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	<title>MetaFilter posts tagged with leica</title>
	<link>http://www.metafilter.com/tags/leica</link>
	<description>Posts tagged with 'leica' at MetaFilter.</description>
	<pubDate>Mon, 22 Sep 2008 15:01:49 -0800</pubDate> <lastBuildDate>Mon, 22 Sep 2008 15:01:49 -0800</lastBuildDate>

	<language>en-us</language>
	<docs>http://blogs.law.harvard.edu/tech/rss</docs>
	<ttl>60</ttl>
	<item>
		<title>&#8220;A big warm kiss, like a shot from a revolver, and like the psychoanalyst&#8217;s couch.&#8221;</title>
		<link>http://www.metafilter.com/75071/A%2Dbig%2Dwarm%2Dkiss%2Dlike%2Da%2Dshot%2Dfrom%2Da%2Drevolver%2Dand%2Dlike%2Dthe%2Dpsychoanalyst%3Fs%2Dcouch</link>
		<description> Though their cameras have produced some of the &lt;a href=&quot;http://en.wikipedia.org/wiki/Che_Guevara_(photo)&quot;&gt;defining&lt;/a&gt; &lt;a href=&quot;http://www.soulcatcherstudio.com/images/erwitt/CAKiss55.jpg&quot;&gt;photographs&lt;/a&gt; &lt;a href=&quot;http://en.wikipedia.org/wiki/Image:Vj_day_kiss.jpg&quot;&gt;of&lt;/a&gt; &lt;a href=&quot;http://en.wikipedia.org/wiki/Image:Photo_cartierbresson_europe.jpg&quot;&gt;the&lt;/a&gt; &lt;a href=&quot;http://www.bbc.co.uk/radio4/arts/frontrow/gallery_rodchenko.shtml&quot;&gt;twentieth&lt;/a&gt; &lt;a href=&quot;http://thinkinpictures.wordpress.com/2008/02/05/robert-franks-spectators/&quot;&gt;century&lt;/a&gt;, &lt;a href=&quot;http://en.wikipedia.org/wiki/Leica_Camera&quot;&gt;Leica&lt;/a&gt; have &lt;a href=&quot;http://online.wsj.com/article/SB122152103387739231.html&quot;&gt;struggled in the new digital age&lt;/a&gt;. However there are still some aficionados for the &lt;a href=&quot;http://www.newyorker.com/reporting/2007/09/24/070924fa_fact_lane?currentPage=1&quot;&gt;Leica&apos;s &apos;kiss&apos;&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.75071</guid>
		<pubDate>Mon, 22 Sep 2008 15:01:49 -0800</pubDate>
		<category>Camera</category>
		<category>Germany</category>
		<category>Leica</category>
		<category>Photography</category>
		<dc:creator>fearfulsymmetry</dc:creator>
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      <item>
		<title>The Secret Police and the 35mm Camera</title>
		<link>http://www.metafilter.com/65084/The%2DSecret%2DPolice%2Dand%2Dthe%2D35mm%2DCamera</link>
		<description> In 1934, the FE Dzerzhinsky labor commune in Kharkiv began manufacturing a &lt;a href=&quot;http://licm.org.uk/livingImage/Rangefinder-Camera.html&quot;&gt;rangefinder camera&lt;/a&gt; that copied the German &lt;a href=&quot;http://www.camerapedia.org/wiki/Leica&quot;&gt;Leica&lt;/a&gt;. Though production has long ceased, FED rangefinders are still widely used and &lt;a href=&quot;http://www.ussrphoto.com/Wiki/default.asp?WikiCatID=8&amp;ParentID=1&quot;&gt;collected&lt;/a&gt; today. But the &lt;a href=&quot;http://mattdentonphoto.com/cameras/fed_2.html&quot;&gt;FED&lt;/a&gt; and its &lt;a href=&quot;http://web.archive.org/web/20050217195536/fed.kharkov.ua/eng/pages/01.html&quot;&gt;manufacturer&lt;/a&gt; have a &lt;a href=&quot;http://www.fedka.com/Useful_info/Commune_by_Fricke/commune_A.htm&quot;&gt;tarnished history&lt;/a&gt; - some of which is due to a work force comprised of &lt;a href=&quot;http://www.wrotniak.net/photo/vintage/fed.html&quot;&gt;children and criminals&lt;/a&gt;, and some owed to its namesake: &lt;a href=&quot;http://www.bookrags.com/Felix_Edmundovich_Dzerzhinsky&quot;&gt;Felix Edmundovich Dzerzhinsky&lt;/a&gt;, the founder of &lt;a href=&quot;http://distributedrepublic.net/archives/2007/05/01/the-cheka&quot;&gt;the Soviet&lt;/a&gt; &lt;a href=&quot;http://www.faits-et-documents.com/bilan_communisme/cheka01.htm&quot;&gt;secret&lt;/a&gt; &lt;a href=&quot;http://www.lettia.lv/en_a_baigais-gads.html&quot;&gt;police (NSFW)&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.65084</guid>
