Phranc, the self-described "All-American Jewish Lesbian Folksinger" has been a little quiet lately, but she's back with a new website and a new instrumental song. And if that wasn't enough, her entire solo catalog is now available on Bandcamp. [more inside]
Winner of the first Emmy Award for Lead Actress in a Comedy Series, winner of a Tony Award in 1959, a pioneer for women as writers and producers in radio and television, and the inventor of the situation comedy, Gertrude Berg is - in the words of her film biographer Aviva Kempner - "the most important woman in America you never heard of". [more inside]
The Heeb 100 Heeb Magazine, you know that sometimes controversial magazine out of Jew York has recently released their list of the "100 people you need to know about" who also happen to be Jewish. Also, be sure to check out their reposting of an interview with art world honcho and big time heeb Zach Feuer.
"One could go on, and one will -- praising (...) the National Center for Jewish Film for releasing all four of Edgar Ulmer's Yiddish films in restored editions. But the DVD player is beckoning, and I think it is time for me to get back to the couch". The National Center for Jewish Film (NCJF) is a unique nonprofit motion picture archive, distributor and resource center housing the largest, most comprehensive collection of Jewish-theme film and video in the world. In their archives you can discover the works of Leo Fuchs, the "Yiddish Fred Astaire", restored gems (scroll down) like "Motl the Operator" and re-releases like "The Life and Times of Hank Greenberg". (More on Greenberg, the Jewish kid who challenged Babe Ruth’s homerun record here, more on the NCJF inside).
Eroica. Film director Andrzej Munk’s tragic death at age thirty-nine might have formed the plot for one of his own darkly sardonic works: a Polish Jew and an active resistance worker during the war, he was returning home from shooting his film Passenger at the Auschwitz concentration camp in 1961 when an oncoming truck struck his car. He left behind only four feature films, but his influence was prodigious. As one of the key figures of the postwar “Polish School” of filmmaking, along with Wajda and Kawalerowicz, he helped to shape a vision that broke with the official social realist optimism of Eastern-bloc dogma and cast a skeptical eye on official notions of heroism, nationalism, and life in the Stalinist-occupied state. Mentor to Roman Polanski and Jerzy Skolimowski, his influence can be felt even in the films of a later generation of Polish filmmakers — directors like Zanussi and Kieslowski. More inside.
To be a great photographer, Garry Winogrand liked to claim during the 1970's, it was first of all necessary to be Jewish
To be a great photographer, Garry Winogrand liked to claim during the 1970's, it was first of all necessary to be Jewish Why didn't they tell me this in art school? (via NYTimes)