Spenser and the Tradition: English Poetry 1579-1830 is a mammoth database of English poetry and other writings that traces the influence of the great 16th-Century poet Edmund Spenser on English poetry across 250 years. There are roughly 25000 different texts on the site, over 6000 poems from famous classics to obscure ephemera, and further thousands of biographies and commentaries. Since it would take years to read all the material I am happy to say that there is a guide to navigating the database, an overview of its contents, a statistical summary and an essay on tradition and innovation. The immense database, which started life as a pile of index cards, was compiled largely by Virginia Tech Professor David Hill Radcliffe over the course of 17 years.
posted by Kattullus on May 27, 2009 - 11 comments

John Banville's most recent essay on Samuel Beckett: The Word-Stormer. Banville has previously written insightful essays thinly disguised as book reviews on The Painful Comedy of Samuel Beckett, the influence of painting on Beckett's writing, and Beckett on the couch.
posted by HumanComplex on May 14, 2009 - 5 comments

"We could all do worse than to write like Saul Bellow. And when I say write like Saul Bellow, I mean be Saul Bellow. And when I say be Saul Bellow, I mean unzip the skin from his body and wear it as a sort of Saul Bellow suit so that we can get cozy in it and truly inhabit it and understand the Old Macher." [more inside]
posted by zoomorphic on Jan 16, 2009 - 65 comments

The realistic style is easy to abuse: from haste, from lack of awareness, from inability to bridge the chasm that lies between what a writer would like to be able to say and what he actually knows how to say. It is easy to fake; brutality is not strength, flipness is not wit, edge-of-the-chair writing can be as boring as flat writing; dalliance with promiscuous blondes can be very dull stuff when described by goaty young men with no other purpose in mind than to describe dalliance with promiscuous blondes. There has been so much of this sort of thing that if a character in a detective story says, "Yeah," the author is automatically a Hammett imitator. Raymond Chandler, "The Simple Art of Murder" (1950)
posted by Navelgazer on Sep 24, 2008 - 8 comments

Martha Nussbaum reviews three recent books on Shakespeare and philosophy. The essay offers an excellent analysis of love in Antony and Cleopatra and Othello, and an excellent discussion of the interaction between philosophy and literature. [more inside]
posted by painquale on May 5, 2008 - 17 comments

Bioculture critiques Cultural Critique Until literature departments take into account that humans are not just cultural or textual phenomena but something more complex, English and related disciplines will continue to be the laughingstock of the academic world that they have been for years because of their obscurantist dogmatism and their coddled and preening pseudo-radicalism. Until they listen to searching criticism of their doctrine, rather than dismissing it as the language of the devil, literature will continue to be betrayed in academe, and academic literary departments will continue to lose students and to isolate themselves from the intellectual advances of our time.
posted by jason's_planet on Apr 7, 2008 - 107 comments

Christopher Plummer as Nabokov lecturing on Kafka
posted by vronsky on Jul 5, 2007 - 18 comments

What Good Are the Arts? asks John Carey’s recent book of the same name. The New Criterion think Carey’s thesis is informed by cynical political motives rather than earnest convictions, and accuses Carey of dabbling in the risky art of aesthetic relativism: Obviously, art is ultimately about “the search for truth” (a lesson we’d do well to remember before society falls apart). But as Carey and others point out to the contrary, the Third Reich was all about art—and yet, art under the Third Reich had precious little to do with “searching for truth.” So just what good are the arts? Here’s what a few others have to say on the subject.
posted by saulgoodman on Oct 4, 2006 - 45 comments

Reconstructing Aunt Sally's Secret Recipe. Addressing the Retranslations Fallacy, a common misconception about how the Bible we read has been handed down to us. [via]
posted by brownpau on Jan 23, 2006 - 64 comments

Philip Larkin: Great Poet, Shame About The Man? When is an excess of biography, i.e. high-minded, clumsily-disguised gossip, an impediment to literary appreciation? Nowadays, it seems always. [More inside.]
posted by MiguelCardoso on Mar 19, 2004 - 26 comments

Is modern literature too pretentious? "In the bookstore I'll sometimes sample what all the fuss is about, but one glance at the affected prose -- 'furious dabs of tulips stuttering,' say, or 'in the dark before the day yet was' -- and I'm hightailing it to the friendly black spines of the Penguin Classics" This essay from B.R. Myers in The Atlantic has been expanded into a book. I thought this defense of Raymond Chandler makes a good point about how literature (or at least its critics) can be exclusionary.
posted by owillis on Aug 8, 2002 - 112 comments