		<pubDate>Thu, 27 Sep 2007 10:15:44 -0800</pubDate>
		<category>35mm</category>
		<category>camera</category>
		<category>Cheka</category>
		<category>Dzerzhinsky</category>
		<category>FED</category>
		<category>fedka</category>
		<category>FelixEdmundovichDzerzhinsky</category>
		<category>leica</category>
		<category>NarodnyKomissariatVnutrennikhDel</category>
		<category>NKVD</category>
		<category>secretpolice</category>
		<category>sovietunion</category>
		<dc:creator>katillathehun</dc:creator>
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      <item>
		<title>The Leica Freedom Train</title>
		<link>http://www.metafilter.com/56200/The%2DLeica%2DFreedom%2DTrain</link>
		<description> Everyone by now has heard the story of &lt;a href=&quot;http://en.wikipedia.org/wiki/Oscar_schindler&quot;&gt;Oscar Schindler&lt;/a&gt;, but he wasn&apos;t the only one &lt;a href=&quot;http://www.jsonline.com/story/index.aspx?id=86006&quot;&gt;saving Jews&lt;/a&gt; in the dark era of WW II.  This story was kept secret for many years, until the last member of the &lt;a href=&quot;http://en.wikipedia.org/wiki/Leica&quot;&gt;Leitz&lt;/a&gt; family died.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.56200</guid>
		<pubDate>Fri, 10 Nov 2006 02:11:51 -0800</pubDate>
		<category>freedomtrain</category>
		<category>germany</category>
		<category>jews</category>
		<category>leica</category>
		<dc:creator>pjern</dc:creator>
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      <item>
		<title></title>
		<link>http://www.metafilter.com/50721/</link>
		<description>&lt;a href="http://www.villagevoice.com/art/0615,saltz,72778,13.html"&gt;&quot;To all our sisters who have committed suicide or who have been institutionalized for their rebellion.&quot;&lt;/br&gt;&lt;/a&gt; &lt;em&gt;Throughout her career, but especially in her latest and most wrenching work&#8212; &lt;a href=&quot;http://www.artnet.com/magazineus/features/stender/stender3-31-06.asp&quot;&gt;Sisters, Saints, &amp;amp; Sibyls&lt;/a&gt;, the 39-minute three-screen lamentation that is a duel memoir of &lt;a href=&quot;http://www.brain-juice.com/cgi-bin/show_bio.cgi?p_id=88&quot;&gt;her sister&apos;s suicide at the age of 19&lt;/a&gt; and &lt;a href=&quot;http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&amp;workid=25981&amp;searchid=7987&amp;tabview=image&quot;&gt;her own mortifications of the flesh&lt;/a&gt; and battles with addiction&#8212;the photographer &lt;a href=&quot;http://www.matthewmarks.com/index.php?n=2&amp;c=7&amp;e=417&amp;i=1009&quot;&gt;Nan Goldin&lt;/a&gt; has been one of the great living suicides of recent art history... Charles Baxter wrote that novelist Malcolm Lowry captured &quot;the way things radiate just before they turn to ash.&quot; At her best Goldin does this too.&lt;/em&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.50721</guid>
		<pubDate>Fri, 07 Apr 2006 13:42:39 -0800</pubDate>
