Isaac Asimov's Foundation: The little idea that became science fiction's biggest series [SPOILERS] (io9)
On the planet Terminus, a group of academics struggles to survive as the Galactic Empire crumbles. With no weapons, all they can rely on are the predictions of a dead genius named Hari Seldon. That's right — it's time to discuss Isaac Asimov's Foundation![more inside]
Welcome to Foundation Week, a Blogging the Hugos special event. In 1983, Isaac Asimov won the Hugo Award for Best Novel for Foundation's Edge, in which he revisited his groundbreaking Foundation mythos for the first time in over thirty years. Because the Foundation series is such classic, quintessential, and beloved science fiction — the original stories won their own unique Hugo for Best All-Time Series in 1966, and influenced artists from Douglas Adams to George Lucas — Josh Wimmer and Alasdair Wilkins will be discussing each of the seven books between today and Sunday. We begin with Foundation, published in 1951.
First editions, second thoughts: [New York Times] "On December 2, Christie's will auction 75 first-edition books, each of which is a unique object that has been annotated with words and/or illustrations by its author. Proceeds from the auction will benefit PEN American Center."
What is Literature for? [SLVimeo]
Closing a Chapter of a Literary Life [New York Times] Ahead of the American publication of his latest work, “The Book of Strange New Things,” Michel Faber discusses it and why it will be his last novel.
As the nights are beginning to draw in and Halloween approaches, how about something to make the flesh creep and send a shiver down the spine? Charles Dickens was a master of the macabre, whether it’s in his Christmas ghost stories such as A Christmas Carol, in the chilling Gothic emptiness of Satis House in Great Expectations or the dirty squalor of London in Oliver Twist. But there was another novelist who most people have never heard of, whose books also offered the Victorian reading public a good helping of horror. At the height of his career, he sold more copies of his work than Dickens, who is widely thought to have been the bestselling novelist of the age. This other writer’s name was George W. M. Reynolds, and he has recently been called ‘the other Dickens’. 2014 marks the bicentenary of his birth.
17 Brilliant Short Novels You Can Read in a Sitting by Lincoln Michel at Electric Literature:
This week author Ian McEwan expressed his love of short novels, saying “very few [long] novels earn their length.” Certainly it seems like a novel has to be a minimum of 500 pages to win a major literary award these days, and many genre novels have ballooned to absurd sizes.[more inside]
I love a good tome, but like McEwan many of my favorite novels are sharpened little gems. It’s immensely satisfying to finish a book in a single day, so in the spirit of celebrating quick reads here are some of my favorite short novels. I’ve tried to avoid the most obvious titles that are regularly assigned in school (The Stranger, Heart of Darkness, Mrs Dalloway, Of Mice and Men, Frankenstein, The Crying of Lot 49, etc.). Hopefully you’ll find some titles here you haven’t read before.
Adelle Waldman, author of The Love Affairs of Nathaniel P., was a lonely aspiring writer in New York, generally unhappy. Then she moved to Brooklyn and found that community made all the difference.
To Lure Young Readers, Nonfiction Writers Sanitize and Simplify: [New York Times]
"Inspired by the booming market for young adult novels, a growing number of biographers and historians are retrofitting their works to make them palatable for younger readers."
When the champion of adult culture is portrayed, even by himself, as an old curmudgeon yelling at the kids to get off his lawn, it suggests that this adult culture is one of the unfortunate but necessary costs of coming into adulthood. We give up the pleasures of entertainment for the seriousness of art. I just don’t think that this is true. Christopher Beha on Henry James and the Great Young Adult Debate.
