While doing an image search I discovered "Horselover Phat's Subliminal Synchro Sphere", landing on a giant page wherein the writer presents ... um, something about Osirus and "... Incorporating Sirius,the Moon, The Truman Show, 9/11, Jim Carrey, Gary Oldman, Keanu Reeves, Danny Boyle, The Matrix, Harrsion Ford, Ghostbusters, Kevin Spacey, Sigourney Weaver, David Bowie, Bruce Willis, Tom Hanks, Jeff Bridges, Mike Nichols, Chris Carter X-Files etc etc ..." His very first post from 2009, "...Incorporating Kubrick, Nichols, Carter, Henson, OZ, Baum, Jason, Speilberg, Landis, King Kong ,The Muppets & Revelations " into 9-11 and beyond was also noteworthy. Quite an archive of work to plow through.
19-year old French film student Candice Drouet compiled all the Stanley Kubrick references in The Simpsons alongside their original counterpart and captured 25 years of visual references in two minutes. Her visual project, 1.000.000 Frames (100 videos) collects images from all the movies she seen in her life, split into different themes such as loneliness, the sounds of Wes Anderson, and addictions. Much more at Vimeo.
Vimeo user somersetVII has created 10 beautiful, masterful supercut videos. Coens | 30 celebrates 30 years of Coen Bros movies while Stanley Kubrick gets an appropriately moody and atmospheric tribute. Other standouts include Baseball on Film and Cinema: A Space Odyssey, which only a true fan of the genres could make.
Minute Mysteries (1932) by H. A. Ripley is a recent addition to Project Gutenberg: "In these accounts every fact, every clue necessary to the solution is given ... Each problem has only one possible solution. Written in less than two hundred and sixty words, these little stories can be read in a minute. Here is your chance to work on an absolute equality with the Professor; to match your wits with his and the criminal's. You know as much as the Professor does. Now you have an opportunity of proving just how good a detective you are and what poor detectives your friends are." [more inside]
A Hitchcock mashup where Kubrick is the villain. / Un mashup hitchcockien dont Kubrick est le méchant.
Yo, Kubrick freaks (and that's pretty much everybody here, right?), check this fantastic collection of behind-the-scenes pics from the set of 2001: A Space Odyssey.
"The spirit of the 60s lives in these trailers, leaning hard on mood and music, not plot. The same is true for the Godfather trailer, as Coppola gives audiences a peak into the Corleone family.-- An epic history of the movie trailer, by Matthew Schimkowitz
However, the closer Hollywood gets to the age of the blockbuster, the more the modern trailer starts to reveal itself, and it all starts with Jaws -- the film phenomenon of the summer of 1975. [ ... ] It introduced something new to trailers: relying almost entirely on the narrative of the film to advertise it. In 3 minutes and 21 seconds, the entire story arc of the film, save for the ending, is given away. There’s a shark terrorizing the beach on the 4th of July, it’s up to a local sheriff to take care of it, and he teams with a scientist and a fisherman to get the job done."
Remember Stanley Kubrick's The Shining with Pippin Barr's Let's Play: The Shining, a browser game in Atari 2600 style. Press release.
What might have Danny dreamt about? What was the question on his mind? And what was the answer?
How Adam Savage became obsessed with building a scale model of the maze from Kubrick's film The Shining. The Making Of and The Making Of The Making Of (both SLYT). [more inside]
Kubricks' 2001: One Man's Incredible Odyssey - "With today's article I've decided to cover the truly outstanding visual effects and design work from one of the single most influential and remarkable pieces of cinema of the twentieth century - Stanley Kubricks' 2001-A SPACE ODYSSEY (1968) - a film that just gets better and better with the passing years"
Steven Soderbergh decided to re-cut 2001: A Space Odyssey. Now it's only 110 minutes.
For the upcoming digitally restored theatrical re-release of Kubrick's classic Sci-Fi film, 2001: A Space Odyssey (previously, and previously) a beautiful new trailer for the movie has been put together by the British Film Institute. Via Polygon.
2001: A Space Odyssey -- A Look Behind the Future. In 1966, Look magazine released a documentary on the making of Stanly Kubrick’s 2001: A Space Odyssey and the science featured in the film. Vernon Myers, the publisher and president of the magazine, bookends the documentary, announcing that Look would feature the film in its magazine to coincide with its then-1967 release date. If you remember, Kubrick got his start in photography working for the magazine as a young man, so it makes sense that his former-employer would want to feature his upcoming film.
Introducing Sociology: Tim Kreider's influential 1999 essay (previously) on how Stanley Kubrick's Eyes Wide Shut uses sex and infidelity to cover up a story of greed and murder by the elite gets a brand new afterward by the author to introduce a new site for his non-fiction writing, TimKreider.com
Part 1 and Part 2 of a 35MM promo reel for Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. The reel features some alternate takes and cut scenes, and is possibly narrated by Kubrick himself. via Cinephilia, who also have a bunch of great photos of Kubrick at work on the set.
Photos from a Surrealist Ball at Château de Ferrières, one of the Rothschild family’s gigantic mansions. There is no such thing as the Illuminati.
2001: A Space Odyssey – Stanley Kubrick’s 1968 sci-fi masterpiece – seems an appropriate place to start a blog about typography in sci-fi. Amongst other delights, it offers a zero-gravity toilet, emergency resuscitations, exploding bolts, and product placement aplenty. It’s also the Ur Example of Eurostile Bold Extended’s regular appearance in spacecraft user interfaces. [via]
The Truths Behind 'Dr. Strangelove' Eric Schlosser, author of Command and Control (previously), celebrates the 50th anniversary of the release of Dr. Strangelove by looking into the plausibility of the movie's premise.
