MetaFilter posts tagged with korea and music

"Everybody's talkin' 'bout the new sound, funny, but it's folk/psych/prog/70s Korean rock to me

kkokkodalk — Thu, 05 Nov 2009 17:35:32 -0800

Boys dared to grow their hair and girls dared to wear mini skirts and in Korea indecency officers patroled the street with scissors and rulers, publicly cutting hair too long and checking if skirts were too short. Shin Joong-hyung, was there with his 70s hit, Beauty, as were other musicians and artists like Sanullim and the Key Boys. Shin's memorable hook from "Beauty" of "I look at her once, look at her twice, I want to keeping looking at her” matched with an addictive beat and guitar riff created the trend of "I _____ once, _____ twice, I keep wanting to ______" wordplay according to Jishik Shidae's E documentary on Shin (link to part two, giving video clips, photos and some of the music from the time). Shin was performing since the 50s, beginning his career entertaining US troops, and in the 60s in bands like Add4 and he continued to pump out popular hits that are still familiar to the ears of many Koreans today. For example, Beautiful Rivers and Mountains, topped the charts again in the 80s when it was covered by power vocalist Lee Sun-hee, and is now considered one of her greatest hits (song clip is actually from a 2003 performance in North Korea as part of a "Reunification Concert" where South Korean singers went to perform in North Korea). Shin, who is considered the godfather of rock and soul in Korea, was an influential guitarist and musician. He also wrote songs for and worked with other acts like the Pearl Sisters (1, 2). Another one of his great hits, Officer Kim Returning from Vietnam, was performed by Kim Chu-ja. Sanullim were also a force to be reckoned with. Even though they created progressive and psychedelic music, the trio were also responsible for many recognizable hit now part of the Korean pop music lexicon with hits and exploded onto the scene with "Oh, no! Already?" (linked above) from their first album. From Sanullim's first album: Restless Heart Open the Door Girl A couple of songs from Sanullim's second album: I Think It's Really Like That Dear One Leaving Me Lining My Heart With Silk The Key Boys were responsible for another one of the most recognizable Korean songs Let's Go to the Beach, a karaoke favorite and covered by numerous performers, including punk band No Brain in 2001. It wasn't just the boys who got to play, there were also female artists with a more pop sound like Kim Jung-mi and Yoon Si-nae Another song that most Koreans are familiar with: Song Gol-mae's 80s hit, You, Who I Accidentally Ran Into To see album covers read up some more info (including how much collectors are paying for some of these albums!) check out Belgian Psyche Van Het Folk radio show's collection of Korean psychedelic folk music and their labyrinthine links. Other folk-style acts to note: Yang Hee-eun Onions Kim Jung-ho One of Shin Jung-hoon's hits was One Cup of Coffee, (performed by the Pearl Sisters). Interestingly enough, one of the more current incarnations of Korean folk and psych tradition, Chang Ki-ha and The Faces, were able to escape unknown indie band status with another coffee-themed hit, Cheap Coffee. Chang Ki-ha and The Faces perform with an enigmatic, silent and stony-faced background dancer/backup singer duo named The Mimi Sisters," an obvious nod to the 60s-70s both in the naming convention and in their sometimes retro style of dress: Why Does that Man...? The Moon is Becoming Full Accept Me

P'ansori: Korea's National Cultural Intangible Treasure

PeterMcDermott — Thu, 03 Jul 2008 18:02:59 -0800

Pansori (aka P'ansori) is a genre of Korean folk music produced by travelling musicians, a singer accompanied by a lone drummer. Rooted in seventeenth century folk tales, by the 1960's, Pansori was in danger of dying out completely, when the director Im Kwon-taek made the film Sopyonje. Sopyonje tells the story of a travelling family of musicians, struggling to make a living in the first half of the twentieth century. Given the lack of interest in the form when the film was released, it was expected to be a box office failure, but it went on to break box office records, playing to over a million viewers in Korea alone and sparking a revival of interest in the form. Im Kwon-taek has subsequently used Pansori as a narrative device in two later films, Chunyhang and Beyond the Years.

Buddy Rich, eat your heart out.

fearfulsymmetry — Fri, 04 Apr 2008 12:38:01 -0800

Attention drummers! Want to take all the attention away from the rest of the band... then just watch this masterclass. (SLYT)

Korean Psych And Acid Folk

dhoyt — Thu, 08 Jul 2004 18:44:11 -0800

Korean Psych And Acid Folk • An introduction to the late-60s/early-70s experimental music of Korea. Bonus: be among the few Westerners to hear these ultra-rare tracks by the Pearl Sisters with songwriting contributions from a man known as the "godfather of Korean rock and roll", Shin Joong-Hyun, who is credited with influencing Korea's heavier rock scene of the last two decades.

New York Subway Musicians go to Korea...

Faze — Tue, 16 Dec 2003 11:12:32 -0800

New York Subway Musicians go to Korea (from ArtsJournal.com)... And they can stay there, as far as I’m concerned. When you’re an out-of-towner, or just use the subway once a year, buskers are so quaint and picturesque. But if you’re a commuter who rides the subway every day of your life, they are stupendous annoyance, preventing you from concentrating on your reading, and generally adding to irritating cacaphony of an already inhuman environment. The subway is not some cute audition club for aspiring mimes. As Serious Danger points out, "approximately one in seven people waiting on your train platform is a face-slasher or a gut-stabber who will cut you with scant provocation, and less warning."