"Longings and Desires", a Slate.com book review by Amanda Katz:
[Sarah] Waters, who was born in Wales in 1966, has carved out an unusual spot in fiction. Her six novels, beginning with Tipping the Velvet in 1998, could be called historical fiction, but that doesn’t begin to capture their appeal. It is closer to say that she is creating pitch-perfect popular fiction of an earlier time, but swapping out its original moral engine for a sensibility that is distinctly queer and contemporary, as if retrofitting a classic car.[more inside]
Her books offer something like an alternate reality—a literary one, if not a historical one. There may have been lesbian male impersonators working the London music halls in the 1890s, as in Tipping the Velvet, but there were certainly not mainstream novels devoted to their inner lives and sexual exploits. Waters gives such characters their say in books that imitate earlier crowd-pleasers in their structure, slang, and atmosphere, but that are powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex. (An exception is her last novel, The Little Stranger.) The most masterful of these books so far is Fingersmith, a Wilkie Collins-esque tale full of genuinely shocking twists (thieves, double-crossing, asylums, mistaken identity, just go read it). The saddest is The Night Watch, a tale told in reverse of a group of entwined characters during and after World War II. But among many readers she is still most beloved for Tipping the Velvet, a deliriously paced coming-of-age story that is impossible to read in public without blushing.
International Read an E-Book Day:
The new holday -- "holiday"? -- is the brainchild of OverDrive, a major e-book distributor. OverDrive is the country's largest provider of e-books to libraries; it handles e-books from 5,000 publishers, including major Penguin Random House, Macmillan, HarperCollins, Perseus, Wiley, and Harlequin. If you've ever checked an e-book out from the L.A. Public Library, it was provided by OverDrive. To celebrate International Read an E-book Day, Overdrive will be giving away tablets and e-reading devices at the readanebookday.com website and through social media. Readers are asked to "tell their story of what eBooks mean to them" and use the hashtag #eBookDay to be eligible.via: L.A. Times
Uncomfortable in His Own Skin ‘Your Face in Mine,’ by Jess Row, a Novel About Changing Race: [New York Times]
"When literary fiction dares examine the issue of race at all, it is usually done in an exceedingly tone-deaf way (think William Styron’s Confessions Of Nat Turner or Kathryn Stockett’s The Help) or from a somewhat safe remove (think Chabon’s Telegraph Avenue). It always seems as if the story is accompanied by a blaring announcement that it’s time for this (white) protagonist to learn something. Sometimes the pedantic drum-banging can get so excessive it drowns out everything else, including the inclination to tell a good story. If nothing else, the debut novel from Jess Row, Your Face In Mine, is a refreshing plunge into the deep end of the race conversation." [A.V. Club][more inside]
You invest so much in it, don't you? It's what elevates you above the beasts of the field, it's what makes you special. Homo sapiens, you call yourself. Wise Man. Do you even know what it is, this consciousness you cite in your own exaltation? Do you even know what it's for?Dr. Peter Watts is no stranger to MetaFilter. But look past his sardonic nuptials, heartbreaking eulogies, and agonizing run-ins with fascists (and fasciitis) and you'll find one of the most brilliant, compelling, and disquieting science fiction authors at work today. A marine biologist skilled at deep background research, his acclaimed 2006 novel Blindsight [full text] -- a cerebral "first contact" tale led by a diverse crew of bleeding-edge post-humans -- is diamond-hard and deeply horrifying, wringing profound existential dread from such abstruse concepts as the Chinese Room, the Philosophical Zombie, Chernoff faces, and the myriad quirks and blind spots that haunt the human mind. But Blindsight's last, shattering insight is not the end of the story -- along with crew/ship/"Firefall" notes, a blackly funny in-universe lecture on resurrecting sociopathic vampirism (PDF - prev.), and a rigorously-cited (and spoiler-laden) reference section, tomorrow will see the release of
Things That Don't Suck, Some Notes on The Stand
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
You have demons in your subconscious? In a fantasy world those demons can get out, where you can grapple with them face to face. The story I was telling was impossible, and I believed in it more than I believed in the 10,000 entirely reasonable, plausible things I’d written before. Lev Grossman, author of the Magicians series of books, on how he found his voice as a fantasy novelist.
Deep Chords: Haruki Murakami’s ‘Colorless Tsukuru Tazaki and His Years of Pilgrimage’ [New York Times] Patti Smith reviews Haruki Murakami's latest novel. Book Trailer
"It's annoying to hear we told you so—but, we told you so. The New Republic's initial review, published July 16, 1951, perfectly anticipated all the gripes and complaints readers would ironically come to have about Catcher's gripey and complaining protagonist." 63 Years Ago, We Knew That 'The Catcher in the Rye' Was Insufferable and Overrated. [more inside]
Black Girls Hunger for Heroes, Too: A Black Feminist Conversation on Fantasy Fiction for Teens.
