"Longings and Desires", a Slate.com book review by Amanda Katz:
[Sarah] Waters, who was born in Wales in 1966, has carved out an unusual spot in fiction. Her six novels, beginning with Tipping the Velvet in 1998, could be called historical fiction, but that doesn’t begin to capture their appeal. It is closer to say that she is creating pitch-perfect popular fiction of an earlier time, but swapping out its original moral engine for a sensibility that is distinctly queer and contemporary, as if retrofitting a classic car.[more inside]
Her books offer something like an alternate reality—a literary one, if not a historical one. There may have been lesbian male impersonators working the London music halls in the 1890s, as in Tipping the Velvet, but there were certainly not mainstream novels devoted to their inner lives and sexual exploits. Waters gives such characters their say in books that imitate earlier crowd-pleasers in their structure, slang, and atmosphere, but that are powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex. (An exception is her last novel, The Little Stranger.) The most masterful of these books so far is Fingersmith, a Wilkie Collins-esque tale full of genuinely shocking twists (thieves, double-crossing, asylums, mistaken identity, just go read it). The saddest is The Night Watch, a tale told in reverse of a group of entwined characters during and after World War II. But among many readers she is still most beloved for Tipping the Velvet, a deliriously paced coming-of-age story that is impossible to read in public without blushing.
"The du Maurier sisters had, from their volatile, crowded childhood onward, formed this private country they could slip in and out of, where "menaces" and "Venetian tendencies" could be freely discussed. In other words, they found a way to use games of pretend to tell the absolute truth." - Carrie Frye on author Daphne du Maurier and her seminal gothic novel, Rebecca.
From the Northwestern University press release: A new paper just published in the Journal of Bioethical Inquiry uses extensive Freedom of Information Act findings to detail an extremely troubling off-label medical intervention employed in the U.S. on pregnant women to intentionally engineer the development of their fetuses for sex normalization purposes. [more inside]
Park Slope lesbians Ingrid and Desiree are "homophobic, superficial and ultimately, perfect for one another." In this video series the couple considers whether all lesbians can be classified as tops or bottoms, if transmen are hipper than bisexuals, and if the It Gets Better Project sends the wrong message about how to survive high school as a gay teen. [more inside]