleeves of Miles Davis' Bitches Brew, and Santana's Santana's Abraxas. It's all the more inspiring to be listening to either musician's music of the period while viewing. Just don't stare too long. [ last two YouTube]
posted by eegphalanges on Aug 12, 2006 - 12 comments

Coming soon: The Residents, but for now.... Eugene Chadbourne!

I've always lumped musician Eugene Chadbourne in with the likes of Wesley Willis and Daniel Johnston, but I may have been mistaken. While his songs are often absurd, experimental, and silly, he's much less eccentric than I'd always thought. In addition to having an incredible output (full discography with notes here and in-depth review here), he has worked with everyone from John Zorn to Jello Biafra, even fronting the band Camper Van Beethoven as Camper Van Chadbourne. He has also been a writer for MaximumRocknRoll and AMG and is the inventor of the electric rake (a musical instrument that would certainly annoy your neighbors). YouTube has two awesome Chadbourne finds: THIS is a 19-minute documentary about him and THIS is a cable access show he appeared on called I'm Going to Make a Drug with My Mind (if you like cable access television, this is awesome, but please note that this video is 31-minutes long, including 60 seconds of color bars. Eugene comes on a little after the 17-minute mark). [WARNING: YouTube. A lot of YouTube in this post]
posted by elr on Aug 11, 2006 - 34 comments

The Day-Glo Daddies of Sufjan Stevens?

The Neon Philharmonic consisted of members of the Nashville Symphony Orchestra, a producer of country & western records named Don Gant (who produced Jimmy Buffett's first hit), and a jazz pianist named Tupper Saussy. Strangely enough, this odd combination produced an unexpected Top 20 hit, Morning Girl. The group was briefly mentioned as an obscure music hipster reference in a devastating indie-rock takedown of current critical darling Sufjan Stevens, but such a throwaway reference to the Neon Philharmonic does not do justice to the bizarre life of its founder, Tupper Saussy.(more inside)
posted by jonp72 on Aug 1, 2006 - 6 comments

Blue Note Records to release ring tones of jazz music

So What?
posted by persona non grata on Jul 26, 2006 - 32 comments

Music

The Fillmore St. Jazz Festival and the Mitch Marcus Quintet Live. via BayTaper.com
posted by semmi on Jul 11, 2006 - 3 comments

Now leaving Potato Land.

Spirit was an American jazz/hard rock/psychedelic band founded in 1967, based in Los Angeles, California. Their 1970 album Twelve Dreams of Dr. Sardonicus is highly regarded for originality and uniqueness and is considered by many to be one of the best albums made by a Los Angeles group [source]. Among the many bits of fascinating rock trivia surrounding the group: founder and frontman Randy California jammed with a pre-fame Jimi Hendrix. Curious fans can also peruse unofficial sites for original members and founders Randy California and Jay Ferguson.
posted by joe lisboa on Jul 3, 2006 - 39 comments

Arif Mardin (1932-2006)

Arif Mardin passed away Sunday. Yes, the first is a NYTimes link, but here's an obit from the Independent newspaper, and here's a BBC obit as well. It would be unseemly not to note the passing of the arranger or producer (or both, or co- ) behind the Art Farmer Quartet's Live at the Half-Note, Sonny Stitt's Stitt Plays Bird, Max Roach's Drums Unlimited, the Rascals' "Good Lovin'" and "Groovin'," Aretha Franklin's I Never Loved a Man the Way I Love You and Aretha Now, Dusty Springfield's Dusty in Memphis, Donny Hathaway's Extension of a Man, the Stones' Black and Blue, Chaka Khan's first several solo albums, and hundreds of others all the way down to Norah Jones ... a list almost too long to compile. NPR interview here, lengthier article from Sound on Sound here, his discogs.com list here.
posted by blucevalo on Jun 27, 2006 - 11 comments

Hilton Ruiz is dead.

Hilton Ruiz is dead. The wonderful pianist Hilton Ruiz, who "had been in a coma since May 19, when he was found outside a French Quarter bar with severe head injuries," has died in a New Orleans hospital. He'd played with everyone from Freddie Hubbard and Rahsaan Roland Kirk to Charles Mingus, Betty Carter, Archie Shepp, and Clark Terry. Sad news, especially coming hard on the heels of the loss of Billy Preston.
posted by languagehat on Jun 8, 2006 - 16 comments

All That Jazz

Bob Keller's Jazz Page "Welcome to my jazz page. It contains stuff to which I want to refer and to which I refer my students." Yes, it's just a single page of links, but wow what single page of links. An amazing jazz resource.
posted by jdroth on May 29, 2006 - 24 comments

Get up and get down

Ray Nagin has been reelected as the mayor of New Orleans.
posted by Mean Mr. Bucket on May 20, 2006 - 80 comments

The Devil's Music

Ever wondered what the Devil has on his iPod? These people think they have a good idea (my favorite). Though it has long been believed that there is evil lurking somewhere in music, disagreement among half-wit experts causes some tension now and again. PBS sheds some light on the subject.
posted by Pecinpah on May 19, 2006 - 34 comments

The South Bronx: A Legacy in Song

Music from Morrisania: Dr. Mark Naison, urban historian at Fordham University and principal investigator of the Bronx African-American history project, leads a musical tour of one South Bronx neighborhood from the 1950s to the present, describing how hot summers, open windows and a fertile mixing of ethnic groups influenced landmarks in American musical history -- from Tito Puente to "Watermelon Man" to KRS-One.
posted by Miko on May 18, 2006 - 8 comments

"My two main men are Jesus and old John Birch ..."