		<category>art</category>
		<category>Cibachrome</category>
		<category>death</category>
		<category>Leica</category>
		<category>photography</category>
		<category>sisters</category>
		<category>suicide</category>
		<dc:creator>matteo</dc:creator>
	</item>
      <item>
		<title>William Eggleston in the Real World</title>
		<link>http://www.metafilter.com/44744/William%2DEggleston%2Din%2Dthe%2DReal%2DWorld</link>
		<description>&lt;a href="http://www.newsday.com/entertainment/movies/ny-etsecw4403575aug31,0,5986990.story?coll=ny-moviereview-headlines"&gt;&quot;I am at war with the obvious&quot;,&lt;/a&gt; photographer &lt;a href=&quot;http://observer.guardian.co.uk/magazine/story/0,11913,1266665,00.html&quot;&gt;William&lt;/a&gt; &lt;a href=&quot;http://www.egglestontrust.com/&quot;&gt;Eggleston&lt;/a&gt; once said, explaining his attraction to a ceiling lightbulb engulfed in a shock of red or an old Gulf gasoline sign sprouting like a giant weed against a rural skyline. Attempting to understand &lt;a href=&quot;http://www.nytimes.com/slideshow/2002/10/17/magazine/20port.slideshow_1.html&quot;&gt;that battle&lt;/a&gt;, filmmaker &lt;a href=&quot;http://fleetingjoy.fishbucket.com/&quot;&gt;Michael Almereyda&lt;/a&gt; trailed the photographer &lt;a href=&quot;http://www.cheimread.com/eggleston.html&quot;&gt;in action&lt;/a&gt; and &lt;a href=&quot;http://dir.salon.com/story/people/bc/1999/09/07/eggleston/?sid=266701&quot;&gt;in repose&lt;/a&gt; over a period of five years. The resulting &lt;a href=&quot;http://www.nytimes.com/2005/08/28/movies/28raff.html&quot;&gt;film&lt;/a&gt; is &quot;&lt;a href=&quot;http://www.filmforum.org/films/eggleston.html&quot;&gt;William Eggleston in the Real World&lt;/a&gt;&quot;. More inside.,  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.44744</guid>
		<pubDate>Thu, 01 Sep 2005 12:28:12 -0800</pubDate>
		<category>Americana</category>
		<category>art</category>
		<category>color</category>
		<category>Kodak</category>
		<category>Leica</category>
		<category>photography</category>
		<category>USA</category>
		<dc:creator>matteo</dc:creator>
	</item>
      <item>
		<title>William Gedney, photographer</title>
		<link>http://www.metafilter.com/41576/William%2DGedney%2Dphotographer</link>
		<description>&lt;a href="http://scriptorium.lib.duke.edu/gedney/"&gt;What Was True.&lt;/a&gt; From the mid 1950s through the early 1980s, &lt;a href=&quot;http://www.geh.org/fm/mismis/htmlsrc16/gedney_sld00001.html&quot;&gt;William&lt;/a&gt; &lt;a href=&quot;http://www.pbs.org/newshour/essays/february00/rodriguez_2-22.html&quot;&gt;Gedney&lt;/a&gt; &lt;small&gt;(1932-1989)&lt;/small&gt; &lt;a href=&quot;http://scriptorium.lib.duke.edu/gedney/photographs.html&quot;&gt;photographed&lt;/a&gt; throughout the &lt;a href=&quot;http://scriptorium.lib.duke.edu/gedney/thumbs/newyork/newyork1.html&quot;&gt;United States&lt;/a&gt;, in &lt;a href=&quot;http://scriptorium.lib.duke.edu/gedney/thumbs/india/india1.html&quot;&gt;India&lt;/a&gt;, and in &lt;a href=&quot;http://scriptorium.lib.duke.edu/gedney/thumbs/europe/europe1.html&quot;&gt;Europe&lt;/a&gt;, and filling &lt;a href=&quot;http://scriptorium.lib.duke.edu/gedney/writings.html&quot;&gt;notebook after notebook&lt;/a&gt; with his observations. From the commerce of the street outside his Brooklyn apartment to the &lt;a href=&quot;http://www.tfaoi.com/am/5am/5am262.jpg&quot;&gt;daily