Experimental Writing Seminar: Constraints & Collaborations. In addition to setting out a few dozen writing exercises, the online syllabus for an introductory course taught by Charles Bernstein (poet and co-editor of L=A=N=G=U=A=G=E) links to a variety of poems, poetry generators, and prose experiments on the web. [more inside]
Hart Crane was a poet, one who was known by and friends with other notable poets. The poet e. e. cummings claimed that "Crane’s mind was no bigger than a pin, but it didn’t matter; he was a born poet" (Google books preview). Tennessee Williams said he could "hardly understand a single line" but insisted he wanted to be buried at sea at the "point most nearly determined as the point at which Hart Crane gave himself back." Crane had his critics — Marianne Moore and Ezra Pound come to mind, and William Carlos Williams wrote "There is good there but it’s not for me" — but Jack Kerouac and Allen Ginsberg used to read "The Bridge" together, John Berryman wrote one of his famous elegies on Crane and heavyweight Robert Lowell included his “Words for Hart Crane” in "Life Studies." Science/Fiction author, James Tiptree, Jr. (Alice Sheldon) also wrote that "nobody seems to have noticed that Hart Crane really was the first space poet," quoting lines from his epic The Bridge in the story Mother in the Sky with Diamonds. Those are all words by other people, why not read a few from Crane? [more inside]
Rest in peace, Simon Vinkenoog [Dutch blog w/English option], poet, friend of artists like Karel Appel, translator of Beat Generation figures like Allen Ginsberg and Jack Kerouac, psychedelic enthusiast and "weed ambassador" of Amsterdam, and author of such guides to hip living as How to Enjoy Reality. One of the European jazz-loving proto-hippies who made the '60s swing and mentored several generations of culture hackers, though he was never widely known in the US.
Gary Snyder, sublime and seminal poet of ecological awareness and activism [YouTube link], Zen appreciation of "ordinary mind" and American speech, shamanistic intimacy with the natural world, and surviving member of the Beat Generation (West Coast posse) at age 78, has won the $100,000 Ruth Lilly poetry prize. "Gary Snyder is in essence a contemporary devotional poet, though he is not devoted to any one god or way of being so much as to Being itself," said Poetry magazine editor Christian Wiman. "His poetry is a testament to the sacredness of the natural world and our relation to it, and a prophecy of what we stand to lose if we forget that relation.” Previous recipients of the Lilly prize include Adrienne Rich, John Ashbery, and W.S. Merwin. [Previously mentioned here.]
Robert Creeley, one of the most exquisite and influential poets of our era, died this morning at age 78. I'd link to a story, but it's not in the news yet. This is a note from one of Robert's friends: "American poet Robert Creeley passed away this morning at 6:15 am in Odessa, Texas, where he was fulfilling a Residency at the Lannan Foundation. (Mr. Creeley was a recipient of the Lannan Foundation Lifetime Achievement Award.) His wife of twenty-eight years, Penelope, and son Will and daughter Hannah were at his side. The cause of death was complications from respiratory disease." Though a comrade and muse for Beat Generation writers like Allen Ginsberg and Jack Kerouac, Creeley was much less well-known, and had a style rather unlike theirs, distinguished by extreme economy of words and an understated approach toward emotion. Creeley was often cited as a pioneer by the so-called language poets, and his most creatively generative friendship was with another poet's poet, the late Charles Olson. Creeley's subtlety and balance will be missed.