Tomorrow after 37 previews and 1000 performances, Broadway will bid farewell to the critically-lauded, award-winning, first-ever revival of the classic Rodgers & Hammerstein musical South Pacific. [more inside]
posted by cvp on Aug 21, 2010 - 17 comments

The “LSER” is a response to longstanding requests from subscription holders for a faster mode of self-ejection from the concert hall...The LSER will be a particularly comforting addition to the concert-going experience for patrons anxious about contemporary music, as in the case next month when music director Alan Gilbert will present “Le Grand Macabre” by the twentieth century master György Ligeti.

NY Philharmonic to install new Speedy Exit Ramp. via Hell Mouth, the blog of John Adams. [more inside]
posted by Lutoslawski on May 13, 2010 - 22 comments

"I don't distinguish the difference between work and play," says Liz Diller. "My husband and I are very obsessed with our work, and it's contiguous with our personal lives." Liz Diller and Ric Scofidio aren't only some of the most visible architects of contemporary urban public space; they're also married to each other. Perhaps the most high profile couple in a profession that seems to be particularly conducive to this kind of working marriage, Diller and Scofidio (and, now, their partner/tie-breaker Charles Renfro) have in recent years collaborated on projects including heavy-use public structures like the Institute for Contemporary Art in Boston (review), and Alice Tully Hall (review) and the High Line park (review) in New York, as well as more whimsical projects like the Blur building for Swiss Expo 2002 at Lake Neuchatel, and Arbores Laetae ("Joyful Trees") at the 2008 Liverpool Biennial. The architects talk to FLYP magazine about their marriage and to Charlie Rose about their work.
posted by ocherdraco on Nov 29, 2009 - 6 comments

Yes, that Lincoln Center. So we've briefly noted the clever hack by way of which game engines, in this case, Halo's, can be used to make movies. The best-known of these is the bleakly humorous Red vs. Blue - which, if it isn't exactly this generation's "M*A*S*H" or "Catch-22," rather manages to capture something of the futility of postmodern warfare. Still: is this an opus you'd have pegged to premiere at New York City's vaunted high-culture mecca?
posted by adamgreenfield on Dec 19, 2003 - 12 comments