What happens when two great black women fiction writers get together to talk about race in young adult literature? That's exactly what happens in the conversation below, where Zetta Elliott, a black feminist writer of poetry, plays, essays, novels, and stories for children, and award-winning Haitian-American speculative fiction writer Ibi Aanu Zoboi decided to discuss current young adult sci-fi.
"So what is going on here? Should we be reassured that critics are sticking loyally by a work they admire regardless of sales, or bemused that something is being presented as a runaway commercial success when in fact it isn’t?" Tim Parks: Raise Your Hand If You’ve Read Knausgaard. [more inside]
You Are Now Entering the Demented Kingdom of William T. Vollmann: [The New Republic] Home to goddesses, dreams, and a dangerously uncorrupted literary mind.
The Decline of Harper Lee: [Vulture] The iconic 88-year-old author is involved in [another] messy tussle over a new biography. Does this mean she'll never tell her own story? [more inside]
Animal Land where there are no people was a children's book released in 1897, written by Sybil Corbet, who was four years old, and illustrated by her mother, Katharine Corbet. "Animal Land where there are no People is quite near, only you can't see it... They live by the North Pole and in the leafy places near. It is always light there, always day, they climb the poles and always play." [more inside]
Trans women writers Jeanne Thornton, Imogen Binnie, Red Durkin and Casey Plett read from their recent works for Talks at Google. [more inside]
Call Me Ishmael: call a number and leave a voicemail about a book you've loved and a story you've lived. Later, that anonymous voicemail will be transcribed and made into a short video for everyone to see.
This year's Women's Prize For Fiction has been won by A Girl Is A Half-Formed Thing by Eimear McBride. [more inside]
“If someone goes out on a limb and tries something different, and the book doesn’t sell, you know who to blame: the guy who didn’t put the acacia tree on the cover.” [more inside]
The literary novel as an art work and a narrative art form central to our culture is indeed dying before our eyes. Will Self on the future of the novel.
From grilled kidneys to gruel to open faced sandwiches to sliced up grapefruits, photos of literature's most memorable meals.
Shakespeare Jest-Books: Reprints of the Early and Very Rare Jest-Books Supposed to Have Been Used by Shakespeare.
Julianne Ross asks: Must Every YA Action Heroine Be Petite? Amy McCarthy asks a similar question: Why do all our young adult heroines look the same? Mandy Stewart also offers up her own advice: Be Divergent and Other Lessons for My Daughter. Interview with Veronica Roth on her book 'Insurgent' and feminism. [more inside]
Exactly what it says on the tin -- 40 Worst Book Covers and Titles Ever These things have got to be real, no one could ever dream this stuff up. [more inside]
The drama issues from the assailability of vital, tenacious men with their share of peculiarities who are neither mired in weakness nor made of stone and who, almost inevitably, are bowed by blurred moral vision, real and imaginary culpability, conflicting allegiances, urgent desires, uncontrollable longings, unworkable love, the culprit passion, the erotic trance, rage, self-division, betrayal, drastic loss, vestiges of innocence, fits of bitterness, lunatic entanglements, consequential misjudgment, understanding overwhelmed, protracted pain, false accusation, unremitting strife, illness, exhaustion, estrangement, derangement, aging, dying and, repeatedly, inescapable harm, the rude touch of the terrible surprise — unshrinking men stunned by the life one is defenseless against, including especially history: the unforeseen that is constantly recurring as the current moment.Philip Roth on his life as a writer.
Creative writing professor Hanif Kureishi says such courses are 'a waste of time' [The Guardian]
Buddha of Suburbia author, who teaches subject at Kingston University, added that many of his students could 'write sentences' but not tell stories.
If the sheer number of Leonard adaptations is remarkable, what is more remarkable still is how few of them are any good. No one was more aware of, or blunt about, this disappointing onscreen record than Leonard himself. His first crime novel, The Big Bounce, was twice adapted for film, in 1969 and 2004. Leonard memorably described the earlier effort as the “second-worst movie ever made”; it was not until he saw the 2004 version, he later said, that he knew what movie was the worst.
