Know who else liked tunes by "subhuman" Jewish and Russian musicians? That's right.
Hitler and the Sea Monkeys. When Harold von Braunhut "discovered" a new species of brine shrimp, artemia nyos, he made millions marketing them as Sea Monkeys. Using profits from that and his other inventions (such as X-Ray Specs), von Braunhut funded anti-Semitic groups, including the Aryan Nations, despite being Jewish himself.
Mahler performances were rare in Vienna in those days because Mahler's city had already been contaminated by the acolytes of Adolf Hitler. By their reckoning, Mahler's music was loathsome — a product of "Jewish decadence." To put Mahler's music on the program was therefore a political act. It was to protest and deny the hateful faith that blazed across the border from Germany. That much I understood quite clearly, even as a boy. The New Yorker's Alex Ross reprints Hans Fantel's New York Times 1989 essay on Bruno Walter's 1938 performance of Mahler's Ninth Symphony -- the last performance of the Vienna Philharmonic before Hitler invaded Austria.
Nazi's relative turns Israel lover. Matias Goering is a direct descendant of Hitler's right-hand man. He also keeps Shabbat, wears a kippa, and identifies with the Greater Israel vision of West Bank settlers. (via jewlicious)