You Must Remember This (previously) is a weekly podcast by Karina Longworth, documenting the secrets and forgotten histories of 20th century Hollywood. The podcast recently wrapped up "Star Wars," its first themed arc on the subject of movie stars and their lives and careers during times of war... [more inside]
The Other Side of the Wind was going to be Orson Welles’s comeback, perhaps even topping Citizen Kane—but to this day, it remains unfinished (though that may change soon). In an adaptation from a new book about the 45-year struggle to make the film, Josh Karp reveals why Welles’s last movie is the stuff of legend.(via)
"A post-World War II documentary, banned by the military in 1946 but lately released online, is one of the earliest depictions of psychotherapy." Let There Be Light, a film by John Huston. [more inside]
"Beat the Devil" went straight from box office flop to cult classic and has been called the first camp movie, although Bogart, who sank his own money into it, said, "Only phonies like it." It's a movie that was made up on the spot; Huston tore up the original screenplay on the first day of filming, flew the young Truman Capote to Ravallo, Italy, to crank out new scenes against a daily deadline and allowed his supporting stars, especially Robert Morley and Peter Lorre, to create dialogue for their own characters. (Capote spoke daily by telephone with his pet raven, and one day when the raven refused to answer he flew to Rome to console it, further delaying the production.) - Roger Ebert's Great Movies
M. Sartre goes to Hollywood. In 1958, John Huston asked Jean-Paul Sartre to write a biopic of Sigmund Freud. "The Huston-Sartre collaboration fell apart in 1959, when Sartre travelled to Huston's home in Ireland to work on the script. The two didn't work well together. 'There was no such thing as a conversation with him,' Huston later recalled. 'He talked incessantly, and there was no interrupting him. You'd wait for him to catch his breath, but he wouldn't.' Meanwhile Sartre, in his letters to Simone de Beauvoir, described Huston as 'perfectly vacant, literally incapable of speaking to those whom he has invited.'" [via Bookslut] [more inside]
I am Myra Breckinridge whom no man will ever possess. Clad only in garter belt and one dress shield, I held off the entire elite of the Trobriand Islanders, a race who possess no words for "why" or "because." Wielding a stone axe, I broke the arms, the limbs, the balls (nsfw) of their finest warriors, my beauty blinding them, as it does all men... [more inside]
Orson Welles in the Arena, BBC; 1: 2: 3: 4: 5: 6: 7: 8: 9: 10: 11: 12: 13: 14: 15: 16: with Jeanne Moreau, Peter Bogdanovich, John Huston, Charlton Heston. More Arena documentaries: Buddy Holly: Joe Orton: Elvis: Peter Sellers: Superman: David Lynch on surrealism: Philip K. Dick.