chores&lt;/a&gt; of unemployed &lt;a href=&quot;http://www.tfaoi.com/am/5am/5am261.jpg&quot;&gt;coal miners&lt;/a&gt;, from the lifestyle of hippies in &lt;a href=&quot;http://scriptorium.lib.duke.edu/dynaweb/gedney/photographs/sanfrancisco/@Generic__BookTextView/1022;nh=1?DwebQuery=SF0008#X&quot;&gt;Haight-Ashbury&lt;/a&gt; to the sacred rituals of Hindu worshippers, Gedney &lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/0393048241/metafilter-20/ref=nosim/&quot;&gt;was able to record the lives of others&lt;/a&gt; with clarity and poignancy. &lt;a href=&quot;http://cds.aas.duke.edu/exhibits/past/gedney/film.html&quot;&gt;Gedney&apos;s America&lt;/a&gt; is a nation of averted eyes, and broken automobiles, and restlessness, a place Edward Hopper would recognize, but so, also, Walt Whitman.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.41576</guid>
		<pubDate>Wed, 27 Apr 2005 16:38:23 -0800</pubDate>
		<category>art</category>
		<category>books</category>
		<category>Europe</category>
		<category>gedney</category>
		<category>Haight-Ashbury</category>
		<category>Hindu</category>
		<category>India</category>
		<category>Leica</category>
		<category>photography</category>
		<category>photojournalism</category>
		<category>travel</category>
		<category>truth</category>
		<category>USA</category>
		<category>williamgedney</category>
		<category>writing</category>
		<dc:creator>matteo</dc:creator>
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      <item>
		<title>James Whitlow Delano, photographer</title>
		<link>http://www.metafilter.com/39702/James%2DWhitlow%2DDelano%2Dphotographer</link>
		<description>&lt;a href="http://www.digitaljournalist.org/issue0501/delano__thumbs.html"&gt;A Tale of Two Chinas,&lt;/a&gt; by photographer  &lt;a href=&quot;http://www.jameswhitlowdelano.com/stories_projects/stories.html&quot;&gt;James&lt;/a&gt; &lt;a href=&quot;http://www.life.com/Life/eisies/eisies2000/travelEssay_commentary.html&quot;&gt;Whitlow&lt;/a&gt; &lt;a href=&quot;http://www.time.com/time/asia/features/photoessays/tibet.delano.0717/frames/7.html&quot;&gt;Delano&lt;/a&gt;.
Whole &lt;a href=&quot;http://www.findarticles.com/p/articles/mi_m1329/is_2_28/ai_98314824&quot;&gt;swaths of cities have vanished&lt;/a&gt;, to be transformed with developments that have quickly made them look more like Houston, Qatar, or Singapore than &lt;a href=&quot;http://www.nonstock.com/index.php?action=photographers&amp;photogid=60088&quot;&gt;the ancient China&lt;/a&gt; of our mind&apos;s eye. The old hutong, or alleyways, of Beijing that once formed a mosaic of passageways and the siheyuan, or walled courtyard houses, &lt;a href=&quot;http://www.jameswhitlowdelano.com/stories_projects/Construction_China/introduction.html&quot;&gt;have been largely razed&lt;/a&gt;. The old brick rowhouses of Shanghai, are now being leveled and replaced by modern high-rises. &lt;a href=&quot;http://www.jameswhitlowdelano.com/images_section/asia/China/China.html&quot;&gt;Traditional marketplaces, residential neighborhoods&lt;/a&gt;, streets where medicine shops or bookstores bunched together, &lt;a href=&quot;http://www.jameswhitlowdelano.com/stories_projects/Shenzhen_Growing_Pains/Shenzhen_Growing_Pains.html&quot;&gt;are now either gone or have been rouged up as tourist destinations&lt;/a&gt;, part of a new synthetic, virtual version of China&apos;s incredible past.
