“Would I want to read the young García Márquez’s journalism if it didn’t happen to be written by García Márquez?” I asked myself while speedwalking toward Bocars Libros in the Barracas neighborhood of Buenos Aires, and again while shelling out 150 pesos for the three-volume Obra periodística with an introduction by Jacques Gilard. Back home, reading his work, my anxiety was quickly dispelled. Gabriel García Marquez (1927–2014) is known in the English-speaking world for his lyrical, densely descriptive novels, but as a journalist he was acerbically funny, charming, and slightly bizarre. The young García Márquez devoured what surrounded him. Everything was raw material for his newspaper columns—film adaptations of Faulkner, nudism, dancing bears, the letter X, a woman he saw in an ice cream parlor who may have been the “ugliest I’ve ever seen in my life, or, on the contrary, the most disconcertingly beautiful.” [more inside]
“What is the lesson you draw from your own existence?” This is the philosophy that Proust teaches us. Last year, the French magazine La Revue des Deux Mondes published an interview with Daniel Mendelsohn about his experiences reading Proust as part of a special issue on “Proust vu d’Amérique.” Translated from the French by Anna Heyward. [more inside]
Diseased Gardens offers a selection of 20th C. weird fiction from Belgium and France as well as a checklist of strange fiction in translation. [more inside]
In the LA Review of Books, Stephen Marche reflects upon the Literature of the Second Gilded Age. In his recently published book, Capital in the Twenty-First Century, economist Thomas Piketty argues that when r>g, that is, when an economy's annual rate of return on capital exceeds the economy's annual rate of growth, wealth inequality tends to increase, and that this condition has held both during the 19th century and since around the latter quarter of the 20th century. Unusually for an economics book, Piketty's work makes reference to several pre 20th-century works of fiction. Stephen Marche discusses role of this literature in Piketty's book. He goes on to critique the modern American social-realist novel. Although these books are not discussed by Piketty, according to Piketty's research they too pertain to a time in which r>g. Marche however accuses the more modern literature of being a "restrained, aspirational product" with "most of its sting removed".
Call Me Ishmael: call a number and leave a voicemail about a book you've loved and a story you've lived. Later, that anonymous voicemail will be transcribed and made into a short video for everyone to see.
For it is the future generation in its entire individual determination which forces itself into existence through the medium of all this strife and trouble...That growing affection of two lovers for each other is in reality the will to live of the new being, of which they shall become the parents...The lovers have a longing to be really united and made one being, and to live as such for the rest of their lives; and this longing is fulfilled in the children born to them, in whom the qualities inherited from both, but combined and united in one being, are perpetuated...Therefore Nature attains her ends by implanting in the individual a certain illusion by which something which is in reality advantageous to the species alone seems to be advantageous to himself... Arthur Schopenhauer on the Metaphysics of Love.
One man's favorite adventure novels published before the '80s. "Why does my Top Adventures List project stop in 1983? Primarily because I figure that adventure fans already know which adventure novels from the Eighties, Nineties, and Twenty-Oughts are worth reading; I’m interested in directing attention to older, sometimes obscure or forgotten adventures." (Hat-tip: DGStieber)
Flann O'Brien: The Lives of Brian [VIMEO]: A documentary about Flann O'Brien aka Brian O'Nolan. [more inside]
Act 1, scene 1. "The stage directions read, “Vienna. The Ringstrasse promenade at Sirk Corner. Flags wave from the buildings. Soldiers marching by are cheered by the onlookers. General excitement. The crowd breaks up into small groups.” The newsboys with their “Extra Extra,” announcing the outbreak of war, are interrupted by a drunk demonstrator who shouts “Down with Serbia! Hurrah for the Hapsburgs! Hurrah! For S-e-r-bia!” and is immediately kicked in the pants for his mistake (LTM, p. 69). A crook and a prostitute exchange insults, even as two army contractors, talking of possible bribes the rich will use to avoid the draft, cite Bismarck’s words, in Neue Freie Presse (Vienna’s major newspaper at the time of the assassination of the archduke in Serbia), to the effect that the Austrians deserve kissing. One officer tells another that war is “unanwendbar” (of no use) when he really means, as his friend points out, “unabwendbar” (unavoidable) (LTM, pp. 70–71). A patriotic citizen praises the coming conflict as a holy war of defense against “encirclement” by hostile forces, and the crowd responds by making up rhymes (in Viennese dialect) denigrating the enemy (LTM, p. 72)." [more inside]
This year's Women's Prize For Fiction has been won by A Girl Is A Half-Formed Thing by Eimear McBride. [more inside]
Darren Aronofsky is developing Margaret Atwood's MaddAddam trilogy (Oryx and Crake, Year of the Flood, and MaddAddam) as an HBO series. Atwood says on Twitter that she's "met+ brainstormed with the Team and they're terrific!" Aronofsky had signed on with HBO in January.
Symptoms are forms of self-knowledge. When you think, I’m agoraphobic, I’m a shy person, whatever it may be, these are forms of self-knowledge. What psychoanalysis, at its best, does is cure you of your self-knowledge. And of your wish to know yourself in that coherent, narrative way. You can only recover your appetite, and appetites, if you can allow yourself to be unknown to yourself. Because the point of knowing oneself is to contain one’s anxieties about appetite. Psychoanalyst and writer Adam Phillips interviewed by The Paris Review.
This week sees the publication of the third volume of “My Struggle,” the thirty-six-hundred-page autobiographical novel by Karl Ove Knausgaard, the Norwegian novelist. It’s hard to overstate the strangeness of the book’s success. The six volumes of “My Struggle” chronicle, in hypnotic detail, episodes from Knausgaard’s life. There is no plot to speak of, unless you consider real life a plot. [more inside]
The Teen Whisperer by Margaret Talbot [New Yorker] How the author [John Green] of “The Fault in Our Stars” built an ardent army of fans.
From what I saw the plurality of students and faculty had been educated exclusively in the tradition of writers like William Gaddis, Francine Prose, or Alice Munro—and not at all in the traditions of Toni Morrison, Cherrie Moraga, Maxine Hong-Kingston, Arundhati Roy, Edwidge Danticat, Alice Walker, or Jamaica Kincaid. In my workshop the default subject position of reading and writing—of Literature with a capital L—was white, straight and male. This white straight male default was of course not biased in any way by its white straight maleness—no way! