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	<title>MetaFilter posts tagged with johncage</title>
	<link>http://www.metafilter.com/tags/johncage</link>
	<description>Posts tagged with 'johncage' at MetaFilter.</description>
	<pubDate>Mon, 04 May 2009 13:32:29 -0800</pubDate> <lastBuildDate>Mon, 04 May 2009 13:32:29 -0800</lastBuildDate>

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	<docs>http://blogs.law.harvard.edu/tech/rss</docs>
	<ttl>60</ttl>
	<item>
		<title>Trimpin: Musical Sculptor</title>
		<link>http://www.metafilter.com/81393/Trimpin%2DMusical%2DSculptor</link>
		<description> Seattle-based German artist Trimpin makes sculptural musical instruments. He was &lt;a href=&quot;http://www.youtube.com/watch?v=ExNadPQaOOg&quot;&gt;profiled in a mini-documentary by Washington public TV station KBTC&lt;/a&gt; a couple of years ago. Here are videos of some other works of art he&apos;s created, &lt;a href=&quot;http://www.youtube.com/watch?v=wto4R73XBMQ&quot;&gt;Fire Organ&lt;/a&gt;, &lt;a href=&quot;http://www.youtube.com/watch?v=VD7xg8IFcLQ&quot;&gt;Liquid Percussion&lt;/a&gt;, &lt;a href=&quot;http://www.youtube.com/watch?v=2PtWgjzCUeI&quot;&gt;Cello, Sensors and Record Players&lt;/a&gt;, &lt;a href=&quot;http://www.youtube.com/watch?v=VriGvT_v8Ug&quot;&gt;Contraption at Seattle-Tacoma Airport&lt;/a&gt;, &lt;a href=&quot;http://www.youtube.com/watch?v=1ZgPx37vT1g&quot;&gt;MIDI-controlled Player Piano&lt;/a&gt; and &lt;a href=&quot;http://www.youtube.com/watch?v=l9mzD2zP1cs&quot;&gt;Sheng High&lt;/a&gt;. 
Kyle Gann wrote &lt;a href=&quot;http://musicmavericks.publicradio.org/features/essay_gann05.html&quot;&gt;an essay by that placed Trimpin in the tradition of John Cage, Harry Partch and other avant-garde American musical inventors&lt;/a&gt;. The audio of a nearly hour and a half long 1990 interview with Trimpin by Charles Amirkhanian can be &lt;a href=&quot;http://www.archive.org/details/SOM_1990_05_17&quot;&gt;downloaded from the Internet Archive&lt;/a&gt;. Another, &lt;a href=&quot;http://www.ifc.com/videos/sxsw-2009-big-trimpin-with-jesse-and-trimpin.php&quot;&gt;more light-hearted interview&lt;/a&gt; in connection to his show at this year&apos;s SXSW, where a documentary about him premiered (&lt;a href=&quot;http://www.trimpinmovie.com/#/preview/&quot;&gt;trailer&lt;/a&gt;).  </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.81393</guid>
		<pubDate>Mon, 04 May 2009 13:32:29 -0800</pubDate>
		<category>art</category>
		<category>avantgarde</category>
		<category>CharlesAmirkhanian</category>
		<category>HarryPartch</category>
		<category>JohnCage</category>
		<category>music</category>
		<category>sculpture</category>
		<category>sound</category>
		<category>soundsculpture</category>
		<category>Trimpin</category>
		<category>visualart</category>
		<dc:creator>Kattullus</dc:creator>
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      <item>
		<title>The Music Text Composition Generator</title>
		<link>http://www.metafilter.com/78718/The%2DMusic%2DText%2DComposition%2DGenerator</link>
		<description> &lt;a href=&quot;http://p22.com/musicfont/&quot;&gt;The P22 Music Text Composition Generator&lt;/a&gt; allows any text to be converted into a musical composition. This composition is displayed in musical notation and simultaneously generated as a midi file. The P22 Music Composition Font was proposed in 1997 to the &lt;a href=&quot;http://www.bard.edu/news/releases/pr/fstory.php?id=1181#top&quot;&gt;John Cage Trust&lt;/a&gt; as an accompaniment to the &lt;a href=&quot;http://www.p22.com/products/cage.html&quot;&gt;John Cage text font&lt;/a&gt; based on the handwriting of the composer. The idea was basic and simple-every letter of the alphabet was assigned to a note on a scale. This would allow for any text to be converted into musical notation.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.78718</guid>