Buddy Blue, 1957-2006 California roots/blues/rockabilly/jazz/swing hero Buddy "Blue" Seigal, 48, died Sunday of a heart attack. He was a founding member of the Beat Farmers, the Jacks and the Rockin' Roulettes and had a long twisted solo career. Besides being a singer, songwriter, guitarist and producer -- you'll find his name on CDs by everybody from Screamin' Jay Hawkins to the Forbidden Pigs -- he was a talented music journalist. He was notoriously difficult. But he was much loved. Instead of a show by the post-Country Dick Montana "Farmers" on Friday, there will be a memorial.
posted by kenlayne on Apr 3, 2006 - 9 comments

The memory of love's refrain....

Sometimes I wonder why I spend
The lonely night dreaming of a song
The melody haunts my reverie
And I am once again with you
When our love was new
And each kiss an inspiration
But that was long ago
And now my consolation
Is in the star dust of a song...

Lucy is holding a saxophone. It turns out, as she informs friend Ethel Mertz, she's an amateur musician. Who knew? Lucy then blows into the mouthpiece and produces a few dyspeptic squawks. "It kind of sounds like 'Star Dust,' " says Ethel, diplomatically. "Yeah," Lucy responds, "everything I play sounds like 'Star Dust.' "
The story of  'a song about a song about love'   (elaborated within)
posted by y2karl on Mar 3, 2006 - 44 comments

The Hippest Sounds on Earth

John Coltrane. Thelonious Monk. Hank Mobley. Lennie Tristano. Blue Note. Impulse. Riverside... In other words: jazz. Now three fans in Japan -- a country that has always appreciated America's gift to music even more than the US itself -- have created The Jazz Discography Project, a bare-bones, open-source, astonishingly exhaustive database of the hippest sounds on the planet. For aficionados, just reading an ASCII entry for long out-of-print stuff like A Message from Garcia, featuring a young and then-unknown musician named Bill Evans who would later reinvent his instrument, is thrilling.
posted by digaman on Mar 1, 2006 - 28 comments

Mowgli Music

It was that inevitable stomach-churning phone call in the middle of the night. The one we all had been dreading for years. The caller was choked with emotion. His words fell like bricks:

" You heard about Jaco?"

Jaco Pastorius bass virtuoso rediscovered. Photos and sounds and perspectives.
posted by Smedleyman on Feb 8, 2006 - 28 comments

The Roots Music Listening Room

The Roots Music Listening Room for Collectors of American Roots Music. We feature Old-Time Strings Bands, Ballads & Breakdowns, Early Blues & Gospel, some Early Jazz, Vintage Country Gospel, Early Bluegrass and various Ethnic Musics played by immigrants to America. Most of this material was originally recorded in the 1920s through the early 1950s and was first issued on 78 RPM Records. (Out of consideration for others only download about 15-20 songs in one day.)
posted by crunchland on Feb 7, 2006 - 22 comments

hammering genious

I'm not really a fan of this style of guitar playing but THIS was good. It takes a minute before he starts to nail it. It's worth the wait. (embedded video-possibly slow download-worked for me)
posted by snsranch on Feb 2, 2006 - 58 comments

"...an afternoon after which nothing was ever the same."

On Sunday, June 25, 1961, New York's famous Village Vanguard witnessed one of the greatest live jazz performances ever recorded: the afternoon and evening sets by the Bill Evans Trio (review). Evans was one of the great jazz pianists and Paul Motian has been playing superb drums for half a century now, but it was bassist Scott LaFaro who made the group something new; where other bassists kept time, he played the bass "as though he were playing a large guitar," and inspired a kind of "simultaneous composition" that left everyone who heard it awed when he joined up with Evans (after working with Stan Getz, Coltrane, and Ornette Coleman).
On June of 1961 the Evans trio had a memorable week at New York’s Village Vanguard; the final day of the engagement, June 25th, was taped in its entirety. On July 3, he played Newport with Stan Getz; it would be the final performance of Scott LaFaro. On July 5 he visited his mother in Geneva [NY], and stayed until it was very late. He was invited to spend the night, but said no; he had to get back to New York. In the early hours of July 6, Frank Ottley and Scott LaFaro died when Scott’s car left the road, hit a tree, and caught fire. Bill Evans was so distraught he did not perform publicly for nearly a year...
[More inside.]
posted by languagehat on Jan 23, 2006 - 56 comments

Lee Evans plays a one man jazz trio - with no instruments.

