Meetin’ WA is a film-interview conducted by Jean-Luc Godard of his “old friend” Woody Allen, in 1986. With JLG-style editing (and JLG-style trolling??). Previously
Peter Cheyney was a prolific author of pulp thrillers, whose tin-eared appropriations of American hard-boiled detective fiction were nevertheless wildly popular in Britain and France in his mid-20th-century heyday. Among his creations were the cynical British detective Slim Callaghan; the debonair Belgian assassin Ernest Guelvada (one of the lead characters in the so-called ‘Dark’ series of spy novels), and the oddly-named, trenchcoat-wearing FBI tough-guy Lemmy Caution, played on-screen in a series of French movies by the American-born actor & singer Eddie Constantine, a role he would later reprise to striking effect in Jean-Luc Godard’s 1965 movie Alphaville.
The Man With The Magnétoscope. "How marvelous to be able to look at what you cannot see... cinema, like Christianity, is not founded on historical truth. It supplies us with a story and says: Believe — believe come what may." Jean Luc Godard's 'Histoire(s) du Cinéma' at UCLA.
“The problem is not to make political films but to make films politically.” In "Tout Va Bien", just released on Criterion DVD, four years after May '68 Jean-Luc Godard and Jean-Pierre Gorin examine the wreckage: fading workers' empowerment (page with sound), media fatuity, capitalist sprawl, global imperialist mayhem, interpersonal disconnections. "Tout Va Bien" is the story of a strike at a factory as witnessed by an American reporter (Jane Fonda) and her has-been New Wave film director husband (Yves Montand). Included on the DVD is also Letter to Jane (1972), a short film in which Godard and Gorin spend an hour examining the semiotics of a single, hypnotizing photograph of Fonda as she shares feelings with a Vietnamese villager. More inside.
Aimez-vous Godard? That Is, If You've Actually Seen One Of His Films. Gilberto Perez's view of Godard is strictly personal, as all opinions of his work must be. It does highlight, however, how neglected the restless author's films have lately been. For people of my generation, he was absolutely essential. The supreme cineaste, both with an accent on the "e" (as a film-maker) and without (as a film enthusiast). Whatever became of the Nouvelle Vague? It seems to me that the contemporary cinema could well do with another blast.