The Khazars were semi-nomadic Turkic people, of which many apparently converted to Judaism. Some believe they are the ancestors of many East European Jews. The Khazars were the subject of Arthur Koestler's controversial 1972 book, The Thirteenth Tribe, as well as anti-Semitic lore. Now a Russian archaeologist says he found a gold-mine of evidence about this once-great nation. No Jewish artifacts yet, however.
posted by Yakuman on Sep 21, 2008 - 34 comments

“Jewish Women and the Feminist Revolution” -- an online exhibit
posted by matteo on Mar 7, 2006 - 10 comments

"They are demanding that I kill the children of my people with my own hands"
On October 4, 1939, a few days after Warsaw's surrender to the Nazis, Adam Czerniaków was made head of the 24 member Judenrat, the Jewish Council (write "Czerniakow" in the linked page's search box) responsible for implementing German orders in the Jewish community (interactive map of the Warsaw ghetto). On July 22, 1942 -- Tisha B'Av, the "saddest day in Jewish history" -- the Judenrat received instructions that all Warsaw Jews were to be deported to the East (exceptions were to be made for Jews working in German factories, Jewish hospital staff, members of the Judenrat and their families, and members of the Jewish police force and their families. Czerniaków tried to convince the Germans at least not to deport the Jewish orphans). Czerniaków kept a diary from September 6, 1939, until the day of his death. It was published in 1979 in the English language as the "The Warsaw Diary of Adam Czerniaków: Prelude to Doom", edited by one of the most prominent Holocaust scholars, Raul Hilberg. More inside.
posted by matteo on Feb 17, 2006 - 23 comments

"Ala ZongGoNin! Ala YouTaNin!". Jerry Moses last walked on Gaoyang Road in 1947. It was called Chaoufoong Road then, and it was home to many of the 18,000 European Jewish refugees who had sought refuge from Nazi Germany in Shanghai's Hongkew District (today known as Hongkou) during the run-up to World War II. He casts his gaze at the lane, his brow loosens and he begins to nod. "This is it, this is it," he says softly. "I know this is it." One week into his first visit to Shanghai in almost 60 years, Moses has found his third home in an exile that lasted from 1941 to 1947. He strides into the space, his manner now much closer to that of the 12-year-old boy who had left than the 70-year-old man who has returned. More inside.
posted by matteo on Jan 19, 2006 - 13 comments

"One could go on, and one will -- praising (...) the National Center for Jewish Film for releasing all four of Edgar Ulmer's Yiddish films in restored editions. But the DVD player is beckoning, and I think it is time for me to get back to the couch".
The National Center for Jewish Film (NCJF) is a unique nonprofit motion picture archive, distributor and resource center housing the largest, most comprehensive collection of Jewish-theme film and video in the world. In their archives you can discover the works of Leo Fuchs, the "Yiddish Fred Astaire", restored gems (scroll down) like "Motl the Operator" and re-releases like "The Life and Times of Hank Greenberg". (More on Greenberg, the Jewish kid who challenged Babe Ruth’s homerun record here, more on the NCJF inside).
posted by matteo on Jan 9, 2006 - 9 comments

A rabbi, some snails, the color purple, and a 1,500 year old mystery. By puzzling through various sources, a group of researchers and religious scholars think they have found in the mollusk Murex trunculus the source of a purplish dye that was used in ancient Jewish ceremonies over a millennia and a half ago. Murex has been used for the last 3,600 years to make Imperial or Tyrian Purple, a key color in the ancient world. There are many other pigments with their own interesting stories as well.
posted by blahblahblah on Dec 20, 2005 - 15 comments

Eroica. Film director Andrzej Munk’s tragic death at age thirty-nine might have formed the plot for one of his own darkly sardonic works: a Polish Jew and an active resistance worker during the war, he was returning home from shooting his film Passenger at the Auschwitz concentration camp in 1961 when an oncoming truck struck his car. He left behind only four feature films, but his influence was prodigious. As one of the key figures of the postwar “Polish School” of filmmaking, along with Wajda and Kawalerowicz, he helped to shape a vision that broke with the official social realist optimism of Eastern-bloc dogma and cast a skeptical eye on official notions of heroism, nationalism, and life in the Stalinist-occupied state. Mentor to Roman Polanski and Jerzy Skolimowski, his influence can be felt even in the films of a later generation of Polish filmmakers — directors like Zanussi and Kieslowski. More inside.
posted by matteo on Dec 7, 2005 - 7 comments