In those years I imitated him, to the point of transcription, to the point of devoted and impassioned plagiarism. I felt: Macedonio is metaphysics, is literature. Whoever preceded him might shine in history, but they were all rough drafts of Macedonio, imperfect previous versions. To not imitate this canon would have represented incredible negligence.From Jorge Luis Borges' eulogy for Macedonio Fernández. Borges' relationship with Macedonio was complicated, as recounted in The Man Who Invented Borges, a fine essay by Marcelo Ballvé. Macedonio's most famous work, the posthumous-by-design work (he believed literature should be aged like good whiskey) The Museum of Eterna's Novel has finally been translated and published in English translation, here is an excerpt from the novel (one of the ninety or so prologues). The introduction to the novel, written by its translator Margaret Schwartz, has been put online by the publisher (parts 1, 2, 3, 4, 5). Schwartz also sat down for a short interview. You can download an mp3 of a great hour-long panel discussion on Macedonio and a master's thesis on Macedonio by Peter Loggie [pdf]
Mercedes Sosa, a beloved Argentinian folk singer, passed away today. Argentine President Cristina Kirchner has ordered an official period of mourning. [more inside]
Guitarist and singer José González's myspace page mentions [lots of youtube ahead] Low and Elliot Smith. And no review of the Swede whose parents left Argentina in the 1970s is complete without a reference to Nick Drake. But what about the influence of styles from the hemisphere his parents left behind? [more inside]
What a real depression looks like. Total collapse of the middle class, malnutrition, starving bands of marauders eating road-kill, it's every survivalists dream come true. Until last year, Argentines were part of the richest, best-educated and most cultured nation in Latin America. Not anymore.