We may not speak with the butter-toned exchanges of the characters on “Downton Abbey,” but in substance our speech is in many ways more civilized....
We are taught to celebrate the idea that Inuit languages reveal a unique relationship to snow, or that the Russian language’s separate words for dark and light blue mean that a Russian sees blueberries and robin’s eggs as more vibrantly different in color than the rest of us do. Isn’t it welcome, then, that good old-fashioned American is saying something cool about us for once?
- John McWhorter on colloquial American English
(SLNYTIMES) [more inside]
posted by beisny
on Apr 6, 2014 -
This book deals with the Dialect of the English Language that is spoken in Ireland. As the Life of a people—according to our motto—is pictured in their speech, our picture ought to be a good one, for two languages were concerned in it—Irish and English. ... Here for the first time—in this little volume of mine—our Anglo-Irish Dialect is subjected to detailed analysis and systematic classification.
P.W. Joyce's 1910 work, "English as We Speak it in Ireland,"
is a fascinating chronicle of a language's life, and no mistake. [more inside]
posted by MonkeyToes
on Mar 6, 2014 -
English Has a New Preposition, Because Internet. The word "because," in standard English usage, is a subordinating conjunction, which means that it connects two parts of a sentence in which one (the subordinate) explains the other. In that capacity, "because" has two distinct forms. It can be followed either by a finite clause (I'm reading this because [I saw it on the web]) or by a prepositional phrase (I'm reading this because [of the web]). These two forms are, traditionally, the only ones to which "because" lends itself. I mention all that ... because language. Because evolution. Because there is another way to use "because." Linguists are calling it the "prepositional-because." Or the "because-noun."
posted by scody
on Nov 19, 2013 -
"The internationalized art world relies on a unique language. Its purest articulation is found in the digital press release. This language has everything to do with English, but it is emphatically not English. It is largely an export of the Anglophone world and can thank the global dominance of English for its current reach. But what really matters for this language—what ultimately makes it a language—is the pointed distance from English that it has always cultivated. " - Triple Canopy magazine on why do artists' statments and press releases sound so utterly odd and confusing.
posted by The Whelk
on Apr 26, 2013 -
The Corpus of American Historical English
is a searchable index of word usage in American printed material from 1810 to 2009. Powerful complex searches allow you to trace the appearance and evolution of words and phrases and even specific grammatical constructions, see trends in frequency, and plenty more. Start with the 5-Minute Tour
posted by Miko
on Jan 7, 2012 -
Gullah—the African-influenced dialect of Georgia’s Sea Islands—has undergone few changes since the first slave ships landed 300 years ago, and provides a clear window into the shaping of African-American English. This classic PBS program
traces that story from the west coast of Africa through the American South, then to large northern cities in the 1920s. Studying the origins of West African pidgin English and creole speech—along with the tendency of 19th-century white Southerners to pick up speech habits from their black nursemaids—the program highlights the impact of WWI-era industrialization and the migration of jazz musicians to New York and Chicago.
posted by cthuljew
on Nov 15, 2011 -
Unlike many cinematic exports, the Disney canon of films
distinguishes itself with an impressive dedication to dubbing
Through an in-house service called Disney Character Voices International
, not just dialogue but songs, too, are skillfully
re-recorded, echoing the voice acting, rhythm, and rhyme scheme of the original work to an uncanny degree
(while still leaving plenty of room for lyrical reinvention
The breadth of the effort is surprising, as well -- everything from Arabic
gets its own dub, and their latest project, The Princess and the Frog
, debuted in more than forty tongues
Luckily for polyglots everywhere, the exhaustiveness of Disney's translations is thoroughly documented online in multilanguage mixes
and one-line comparisons
, linguistic kaleidoscopes that cast new light on old standards. Highlights:
"One Jump Ahead," "Prince Ali,"
and "A Whole New World"
) - "Circle of Life," "Hakuna Matata,"
(The Lion King
) - "Under the Sea"
and "Poor Unfortunate Souls"
(The Little Mermaid
) - "Belle"
and "Be Our Guest"
(Beauty and the Beast
) - "Just Around the Riverbend"
) - "One Song"
) - "Bibbidi-Bobbidi-Boo"
) - Medley
) - "When She Loved Me"
(Toy Story 2
) - Intro
posted by Rhaomi
on Nov 12, 2010 -
Since 1980, the Celtic Media Festival
has brought together people who broadcast, and now Webcast, in Celtic languages. Videoblog Gwagenn.TV provides a report (with autoplaying video)
from the 2009 festival whose clips and interviews are spoken and subtitled variously in Breton, French, English, Welsh, Scots Gaelic and Irish, Catalan, and Basque, not all of which are actually Celtic. [more inside]
posted by joeclark
on Sep 15, 2009 -
The Gawain Project
is an ongoing translation of the late 14th century anonymous poem Sir Gawain and the Green Knight
(originally written in Middle English) into Modern English, for the amusement of Arthurians and anyone who likes a good story. [via mefi projects]
posted by Effigy2000
on Feb 13, 2009 -
you our Fadda. You stay in da sky. We like all da peopo know fo shua how you stay, an dat you good an spesho inside, an we like dem give you plenny respeck. We like you come king ova hea now. We like everybody make jalike you like, ova hea inside da world, jalike da angel guys up inside da sky make jalike you like. Give us da food we need fo every day. Let us go, an throw out our shame fo all da kine bad stuff we do to you, jalike us guys let da odda guys go awready, an we no stay huhu wit dem fo all da kine bad stuff dey do to us. No let us get chance fo do bad kine stuff, But take us outa dea, so da Bad Guy no can hurt us. Cuz you our king, you get da real power, an you stay awesome fo eva. Dass it!
Hawaii Creole English, from the Language Museum
, which lists examples of 2000 languges.
posted by swift
on Jul 18, 2002 -