When Nothing Is Cool is an insider critique of English academia's culture of critique. [more inside]
Trans women writers Jeanne Thornton, Imogen Binnie, Red Durkin and Casey Plett read from their recent works for Talks at Google. [more inside]
Despite sagging paperback sales in the publishing industry, romance novels -- and particularly hen lit -- fiction featuring older female heroines -- are thriving. In 2006, according to Romance Writers of America, 26.4% of all books sold were romances, generating $1.37 billion in sales. In hen lit aka Matron literature, heroines typically are over-40, widowed grandmothers whose romance yearnings are secondary to family, work, and hobbies.
The realistic style is easy to abuse: from haste, from lack of awareness, from inability to bridge the chasm that lies between what a writer would like to be able to say and what he actually knows how to say. It is easy to fake; brutality is not strength, flipness is not wit, edge-of-the-chair writing can be as boring as flat writing; dalliance with promiscuous blondes can be very dull stuff when described by goaty young men with no other purpose in mind than to describe dalliance with promiscuous blondes. There has been so much of this sort of thing that if a character in a detective story says, "Yeah," the author is automatically a Hammett imitator. Raymond Chandler, "The Simple Art of Murder" (1950)
Behind Iron Bars. A short comic of the Spanish Civil War. From the latest, international comics, edition of Words Without Borders.
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