		<pubDate>Thu, 29 Jan 2009 19:52:36 -0800</pubDate>
		<category>composition</category>
		<category>JohnCage</category>
		<category>music</category>
		<category>notation</category>
		<dc:creator>Sailormom</dc:creator>
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      <item>
		<title>It&apos;s the oboes that really brought life to the performance, don&apos;t you think?</title>
		<link>http://www.metafilter.com/64945/Its%2Dthe%2Doboes%2Dthat%2Dreally%2Dbrought%2Dlife%2Dto%2Dthe%2Dperformance%2Ddont%2Dyou%2Dthink</link>
		<description> John Cage&apos;s &lt;a href=&quot;http://en.wikipedia.org/wiki/4&apos;33%22&quot; title=&quot;Wikipedia.&quot;&gt;4&lt;/a&gt;&apos;&lt;a href=&quot;http://www.classicalnotes.net/classics/silence.html&quot; title=&quot;Interesting article by Peter Gutmann, where, among other salient points, he offers: &apos;I&apos;ve heard Mozart&apos;s dozen mature piano concertos dozens of times each over dozens of years, but right now I can recall only a few of their melodies. I heard the Cage piece just once (and three decades ago), but I remember it so vividly.&quot;&gt;33&lt;/a&gt;&quot; has been discussed &lt;a href=&quot;http://www.metafilter.com/comments.mefi/20241&quot; title=&quot;The &apos;who-holds-the-copyright-on-silence&apos; flap, from 2002.&quot;&gt;previous&lt;/a&gt;&lt;a href=&quot;http://www.metafilter.com/61307/Ill-take-whats-behind-door-number-433&quot; title=&quot;Not about the piece in question, but another wonderful and very whimsical Cage piece.&quot;&gt;ly&lt;/a&gt; on MeFi, but you might&apos;ve missed the &lt;a href=&quot;http://vids.myspace.com/index.cfm?fuseaction=vids.individual&amp;VideoID=969427&quot; title=&quot;MySpace video. Opens with commentary that&apos;s, well, perhaps a little better than what you&apos;d expect for TV... Opening commentary from BBC radio link is better.&quot;&gt;full&lt;/a&gt; &lt;a href=&quot;http://news.bbc.co.uk/2/hi/entertainment/3401901.stm&quot; title=&quot;BBC news article, with some background info on the event and the piece.&quot;&gt;orchestral &lt;a href=&quot;http://www.bbc.co.uk/newsa/n5ctrl/events04/entertainment/cage_4_minutes_silence16jan.ram&quot; title=&quot;RealPlayer audio link, from BBC radio. Included here mainly for the brief opening commentary, which is a bit more intelligent and informative than the commentary preceding the televised version.&quot;&gt;version&lt;/a&gt;.&lt;/a&gt; 4&apos;33&quot; has shown itself to be a hugely influential work if only for the fact that so many people &lt;i&gt;know&lt;/i&gt; of it. The piece is often referenced in MeFi comments, sometimes appearing in unrelated or only tangentially related threads. Here&apos;s a small sampling:  

&lt;a href=&quot;http://www.metafilter.com/31185/Its-oh-so-quietshhshhh#623104&quot;&gt;jpoulos&lt;/a&gt;. &lt;a href=&quot;http://www.metafilter.com/31185/Its-oh-so-quietshhshhh#623162&quot;&gt;jfuller&lt;/a&gt;. &lt;a href=&quot;http://www.metafilter.com/31185/Its-oh-so-quietshhshhh#623223&quot;&gt;mr_crash_davis&lt;/a&gt;. &lt;a href=&quot;http://www.metafilter.com/26686/ambient-public-radio-hearts-of-space#510750&quot;&gt;jfuller&lt;/a&gt;. &lt;a href=&quot;http://www.metafilter.com/19253/#324370&quot;&gt;evanizer&lt;/a&gt;. &lt;a