Claire Messud: “A woman’s rant” [National Post]
"Over the last week, discussion surrounding Claire Messud’s new novel, The Woman Upstairs, has shifted from the book to an interview
its author recently gave to Publishers Weekly, in which Messud took issue with the following question: “I wouldn’t want to be friends with Nora, would you? Her outlook is almost unbearably grim.” [more inside]
posted by Fizz
on May 10, 2013 -
Stop Using Small Font Sizes
"I'm calling you out. All of you. The hackers, the designers, the code monkeys, the word-smiths, the editors, the CSS gurus, and everyone else who works on content management systems and style sheets for news sites. Stop using small font sizes." [more inside]
posted by mediareport
on Mar 12, 2013 -
Conceived as sort of a companion to Longreads, Longform, Pocket, Byliner, etc., Nieman Storyboard's Why's This So Good?
series looks at why
some great long-form journalism and narrative nonfiction pieces are so great. There are over 60 installments of writers talking shop about writing. [more inside]
posted by AceRock
on Nov 26, 2012 -
But I couldn't do it. I spent three months and I just couldn't do it. And the reason was because I kept on meeting people who worked in the credit industry and they were really boring. I couldn't make them light up the page. And, as I said in The Psychopath Test, if you want to get away with wielding true malevolent power, be boring. Journalists hate writing about boring people, because we want to look good, you know? A Chat With Writer Jon Ronson [more inside]
posted by the man of twists and turns
on Nov 16, 2012 -
In 1891 author and lecturer ”Max O’Rell
” (being the pen name of one Léon Paul Blouet) published an amusing account of his travels through the States and Eastern Canada - "A Frenchman In America
" - that, along with the charming illustrations, reflect on then popular national stereotypes and character and is presented on Project Gutenberg in its entirely. (via
posted by The Whelk
on Jul 7, 2012 -
The Hemingway Papers:
The legendary writer’s reporting from the Toronto Star archives, featuring historical annotations by William McGeary, a former editor who researched Hemingway’s columns extensively for the newspaper, along with new insight and analysis from the Star’s team of Hemingway experts.
posted by Fizz
on May 28, 2012 -
Janet Flanner began her career at The New Yorker composing evocative and cogent dispatches from Europe, writing nearly seven hundred Letters from Paris under the nom de plume Genêt, from 1925 to 1975. In between these, she contributed Profiles, Reporter at Large dispatches, and other Letters from around the globe. In a Postscript published after she died, in 1978, editor-in-chief William Shawn wrote of his prolific correspondent: "Her eye never became jaded, her ardor for what was new and alive never diminished, and her language remained restless. She was a stylist who devoted her style, bedazzling and heady in itself, to the subtle task of conveying the spirit of a subtle people." [more inside]
posted by Trurl
on Feb 15, 2012 -
"To really love Joan Didion—to have been blown over by things like the smell of jasmine and the packing list she kept by her suitcase—you have to be female. … Women who encountered Joan Didion when they were young received from her a way of being female and being writers that no one else could give them. She was our Hunter Thompson, and Slouching Towards Bethlehem
was our Fear and Loathing in Las Vegas
. He gave the boys twisted pig-fuckers and quarts of tequila; she gave us quiet days in Malibu and flowers in our hair. … Ultimately Joan Didion’s crime
—artistic and personal—is the one of which all of us will eventually be convicted: she got old. Her writing got old, her perspective got old, her bag of tricks didn’t work anymore."
posted by Houyhnhnm
on Jan 11, 2012 -
"I can’t imagine a nonfiction writer who wasn’t influenced by the fiction he or she had read. But the “thriller-like pacing” you find in my writing may come more from my own beat than from thrillers. I walk fast and am impatient. I get bored easily—no less with my own ideas than with those of others. Writing for me is a process of constantly throwing out stuff that doesn’t seem interesting enough. I grew up in a family of big interrupters." Janet Malcolm interviewed by Katie Roiphe in The Paris Review
posted by escabeche
on Jul 25, 2011 -
One night, I awoke out of a dead sleep, and jumped to my computer, and instantly began typing up an article about David Letterman. I kept going for ten minutes, until I realized I had dreamed it all. There was no article to write; I was simply typing up the same meaningless phrases that we all always used: “LADY GAGA PANTLESS ON LATE NIGHT WITH DAVID LETTERMAN,” or some such.
AOL Hell: An AOL Content Slave Speaks Out.
posted by Horace Rumpole
on Jun 17, 2011 -
The public pillorying of Janet Malcolm is one of the scandals of American letters. ... why is it Malcolm, a virtuoso stylist and a subtle, exciting thinker, who drives critics into a rage? What journalist of her caliber is as widely disliked or as often accused of bad faith? And why did so few of her colleagues stand up for her during the circus of a libel trial that scarred her career? In the animus toward her there is something almost personal. [more inside]
posted by Trurl
on Jun 1, 2011 -
The New Games Journalism
is a manifesto written earlier this year in an attempt to re-shape the way that video game reviews are written, moving away from a stats-based view (these are the weapons, the graphics quality is X, the A.I. is as good as Y), and toward a more narrative approach. The goal, essentially, should be to convey to the reader what it's actually like to play the game. Be sure to follow the link to "Bow, Nigger"
as an example. This review of Eve Online
(pdf) is another good example. Are other areas of media criticism in need of a revolution?
posted by mkultra
on Dec 9, 2004 -
Testy Copy Editors
is a site run by WaPo
Financial Copy Editor Philip Blanchard
, with guest columns and discussions
dedicated to blowing off steam for people in the occasionally tense business of making words fit, parse properly and make sense in print.
If you've actually edited copy under a deadline, or know someone who has, you know how thankless the job can sometimes be.
posted by chicobangs
on Sep 10, 2004 -
'Literature of fact'
The high wall which seperates fact and fiction has a small door in it through which people can step. A piece which discusses how someone writing a supposed eyewitness account of an event always tends to fictionalise, even unconciously, in order to make the subject interesting, the idea being that just because a book is in that section, it might not actually be completely non-fiction.
posted by feelinglistless
on Nov 16, 2002 -