The Millions has finished its Year In Reading for 2013. Sixty-eight people, including Metafilter's own Stephen Dodson, write about the books they read in 2013. Highlights include Choire Sicha, editor at The Awl, Sergio de la Pava, who wrote A Naked Singularity, and Rachel Kushner, who wrote The Flamethrowers. Full list here.
This year's critical darling essay collection -- Junot Diaz's favorite read of the year (#), Michael Robbins's pick for best book of the year (#) -- is White Girls by Hilton Als. Mentions of Als are infrequent on Metafilter, so I thought I would share a Readlist collection of his stuff (that has a bit of overlap with the book).
To define the world of The Hobbit is, of course, impossible, because it is new. - C.S. Lewis reviews The Hobbit. Why Smaug Sill Matters. Tolkien, Alignment, Non-Violence, and Why Hobbits are Required for Middle-earth to Survive. "‘Smaug’ is about almost absolutely nothing". Scientist maps climate of Lord of the Rings.
Colin Wilson has passed away at the age of 82. He rose to fame in the 50s with The Outsider, which made him a figure amongst Britain's Beat movement and Angry Young Men. His writing has spanned the fiction and non-fiction, with an interest in the paranormal and the occult, his thoughts on which he blended with HP Lovecraft's Cthulhu Mythos to produce The Mind Parasites. A TV series based on his The Space Vampires, also the basis for the movie Lifeforce (previously), is currently planned. Wikipedia page, 2004 Guardian interview, Times Obituary (subs only).
NPR is sick of the list. For their year end book round up this year, they have instead compiled an interactive web app which categorizes books by type (allowing you to apply these types as filters) and connects similar books by hyper-linked keywords.
A Textual Analysis of The Hunger Games (and Twilight, and Harry Potter)
The Dead Authors Podcast: Legendary time-traveling writer H.G. Wells (Paul F. Tompkins) welcomes literary giants to The Upright Citizens Brigade Theatre in Los Angeles for a lively discussion in front of a live audience. Unscripted, barely researched, all fun! [more inside]
Ruby-Strauss learned his craft working for the notorious Judith Regan, in whose shadow all lowbrow publishing still operates. In college at the University of California, Santa Cruz, he had been a comp-lit major who scoffed when friends talked up popular sci-fi books. “I was too pretentious,” he says. “I was reading Camus.” (A far way from that to Tucker Max, I noted. “Is it?” he replied.) Under Regan, he came to appreciate the simpler beauty of “books that sell.” He acquired a book by shock-rock star Marilyn Manson and then a series of pro-wrestling books, still his highest-selling titles ever. He once took Regan to a match, where he remembers her looking around the arena and declaring happily of the crowd, “You could sell them blank pages!” (SLNewRepublic) [more inside]
In February 1963, a new publication took advantage of the New York City printers strike and launched with a daring editorial: It does not, however, seek merely to fill the gap created by the printers’ strike in New York City but to take the opportunity which the strike has presented to publish the sort of literary journal which the editors and contributors feel is needed in America. The New York Review of Books is now 50. [more inside]
If you truly would like to hear this story, first of all you will probably want to find out where I was born, how I spent my stupid childhood, what my parents did before my birth—in a word, all that David Copperfield rot. But truthfully speaking, I don’t have any urge to delve into that. "If Holden Caulfield Spoke Russian" (SLNYer)
As Thomas Pynchon's new novel Bleeding Edge's Sept. 17th release date approaches, New York Magazine's Vulture blog offers a capsule biography of the man. (SLVulture) [more inside]
Sullivan’s book was a hit. It was the single best-selling book of 1947, ahead of de Beauvoir, ahead of Sartre, ahead of Camus. People wanted to meet him. The press wanted to talk to him. He was also the plaintiff in a civil suit that could carry a heavy fine or even lead to time in jail. He had to appear in court, which was tricky, because Vernon Sullivan didn’t exist. (SLTheAwl)