href=&quot;http://www.metafilter.com/16081/#254309&quot;&gt;skwm&lt;/a&gt;. &lt;a href=&quot;http://www.metafilter.com/34344/The-Shape-of-Song#701924&quot;&gt;kozad&lt;/a&gt;. &lt;a href=&quot;http://www.metafilter.com/57547/Showoffs-and-knucklebusters#1544483&quot;&gt;wheelieman&lt;/a&gt;. &lt;a href=&quot;http://www.metafilter.com/57547/Showoffs-and-knucklebusters#1544767&quot;&gt;sotonohito&lt;/a&gt;, and immediately following sotonohito&apos;s comment in that thread, &lt;b&gt; languagehat&lt;/b&gt;, &lt;b&gt;LooseFilter&lt;/b&gt;, &lt;b&gt;dydecker&lt;/b&gt; and more, in what turns into a lively discussion of this &lt;i&gt;still controversial&lt;/i&gt; piece of music. </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.64945</guid>
		<pubDate>Sat, 22 Sep 2007 18:03:27 -0800</pubDate>
		<category>composer</category>
		<category>johncage</category>
		<category>music</category>
		<category>silence?</category>
		<category>surprisinglyPolarizing!</category>
		<dc:creator>flapjax at midnite</dc:creator>
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      <item>
		<title>I&apos;ll take what&apos;s behind door number 4&apos;33&quot;.</title>
		<link>http://www.metafilter.com/61307/Ill%2Dtake%2Dwhats%2Dbehind%2Ddoor%2Dnumber%2D433</link>
		<description> &lt;a href=&quot;http://www.lcdf.org/indeterminacy/&quot;&gt;John&lt;/a&gt; &lt;a href=&quot;http://www.ubu.com/sound/cage.html&quot;&gt;Cage&lt;/a&gt;  &lt;a href=&quot;http://haha.nu/amazing/john-cage-water-walk/&quot;&gt;gives a little concert&lt;/a&gt; on a 1960&apos;s gameshow called &quot;I&apos;ve Got a Secret.&quot; (Flashvid)  </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.61307</guid>
		<pubDate>Fri, 18 May 2007 21:07:38 -0800</pubDate>
		<category>Avantgarde</category>
		<category>Gameshow</category>
		<category>JohnCage</category>
		<dc:creator>converge</dc:creator>
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		<title>Very Slowly</title>
		<link>http://www.metafilter.com/57371/Very%2DSlowly</link>
		<description>&lt;a href="http://www.af.lu.se/~fogwall/article3.html"&gt;&quot;To play this motif 840 times in succession, it would be advisable to prepare oneself beforehand, in the deepest silence, by serious immobilities.&quot;&lt;/a&gt; &lt;a href=&quot;http://www.wfmu.org/~kennyg/popular/articles/satie.html&quot;&gt;Erik Satie&lt;/a&gt;&apos;s &lt;a href=&quot;http://musicweb.hmt-hannover.de/satie/&quot;&gt;&lt;i&gt;Vexations&lt;/i&gt;&lt;/a&gt; (&lt;a href=&quot;http://www.metafilter.com/mefi/20048&quot;&gt;previously&lt;/a&gt;) was more-or-less disregarded as an &lt;a href=&quot;http://en.wikipedia.org/wiki/Vexations&quot;&gt;unperformable thought experiment&lt;/a&gt;, until John Cage staged an &lt;a href=&quot;http://www.users.waitrose.com/~chobbs/Bryars.html&quot;&gt;eighteen-hour performance&lt;/a&gt; in 1963. The event cemented Satie&apos;s importance in avant-garde music and his &lt;a href=&quot;http://www.metafilter.com/mefi/52996&quot;&gt;influence&lt;/a&gt; on a &lt;a href=&quot;http://www.metafilter.com/mefi/51501&quot;&gt;generation&lt;/a&gt; of &lt;a href=&quot;http://www.ubu.com/sound/fluxus_box.html&quot;&gt;artists&lt;/a&gt;. In 2006, several musicians and artists &lt;a href=&quot;http://www.ubu.com/sound/vexations.html&quot;&gt;performed their own renditions&lt;/a&gt;.&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.57371</guid>
		<pubDate>Sat, 30 Dec 2006 14:00:09 -0800</pubDate>
		<category>alvinlucier</category>
		<category>brianeno</category>
		<category>enduranceart</category>
		<category>eriksatie</category>
