7 posts tagged with judaism and music.
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Even the theme to Gilligan's Island? Yes.

Adon Olam is a 12th century Jewish hymn traditionally sung at the end of Sabbath services in both Ashkenazic and Sephardic congregations. Maybe you’ve heard Uzi Hitman’s disco version, which electrified the 1970’s. But what may be most inspiring about the prayer is that it can fit to pretty much any melody. Here it is to Pharrell’s Happy. Here it is to Gilbert and Sullivan's Modern Major General. Here’s the Cups song. Even Amazing Grace. [more inside]
posted by Mchelly on Sep 12, 2014 - 44 comments

Sephardic Music: A Century of Recordings

Sephardic Music: A Century of Recordings is a discographic website charting the recording of Sephardic secular and liturgical songs. It includes great sections on 78 rpm recordings, early repertory, and modern recordings. Samples of songs are littered throughout, but many can be found in the Appendix section on 78 labels (at the bottom of the page) and the Songs section of the Appendix. There are many other parts of the site to explore, but the Bibiliography deserves a special mention, as does this page providing samples of 125! different recordings of the popular song A la una over the past 100 years.
posted by OmieWise on Dec 12, 2012 - 12 comments

Jew - Not a Jew.

Know your musical Jews!
posted by KevinSkomsvold on Dec 10, 2007 - 49 comments

Hitler's record collection

Know who else liked tunes by "subhuman" Jewish and Russian musicians? That's right.
posted by mr_crash_davis on Aug 7, 2007 - 36 comments

Masada: The Musical

Masada: The Musical.
posted by tranquileye on Dec 13, 2006 - 9 comments

Full Fathom Nine

Mahler performances were rare in Vienna in those days because Mahler's city had already been contaminated by the acolytes of Adolf Hitler. By their reckoning, Mahler's music was loathsome — a product of "Jewish decadence." To put Mahler's music on the program was therefore a political act. It was to protest and deny the hateful faith that blazed across the border from Germany. That much I understood quite clearly, even as a boy.
The New Yorker's Alex Ross reprints Hans Fantel's New York Times 1989 essay on Bruno Walter's 1938 performance of Mahler's Ninth Symphony -- the last performance of the Vienna Philharmonic before Hitler invaded Austria.
posted by matteo on Apr 10, 2006 - 7 comments

The Milken Archive of American Jewish Music

The Milken Archive of American Jewish Music
posted by matteo on Sep 12, 2005 - 12 comments

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