The energy fueling this transformation bespeaks a powerful but often &lt;a href=&quot;http://www.nytimes.com/slideshow/2003/08/28/magazine/20030831flood_1.html&quot;&gt;blind, unquestioning faith&lt;/a&gt; in an inchoate idea of progress that &lt;a href=&quot;http://i.timeinc.net/time/pacific/photo_essays/delano1.jpg&quot;&gt;takes one&apos;s breath away&lt;/a&gt;, often literally. (Unrestrained growth has left China with the dubious honor of having 9 of the 10 most polluted cities in the world). &lt;a href=&quot;http://www.smauctions.com/delano_monks.htm&quot;&gt;Delano&lt;/a&gt;&apos;s new book &lt;a href=&quot;http://www.reduxpictures.com/#&quot;&gt;is&lt;/a&gt; &quot;&lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/8874391277/metafilter-20/ref=nosim/&quot;&gt;Empire: Impressions from China&lt;/a&gt;&quot;. More inside.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.39702</guid>
		<pubDate>Thu, 17 Feb 2005 10:02:15 -0800</pubDate>
		<category>art</category>
		<category>Asia</category>
		<category>China</category>
		<category>Japan</category>
		<category>Leica</category>
		<category>photography</category>
		<category>travel</category>
		<dc:creator>matteo</dc:creator>
	</item>
      <item>
		<title>&quot;Wwhy should we remember anything? There is too much to remember now, too much to take in.&quot;</title>
		<link>http://www.metafilter.com/36541/Wwhy%2Dshould%2Dwe%2Dremember%2Danything%2DThere%2Dis%2Dtoo%2Dmuch%2Dto%2Dremember%2Dnow%2Dtoo%2Dmuch%2Dto%2Dtake%2Din</link>
		<description>&lt;a href="http://www.guardian.co.uk/arts/features/story/0,11710,1336063,00.html"&gt;In search of lost time&lt;/a&gt; It was &lt;a href=&quot;http://www.cmgww.com/historic/kerouac/&quot;&gt;Jack&lt;/a&gt; &lt;a href=&quot;http://www.desordre.net/photographie/photographes/robert_frank/kerouac3.html&quot;&gt;Kerouac &lt;/a&gt;who first defined &lt;a href=&quot;http://www.yale.edu/amstud/r66/fr1.html&quot;&gt;Robert&lt;/a&gt; &lt;a href=&quot;http://www.robertkleingallery.com/gallery/frank&quot;&gt;Frank&lt;/a&gt;&apos;s &lt;a href=&quot;http://www.guardian.co.uk/arts/features/story/0,11710,1334509,00.html&quot;&gt;genius&lt;/a&gt;, who found in it some echo of &lt;a href=&quot;http://jnocook.net/frank/frank.htm&quot;&gt;his own vision&lt;/a&gt; of a vast, &lt;a href=&quot;http://www.afterimagegallery.com/frank.htm&quot;&gt;broken-down&lt;/a&gt;, but &lt;a href=&quot;http://www.moma.org/collection/depts/photography/images/large/411_59_frank_parade.jpg&quot;&gt;still epic&lt;/a&gt;, &lt;a href=&quot;http://www.michaela-andrich.de/design/fotografen/foto_frank.jpg&quot;&gt;America&lt;/a&gt;, &lt;a href=&quot;http://shs.westport.k12.ct.us/jwb/Collab/CivRts/baby.gif&quot;&gt;peopled&lt;/a&gt; with &lt;a href=&quot;http://www.desordre.net/photographie/photographes/robert_frank/&quot;&gt;restless and lonely dreamers&lt;/a&gt;. &apos;Robert Frank, Swiss, &lt;a href=&quot;http://www.akiraikedagallery.com/022_N-FRANK.jpg&quot;&gt;unobtrusive&lt;/a&gt;, nice,&apos; wrote Kerouac in his now famous introduction to Frank&apos;s collection &lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/3931141802/metafilter-20/ref=nosim/&quot;&gt;The