American audiences remember Akira Kurosawa as the genius of the samurai epic, a past master who used the form both to revise and revive Western classics - Shakespeare with Ran and Throne of Blood, Dostoevsky with Red Beard and The Idiot, Gorky with The Lower Depths - and to give splendid and ultimately immortal life to new archetypes, as in The Seven Samurai, Rashomon, Yojimbo. But Kurosawa also made films of his own time. His masterpiece, in fact, was the quiet story of a gray Japanese bureaucrat dying in post-war Tokyo, and of his attempt to do something of lasting good before he leaves. The film is Ikiru ("To Live"; 1952).
posted on Jan 29, 2008 - View this thread

In 1917, Dashiell Hammett, working as a Pinkerton detective in Butte, Montana, was offered $5000 to murder union organizer, Frank Little. Or was he? Maybe not. Anyway, Hammett quits being a detective and starts writing fiction. He draws on his Butte experiences to write Red Harvest about a lone detective who sets opposing factions in a corrupt city against one another and watchs the bodies pile up. Lots of people have wanted to make movies from Red Harvest. Akira Kurosawa did. Or did he? Maybe not.
posted on Nov 14, 2007 - View this thread

Gender differences in literary taste - The Guardian (inter alia) has been reporting two English professors' studies of reading habits and feelings about books by gender. Others (newest to oldest): most revelatory books by reader gender (for men), (for women), author gender by reader gender. The methodology may not be unassailable but the findings are interesting and plausible. [viaduct vianochicken]
Sidenote: I did a little research following a comment on MR and reached a non-obvious conclusion: women hate Akira Kurosawa (check out those charts; for comparison). Theories welcome.
posted on Apr 10, 2006 - View this thread