Lee Evans plays a one man jazz trio - with no instruments. [video with sound]
posted by Lotto on Jan 19, 2006 - 14 comments

' (nonidiomatic ".")

Derek Bailey has died. Here's an interview with him from 2001, and another about playing in Japan. Bailey was considered by many to be the father of free improvisation, beginning with his band Joseph Holbrooke, with Tony Oxley and Gavin Bryars, and, in addition to his voluminous discography, is the author of a book on the nature of improvisation.
posted by kenko on Dec 26, 2005 - 26 comments

"Get ready for the Third Millennium, people!"

Anthony Braxton and the Tri-Centric Foundation | Wesleyan University recently hosted a semester-long 60th birthday celebration for visionary composer and musician Anthony Braxton. Learn about Braxton's foundation for musical exploration, and his peculiar system for naming his compositions; read a few of his dense and cryptic research papers on many subjects (full contents here); peruse a remarkably comprehensive discography of his works; read a brief and interesting interview with him, and if that doesn't feed your curiosity, dive head-first into an absolutely gargantuan interview with this important composer; listen to interviews with Braxton from 1971 and 1985; and, finally, give a listen to Composition No. 186, part of Braxton's "Ghost-Trance" series.
posted by Dr. Wu on Dec 19, 2005 - 13 comments

Hitler's hit parade

Nazi swing music from the 30s. FMU's terrific blog presents mp3s of songs by Charlie and His Orchestra, a big band assembled by Hitler's minister of propaganda, Joseph Goebbels, to spread the Nazi message abroad even while trying to stamp out jazz and swing domestically. "Leave it to Goebbels to take the music of The Andrews Sisters, Paul Whiteman and Irving Berlin and fill it with venomous rants against Jews, America and the British." Vol. 1 is here. Some history. And now I want to see this movie about the band. via BB
posted by CunningLinguist on Dec 10, 2005 - 20 comments

I Remember Clifford

A Study in Brown. He was only 25 when he died, but he left a musical legacy that few can match. His early death led to the jazz standard I Remember Clifford. He helped pioneer hard bop in contrast to the prevailing "cool" jazz of Chet Baker and Miles Davis. influenced by Fats Navarro his signature rich beautiful tones and melodic solos were a refreshing change from the recent emphasis on technique, but make no mistakes about it he was one of the most talented and gifted trumpet players of all time.
posted by ozomatli on Dec 9, 2005 - 9 comments

Art for Jazz

David Stone Martin (Coralized link) is not very well known, but you've most likely seen his work on featured on various jazz records. Be sure to view all three pages of some amazing album covers. (The original site is on Geocities, please be gentle)
posted by riffola on Dec 9, 2005 - 12 comments

WEFUNK so you don't have to

WeFunkRadio.com has 390 full shows available for download featuring the funk, underground hip-hop, and rare grooves that are so hard to find. BitTorrents are available for the two most recent shows and there's always the audio stream and podcasts coming at you fresh from Montréal's CKUT radio.
posted by furtive on Sep 16, 2005 - 16 comments

Clarence Gatemouth Brown - dead at 81

Things ain't what they used to be. Blues, jazz, Cajun and country music great Clarence Gatemouth Brown dies at 81. Brown safely evacuated his home in Slidell, but was said to be broken hearted by the devastation wreaked by Katrina on his beloved Louisiana. Alligator bio (sound alert).
posted by madamjujujive on Sep 11, 2005 - 31 comments

The Show Must Go On

After the Storm Sometime this weekend, you may be able to hear one of the best expressions of New Orleans’ role in music and culture available in any mass media. It's American Routes, a weekly show carried on many US public radio affiliates. Programmed and hosted by folklorist and UNO professor of folklore and culture Nick Spitzer, the show normally broadcasts from a studio in the heart of the French Quarter, but has found a temporary home on a Creole/Cajun French/English public radio station in Lafayette. Spitzer told the NYT that he began planning the music for this week’s show as he was fleeing the flooding city in his car, playing Fats Domino’s “Walking to New Orleans." This week’s show highlights New Orleans’ recovery from disasters past, emphasizing the city’s role as the greatest single wellspring of American music. The Crescent City, after all, has either birthed or nurtured everything from jazz, R & B, cajun and the related black-influenced zydeco, soul, blues, gospel, and rock and roll.) With an encyclopedic knowledge of American vernacular music, an utterly democratic spirit, and an unmistakeable respect and love for American musical forms and the people who create them, Spitzer has stepped forward several times this week to serve as a compassionate and optimistic spokesman for the irrepressible creative spirit of a suffering city and a culture in diaspora.
posted by Miko on Sep 10, 2005 - 19 comments

looka! surviving New Orleans musicians

Longtime Mefi member chuq offers a tiny respite from the misery with his report on the survival of many of Louisiana's beloved musicians, including the good news that Fats Domino was rescued from his roof. More coverage here and here. (more)
posted by madamjujujive on Sep 2, 2005 - 38 comments

Page: 1 ... 3 4 5 6 7 8 9 10