Among the many weird manifestations of Kim Il Sung’s tyranny was a prohibition of romance in the works of North Korean culture ... Growing up on the very best of Soviet and Hollywood movies, Kim Jong Il comprehended that romance could be an essential spoon of sugar to help people better swallow the bitter medicine of social mobilization and various other political campaigns. “People love love,” he once claimed in his characteristically laconic manner. “We must show it on the screen”.[more inside]
This is The Big Picture, an official television report of the United States Army, produced for the armed forces and the American people. Now to show you part of The Big Picture here is Master Sargent Stuart Queen
The series consists of ~822 documentaries produced by the United States Army Signal Corps Army Pictorial Service from 1951 to 1971 to educate both soldiers in uniform and the American public about military concerns as well as things like historical battles, world geography, famous soldiers, the latest weapons, space exploration, strategic objectives, peaceful initiatives, and the life of a soldier. Being a product of the Federal Government it belongs to the the American people, and is thus freely available to all to copy and distribute. Most can now be viewed on archive.org[more inside]
From the mid 40s to the mid 50s Coronet Instructional Films were always ready to provide social guidance for teenagers on subjects as diverse as dating, popularity, preparing for being drafted, and shyness, as well as to children on following the law, the value of quietness in school, and appreciating our parents. They also provided education on topics such as the connection between attitudes and health, what kind of people live in America, how to keep a job, supervising women workers, the nature of capitalism, and the plantation System in Southern life. Inside is an annotated collection of all 86 of the complete Coronet films in the Prelinger Archives as well as a few more. Its not like you had work to do or anything right? [more inside]
Shin Sang-ok (1926 - 2006) was a Korean movie writer, director and producer, who studied film in Japan and returned to South Korea, where he gained fame and became the uncontested leader of the film industry in the 1960s, in a time when regulations on the industry limited other studios. In the 1970s under the Fourth Republic of South Korea, the film industry was even further limited, which lead to Shin's studio being closed. Things went from bad to worse, when "the Orson Welles of South Korea" was kidnapped by request of Kim Jong Il, the son of North Korea's dictator, Kim Il Sung. The reason? Kim Jong Il wanted the nation's film industry to promote the virtues of the Korea Workers' Party to a world-wide audience. After being imprisoned for four years, Shin was reunited with his ex-wife (who was also a captive of North Korea) and the given relative freedom, producing seven films in North Korea. While setting up a distribution deal to share Kim Jong Il's vision with a broader audience for a Godzilla-like monster movie, Shin and his wife escaped and sought political asylum in the United States. Their freedom was possible because of that last film for Kim, entitled Pulgasari. But Shin's life in movies was not over yet. [more inside]
At the end of the Korean War, James Veneris was an American POW awaiting repatriation. But when his time came, he—along with twenty other Americans and a Briton—declined to leave and chose to cast his lot with Mao and the Chinese Communist Party. Over time, almost all of these men became disillusioned with Marxism and eventually returned to their homelands. The Cold War that informed their decisions has become a chapter in the history books but the story of Western defectors to the Communist bloc is just now being written.
The beginning of the end for Dear Leader? This Times (of London) report is filled with telling details.