		<category>experimental</category>
		<category>johncage</category>
		<category>music</category>
		<category>performanceart</category>
		<category>ubuweb</category>
		<dc:creator>roll truck roll</dc:creator>
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		<title>Writing Mesostics Does Not Takes a Great OULIPO Faith</title>
		<link>http://www.metafilter.com/54516/Writing%2DMesostics%2DDoes%2DNot%2DTakes%2Da%2DGreat%2DOULIPO%2DFaith</link>
		<description>&lt;a href="http://www.digitalsalon.com/weblog/pivot/entry.php?id=68"&gt;Mesostics.&lt;/a&gt; John Cage &lt;a href=&quot;http://www.ubu.com/papers/perloff02.html&quot;&gt;invented&lt;/a&gt; this form of inclusion/acrostic poetry.  Some examples by John Cage: &lt;a href=&quot;http://www.mostel.com/Cage_about_Mostel.html&quot;&gt;Raphael Mostel&lt;/a&gt;, &lt;a href=&quot;http://www.levity.com/corduroy/cage.htm&quot;&gt;Mark Tobey&lt;/a&gt;, &lt;a href=&quot;http://www.everything2.com/index.pl?node_id=494752&quot;&gt;Marcel Duchamp&lt;/a&gt;, and &lt;a href=&quot;http://www.galerija-rigo.hr/01/cage.htm&quot;&gt;Erik Satie&lt;/a&gt;.  You can create your own through an automated &lt;a href=&quot;http://www.euph0r1a.net/mesostomatic&quot;&gt;mesostomatic&lt;/a&gt; process.  Even &lt;a href=&quot;http://homepage.ntlworld.com/kirstenlavers/taxigallery/taxigallerywebsite/fullacrostics1.html&quot;&gt;cabbies &lt;/a&gt;have gotten in on the act&lt;a href=&quot;http://mesostic.com/mesosticex.htm&quot;&gt;.&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.54516</guid>
		<pubDate>Mon, 04 Sep 2006 18:20:46 -0800</pubDate>
		<category>acrostic</category>
		<category>johncage</category>
		<category>mesostic</category>
		<category>poetry</category>
		<dc:creator>Falconetti</dc:creator>
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		<title>No, I&apos;m not sure how they get it to not devolve into a wall of feedback... though that&apos;d be pretty rad too.</title>
		<link>http://www.metafilter.com/53026/No%2DIm%2Dnot%2Dsure%2Dhow%2Dthey%2Dget%2Dit%2Dto%2Dnot%2Ddevolve%2Dinto%2Da%2Dwall%2Dof%2Dfeedback%2Dthough%2Dthatd%2Dbe%2Dpretty%2Drad%2Dtoo</link>
		<description>&lt;a href="http://www.stalk.net/piano/carter01.htm"&gt;A Piano In A Gallery.&lt;/a&gt; &lt;a href=&quot;http://www.stalk.net/piano/dcbio.htm&quot;&gt;David Cunningham&lt;/a&gt; (the guy behind &lt;a href=&quot;http://en.wikipedia.org/wiki/Flying_Lizards&quot;&gt;The Flying Lizards&lt;/a&gt;! Wikipedia because the &lt;a href=&quot;http://home.netcom.com/~logan5/&quot;&gt;main at-least-quasi-official site&apos;s down&lt;/a&gt;, but while you wait 16 days for that, why not read &lt;a href=&quot;http://mstation.org/deborah.html&quot;&gt;this interview with Deborah Lizard&lt;/a&gt; for your FL Fix&lt;/font&gt;) and his new project... &lt;a href=&quot;http://www.stalk.net/piano/carter01.htm&quot;&gt;A Piano In A Gallery&lt;/a&gt;.  No, he&apos;s not actually PLAYING the piano -- the visitors are.  It&apos;s a sort of similar thing to both &lt;a href=&quot;http://www.enoweb.co.uk/&quot;&gt;Brian Eno&lt;/a&gt;&apos;s gallery &lt;a href=&quot;http://www.creativesynth.com/OPINIONS/004_Installations/op_Installations.html&quot;&gt;work&lt;/a&gt; &lt;a href=&quot;http://www.inmotionmagazine.com/eno1.html&quot;&gt;with ambient tape&lt;/a&gt; &lt;a href=&quot;http://www.loopers-delight.com/history/Loophist.html&quot;&gt;loops&lt;/a&gt; on different time cycles, creating an ever-shifting collage of sound and &lt;a href=&quot;http://www.davidbyrne.com&quot;&gt;David Byrne&lt;/a&gt;&apos;s recent &lt;a href=&quot;http://www.davidbyrne.com/art/art_projects/playing_the_building/index.php&quot;&gt;Playing The Building&lt;/a&gt;.  