‘Gresham College has provided free public talks within the City of London for over 400 years.’ ‘Since 2001, the college has been recording its lectures and releasing them online in what is now an archive of over 1,000’ of them. Some examples: Snails in Art and the Art of Snails; The History of the Bowler Hat; “Speaking Scars” - The Tattoo; Mother Green Tree Frog and her Children: How Folktales Contributed to the Confucianisation of Korea; The Psychology of Doing Nothing; Möbius and his Band; Harmony in the Lowest Home: The Guitar and the Labouring Poor. [more inside]
The House of Sharing is a place for the Halmoni to to live together and heal the wounds of the past while educating the future generations of the suffering they survived.The View From Over Here details her visit to the House of Sharing, a therapeutic group home and museum for surviving "comfort women", who were systematically raped by the Japanese military during World War II. The museum displays art for and by the survivors. Via Ask a Korean. [more inside]
Mingei is a transcultural word which combines the Japanese words for all people (Min) and art (Gei). The site has a flash interface and features over 5,000 high resolution, zoomable objects. More information on the Mingei Movement.
Art Under Control in North Korea. A slide show from Jane Portal's book by the same name (Reaktion Books, May 2005). You can find an essay by Portal here.
Nam June Paik passed away on Sunday. We'll read educated commentaries in the next few days, but what I most affectionately remember about him is how his work made me laugh happily during the 70s and 80s. A precursor of video art, he was the first to use plugged tv sets as building blocks in the most playful ways. His TV Buddha is arguably an unsurpassed classic (a motionless moving image, an outside observation of an inner meditation, even -why not?- a premonition of a blogger) (this last one is a joke: I told you Paik made me laugh). R.I.P.
"The Ho-Am Art Museum began with the donation of over 1,200 Korean works of art collected over a period of more than 30 years by Mr. Lee Byung-Chul, the late chairman of the Samsung group. [more]"