Americans&lt;/a&gt; , &apos;with that &lt;a href=&quot;http://www.leica.boom.ru/Leica_IIF.JPG&quot;&gt;little camera&lt;/a&gt; that &lt;a href=&quot;http://www.museum.cornell.edu/HFJ/permcoll/pdp/img_ph/frank_l.jpg&quot;&gt;he raises&lt;/a&gt; and snaps &lt;a href=&quot;http://www.umma.umich.edu/IMAGES/EXHIBITIONS/2001/2001-people_and_places.jpg&quot;&gt;with one hand&lt;/a&gt; he sucked &lt;a href=&quot;http://board.cscamera.com/cgi-bin/technote/board/gallery_cos/upimg/1068567584.jpg&quot;&gt;a sad poem&lt;/a&gt; right &lt;a href=&quot;http://www.fotorevista.com.ar/Maestros/Frank/bus.jpg&quot;&gt;out of America&lt;/a&gt; on to &lt;a href=&quot;http://www.simons-rock.edu/~dand/Photo%20Slide%20Review/images/22.Frank-Movie.jpg&quot;&gt;film&lt;/a&gt;, taking rank among the &lt;a href=&quot;http://board.cscamera.com/cgi-bin/technote/board/gallery_cos/upimg/1068567584.jpg&quot;&gt;tragic poets &lt;/a&gt;of the &lt;a href=&quot;http://www.fotorevista.com.ar/Maestros/Frank/saint.jpg&quot;&gt;world&lt;/a&gt;&apos;.&lt;/br&gt;
Frank&apos;s exhibition, &lt;a href=&quot;http://www.tate.org.uk/modern/exhibitions/frank/&quot;&gt;Storylines&lt;/a&gt;, opens this week at the &lt;a href=&quot;http://www.tate.org.uk/modern/default.htm&quot;&gt;Tate Modern&lt;/a&gt; in London.  </description>
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		<pubDate>Wed, 27 Oct 2004 06:44:28 -0800</pubDate>
		<category>art</category>
		<category>cult</category>
		<category>Leica</category>
		<category>photography</category>
		<category>robertfrank</category>
		<category>theamericans</category>
		<category>USA</category>
		<dc:creator>matteo</dc:creator>
	</item>
      <item>
		<title></title>
		<link>http://www.metafilter.com/15394/</link>
		<description>&lt;a href="http://users.netconnect.com.au/~firkin/FOM2%20Folder/YearOneExhibit/board_fset.html"&gt;Family of Man Part 2&lt;/a&gt; Many will remember &lt;a href=&quot;http://www.getty.edu/art/collections/bio/a1816-1.html&quot;&gt;Edward Steichen&apos;s&lt;/a&gt; (the first photo curator of the New York Museum of Modern Art besides being one of photography&apos;s greats) epic 1955 &lt;a href=&quot;http://www.moma.org/research/archives/highlights/1955.html&quot;&gt;Family of Man&lt;/a&gt; exhibition for the MOMA and the ubiquitous&lt;a href=&quot;http://www.momastore.org/is-bin/INTERSHOP.enfinity/eCS/Store/en/-/USD/DisplayProductInformation-Start?ProductSKU=341&quot;&gt; book&lt;/a&gt; memorializing it.  This is a worthy attempt at keeping that 50&apos;s spirit alive. PS all photos taken with Leica cameras, and for any Leica fanatics, take a peek at the just unveiled  &lt;a href=&quot;http://www.leicacamera.com/produkte/msystem/m7/index_e.html&quot;&gt;Leica M7&lt;/a&gt; while you are at it.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2002:site.15394</guid>
		<pubDate>Fri, 08 Mar 2002 22:54:43 -0800</pubDate>
		<category>familyofman</category>
		<category>leica</category>
		<category>leicam7</category>
		<category>moma</category>
		<category>steichen</category>
		<dc:creator>Voyageman</dc:creator>
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