BBC Radio 4's 'The Film Programme' talks to George A Romero. 'Forty five years after the release of genre-defining Night of the Living Dead, Francine Stock talks to the director George A Romero about inventing the undead zombie and where he might unearth horror in contemporary society. Plus why he doesn't rate Stanley Kubrick as a horror director.' [SL BBC Radio 4 episode] [more inside]
Inside the Making of Dr. Strangelove is a fascinating, informative and often surprising 46 minute documentary that offers a thorough and loving look at the creation of Stanley Kubrick's classic of modern cinema.
A six-minute documentary snippet discusses Kubrick's camera modifications for special, low-light f/0.7 Zeiss lenses used to film candlelit scenes in Barry Lyndon, now available to rent by aspiring filmmakers.
Some insight into what Stanley Kubrick liked of what he saw in the world of film over the years, with a master list at the end.
"But The Shining speaks to what makes Kubrick such an interesting and, for a lot of people, troublesome filmmaker, because he does not give you what you want. At all. He does not give you a Vietnam movie set in the jungle, and he does not give you a horror movie that is just like Stephen King’s The Shining. He doesn’t even give you scares for a long time, [just] ominous foreboding. And it takes people a while to figure out, “Oh, maybe I don’t know what I want. Maybe this is better.” - Mefi's Own Jon Hodgman talks about Full Metal Jacket with Scott Tobias for "The Last Great Movie I Saw."
Mooseheart Orphanage, 1948 A haunting image of children's faces from the Mooseheart Orphanage, 1948. The photo was taken by Stanley Kubrick for the June 8th, 1948 edition of Look.
The stewardess who retrieved a sleeping passenger's floating pen. The man in the ape suit who howled at the monolith. Arthur C. Clarke, recalling how he thought Stanley Kubrick was wrong, back in the day, about HAL being able to read lips, but later, aware that computers were developing such ability, admitting that he had been wrong. This and much more in The Making of Kubrick's 2001: A Space Odyssey. Meanwhile, from Douglas Trumbull, here's Creating Special Effects for 2001: A Space Odyssey. And here, full to bursting with interesting info, is the IMDb trivia page for 2001: A Space Odyssey. Why all this? Well, it's in honor of the 45th anniversary of the film's world premiere. Thank you for the masterpiece, Mr. Kubrick.
Follow Tom Cruise as he navigates his way around Kubrick's Eyes Wide Shut Greenwich Village set [more inside]
A scene-by-scene breakdown of Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb.
"James Cameron narrates this documentary on the classic film 2001. It includes archival footage of the late Arthur C. Clarke in the 1960s touring spacecraft manufacturing facilities, footage of designers putting together models, snippets of archival footage of Kubrick, interviews with various luminaries, and various other amazing stuff I’ve never seen. It also features interviews with Doug Trumbull and others who did special effects for the film. If you’re a 2001 fan, this is 43 minutes of candy. Skip to 7:00 to find out how they did the floating-pen trick — including an interview with the actress who played the “Space Hostess” who grabbed the pen seemingly from midair. Skip to around 11:00 to meet the guys who played the apes ... . Around 13:45, Clarke explains how the monolith originally was to have a movie screen on it ... ."
Alex in the Chelsea Drug Store. A frame-by-frame archeology of the records and magazines in the Chelsea Drug Store scene of A Clockwork Orange. [NSFW]
Essayist and cartoonist Tim Kreider is no stranger to film criticism ( previously) but his thoughtful, surprising, detailed analysis of Lynch's The Straight Story and Spielberg/Kubrick's AI deserve special attention.
Stanley Kubrick didn’t like giving long interviews, but he loved playing chess. So when the physicist and writer Jeremy Bernstein paid him a visit to gather material for a piece for The New Yorker about a new film project he was writing with Arthur C. Clarke, Kubrick was intrigued to learn that Bernstein was a fairly serious chess player. The result was an unusually long and candid recorded interview for the New Yorker. (77 min)
Despite his austere public image, director Stanley Kubrick was an avid lover of cats. He owned many cats and often brought them on set or into the editing room, where they were fed Evian water in Spode china bowls. Treating his pets with the same attention to detail that was his trademark as a director, Kubrick once handed his family 15 pages of instructions on how to care for his cats while he was away. [more inside]
LEGO Science Fiction - with bonus build plans for the 2001 Discovery and other scifi-inspired creations
From one of Stanley Kubrick's notebooks comes a list of potential titles for the 1964 movie that was eventually named, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Interestingly, that particular title doesn't feature on this page.
"How to make sense of Conspiracy Theories" [Part 1 of 9 from YouTube] Rob Ager is best known for his very thoughtful analyses of films such as The Shining [see also this analysis of the Overlook's geometry, previously], A Clockwork Orange [and supplement], Psycho, Pulp Fiction, Aliens, Taxi Driver and others. He has recently completed an analysis of the subject of conspiracy theories. "All of us, from time to time, will believe that two or more people in a particular context have conspired to achieve a mutual aim – be it cheating in a card game or engineering an international war. It isn’t by definition a lapse in logic to believe that a conspiracy has or is going to occur in a given situation. Conspiracies do happen and it is a natural facet of healthy thinking and self-preservation to seek out awareness of conspiracies that may affect our lives." [Text version, Ager's Collative Learning site]
Wired takes a look at some pop culture legends that elude fans and collectors.
It was like I’d been here before. I mean we’ve all had feelings of déjà vu but this was ridiculous. It’s almost like I knew what was going to be around every corner.
Many would agree that the advent of CGI has made movies worse, not better. Blogger Gin and Tacos makes the argument eloquently: "The fundamental problem is that CGI, rather that being a tool that allows directors to explore new creative possibilities, just enables laziness."
Page: 1 2