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	<title>MetaFilter posts tagged with johnthompson</title>
	<link>http://www.metafilter.com/tags/johnthompson</link>
	<description>Posts tagged with 'johnthompson' at MetaFilter.</description>
	<pubDate>Sun, 14 Dec 2008 14:17:32 -0800</pubDate> <lastBuildDate>Sun, 14 Dec 2008 14:17:32 -0800</lastBuildDate>

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		<title>The Guqin Silk String Zither</title>
		<link>http://www.metafilter.com/77435/The%2DGuqin%2DSilk%2DString%2DZither</link>
		<description> Pronounced &quot;chin&quot; (&quot;stringed instrument&quot;) or &quot;goo chin&quot; 
(&quot;old stringed instrument&quot;), the 
&lt;a href=&quot;http://www.silkqin.com/11misc/00brief.htm&quot;&gt;&lt;i&gt;qin&lt;/i&gt; / &lt;i&gt;guqin&lt;/i&gt;&lt;/a&gt; throughout its long 
&lt;a href=&quot;http://www.silkqin.com/09hist.htm&quot;&gt;history&lt;/a&gt; has been the musical instrument most 
&lt;a href=&quot;http://www.silkqin.com/02qnpu/26qsdq/qs16jizai.htm&quot;&gt;prized&lt;/a&gt; by China&apos;s literati. They categorized it as one of their 
&quot;&lt;a href=&quot;http://www.silkqin.com/11misc.htm&quot;&gt;four arts&lt;/a&gt;&quot;, collected it as an art 
&lt;a href=&quot;http://www.silkqin.com/03qobj.htm&quot;&gt;object&lt;/a&gt;, praised its beautiful 
&lt;a href=&quot;http://www.silkqin.com/06hear.htm&quot;&gt;music&lt;/a&gt;, and built around it a complex 
&lt;a href=&quot;http://www.silkqin.com/10ideo.htm&quot;&gt;ideology&lt;/a&gt; (compare its image in 
&lt;a href=&quot;http://www.silkqin.com/01mywk/themes/nvlopr.htm&quot;&gt;popular culture&lt;/a&gt;). No other instrument was 
&lt;a href=&quot;http://www.silkqin.com/02qnpu/05tydq.htm&quot;&gt;described and illustrated&lt;/a&gt; in such detail, so often depicted in &lt;a href=&quot;http://www.silkqin.com/04qart.htm&quot;&gt;paintings&lt;/a&gt;, or so regularly mentioned in 
&lt;a href=&quot;http://www.silkqin.com/05poet.htm&quot;&gt;poetry&lt;/a&gt;. And its 
&lt;a href=&quot;http://www.silkqin.com/07play/fngrng.htm&quot;&gt;tablature&lt;/a&gt; documents the 
&lt;a href=&quot;http://www.silkqin.com/02qnpu/01yl.htm&quot;&gt;world&apos;s oldest&lt;/a&gt; detailed 
&lt;a href=&quot;http://www.silkqin.com/02qnpu.htm&quot;&gt;written instrumental music tradition&lt;/a&gt;, 
allowing both 
&lt;a href=&quot;http://www.silkqin.com/08anal/hip.htm&quot;&gt;historically informed performance&lt;/a&gt; (requiring 
&lt;a href=&quot;http://www.silkqin.com/03qobj/silk.htm&quot;&gt;silk strings&lt;/a&gt;) of the many 
&lt;a href=&quot;http://www.silkqin.com/11misc/zhaguide5.htm&quot;&gt;early melodies&lt;/a&gt;, and practical exploration of the relationship between 
&lt;a href=&quot;http://www.silkqin.com/08anal.htm&quot;&gt;Chinese music theory&lt;/a&gt; and music practice. The guqin silk string zither work of &lt;a href=&quot;http://www.silkqin.com/01mywk.htm&quot;&gt;John Thompson&lt;/a&gt;. John Thompson is the best-known musician giving historically informed performances of early Chinese music for the &lt;a href=&quot;http://www.silkqin.com/11misc/00brief.htm&quot;&gt;&lt;i&gt;guqin&lt;/i&gt;&lt;/a&gt; silk-string zither. After a college degree in Western musicology (early music) and graduate studies in ethnomusicology, he began in 1974 to study the modern &lt;i&gt;guqin&lt;/i&gt; tradition from Sun Y&amp;uuml;Ch&apos;in in Taiwan. Since 1976 he has focused on early repertoire, personally &lt;a href=&quot;http://www.silkqin.com/08anal/dapu.htm&quot;&gt;reconstructing&lt;/a&gt; over &lt;a href=&quot;http://www.silkqin.com/01mywk/myrep.htm&quot;&gt;150 melodies&lt;/a&gt; published