The room is mic&apos;d, and the sound is run through a piano, and amplified, both bringing background noises to the foreground AND creating feedback-style loops, as those sounds are also run into the mics and so forth.  So... if you happen to be in &lt;a href=&quot;http://www.carterpresents.com/current/index.html&quot;&gt;London....&lt;/a&gt;   &lt;a href=&quot;http://blog.wfmu.org/freeform/2006/07/david_cunningha.html&quot;&gt;[via WFMU]&lt;/a&gt;&lt;/font&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.53026</guid>
		<pubDate>Sat, 15 Jul 2006 09:05:19 -0800</pubDate>
		<category>4&apos;33</category>
		<category>ambient</category>
		<category>audio</category>
		<category>avant-garde</category>
		<category>cartergallery</category>
		<category>dada</category>
		<category>experimentation</category>
		<category>feedback</category>
		<category>johncage</category>
		<category>microphone</category>
		<category>music</category>
		<category>noise</category>
		<category>sound</category>
		<dc:creator>Rev. Syung Myung Me</dc:creator>
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		<title>As Slow As Possible.</title>
		<link>http://www.metafilter.com/51394/As%2DSlow%2DAs%2DPossible</link>
		<description>&lt;a href="http://www.john-cage.halberstadt.de/new/index.php?l=e"&gt;E and E-sharp will end tomorrow.&lt;/a&gt; Only &lt;a href=&quot;http://www.germany.info/relaunch/info/publications/week/2004/040709/misc5.html&quot;&gt;631 and a half years to go&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.51394</guid>
		<pubDate>Thu, 04 May 2006 11:55:22 -0800</pubDate>
		<category>AsSlowAsPossible</category>
		<category>Halberstadt</category>
		<category>JohnCage</category>
		<category>music</category>
		<category>organ</category>
		<dc:creator>arse_hat</dc:creator>
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		<title>Rhythmic Research Fellows</title>
		<link>http://www.metafilter.com/49673/Rhythmic%2DResearch%2DFellows</link>
		<description>&lt;a href="http://musicmavericks.publicradio.org/programs/program1.html"&gt;American Mavericks:&lt;/a&gt; Fascinating radio piece about the &lt;a href=&quot;http://www.nytimes.com/books/01/02/18/reviews/010218.18sandowlt.html?_r=1&amp;oref=slogin&quot;&gt;ultra-modernist &lt;/a&gt; composers, narrated by Suzanne Vega. [more inside]  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.49673</guid>
		<pubDate>Thu, 02 Mar 2006 12:24:17 -0800</pubDate>
		<category>henryCowell</category>
		<category>johnCage</category>
		<category>music</category>
		<category>suicideOnAnAirplane</category>
		<category>toneClusters</category>
		<dc:creator>Squid Voltaire</dc:creator>
	</item>
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		<title></title>
		<link>http://www.metafilter.com/18137/</link>
		<description> &lt;a href=&quot;http://www.ibiblio.org/mal/MO/cage/cagelinks.html&quot;&gt;John Cage&lt;/a&gt;&apos;s representatives try to &lt;a href=&quot;http://www.independent.co.uk/story.jsp?story=307449&quot;&gt;claim copyright on silence&lt;/a&gt;. [Ref: &lt;a href=&quot;http://www.azstarnet.com/~solo/4min33se.htm&quot;&gt;4&apos;33&quot;&lt;/a&gt;]&lt;br /&gt;
Okay.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2002:site.18137</guid>
		<pubDate>Sat, 29 Jun 2002 14:57:12 -0800</pubDate>
		<category>433</category>
		<category>copyright</category>
		<category>johncage</category>
		<category>music</category>
		<dc:creator>Su</dc:creator>
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