in 15th and 16th century handbooks. In 1992 the National Union of Chinese Musicians invited him to Beijing as the focus of a seminar on reconstructing music from the earliest surviving &lt;i&gt;guqin&lt;/i&gt; handbook, &lt;a href=&quot;http://www.silkqin.com/02qnpu/07sqmp.htm&quot;&gt;&lt;i&gt;Shen Qi Mi Pu&lt;/i&gt;&lt;/a&gt; (1425 CE). While based in Hong Kong as artistic consultant to the &lt;a href=&quot;http://www.silkqin.com/13pers/myfaa.htm&quot;&gt;Festival of Asian Arts&lt;/a&gt; he performed throughout East Asia, and &lt;a href=&quot;http://www.silkqin.com/01mywk/00pub.htm&quot;&gt;published&lt;/a&gt; seven CDs of his musical reconstructions as well as four books of music transcription. Since moving to New York in 2001 he has continued to &lt;a href=&quot;http://www.silkqin.com/01mywk/myperf.htm&quot;&gt;perform&lt;/a&gt;, research and lecture on the &lt;i&gt;guqin&lt;/i&gt;. His website is the most comprehensive English-language source of information on this instrument. </description>
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		<pubDate>Sun, 14 Dec 2008 14:17:32 -0800</pubDate>
		<category>china</category>
		<category>guqin</category>
		<category>history</category>
		<category>instrument</category>
		<category>johnthompson</category>
		<category>music</category>
		<category>qin</category>
		<category>silk</category>
		<category>string</category>
		<category>zither</category>
		<dc:creator>netbros</dc:creator>
	</item>
      <item>
		<title>I know how small a poem can be:/the point on a fish hook.</title>
		<link>http://www.metafilter.com/49617/I%2Dknow%2Dhow%2Dsmall%2Da%2Dpoem%2Dcan%2Dbethe%2Dpoint%2Don%2Da%2Dfish%2Dhook</link>
		<description>&lt;a href="http://en.wikipedia.org/wiki/Ghazal"&gt;The Ghazal&lt;/a&gt; is a kind of poetry, originally of pre-Islamic Persian origin, consisting entirely of couplets, called &quot;&lt;a href=&quot;http://en.wikipedia.org/wiki/Sher&quot;&gt;sher&lt;/a&gt;,&quot; that share (no pun intended) an end rhyme. Well-liked especially in &lt;a href=&quot;http://www.ghazals.in/&quot;&gt;India&lt;/a&gt; and &lt;a href=&quot;http://www.msci.memphis.edu/~ramamurt/ghazal.html&quot;&gt;Pakistan&lt;/a&gt;, the &lt;a href=&quot;http://members.aol.com/poetrynet/ghazals/&quot;&gt;difficult-to-master&lt;/a&gt; form has experienced a surge of popularity among, of all people, white Canadians. Spurred by the &lt;a href=&quot;http://howpoemswork.arcpoetry.ca/monthly/2004_03/index.php&quot;&gt;breathtaking poems&lt;/a&gt; of the &lt;a href=&quot;http://en.wikipedia.org/wiki/John_Thompson_(poet)&quot;&gt;late John Thompson&lt;/a&gt;, contemporary writers like &lt;a href=&quot;http://www.canadianpoetry.ca/cpjrn/vol32/potvin.htm&quot;&gt;Phyllis Webb&lt;/a&gt; and &lt;a href=&quot;http://www.brokenjaw.com/catalog/pg74.htm&quot;&gt;Eric Folsom&lt;/a&gt; have created a interesting hybridized verision--&lt;a href=&quot;http://www.poetics.ca/poetics01/01weaver.html&quot;&gt;&quot;The Bastard Ghazal&quot;&lt;/a&gt;. That&apos;s not, of course, to ignore &lt;a href=&quot;http://www.kiranmusic.com/&quot;&gt;Kiran Ahluwalia&lt;/a&gt;, an Indian-Candian ghazal singer who hews more closely to the form&apos;s origins.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.49617</guid>
		<pubDate>Tue, 28 Feb 2006 22:59:11 -0800</pubDate>
		<category>canada</category>
		<category>ericfolsom</category>
		<category>ghazal</category>
		<category>johnthompson</category>
		<category>kiranahluwalia</category>
		<category>phylliswebb</category>
		<category>poetry</category>
		<dc:creator>maxreax</dc:creator>
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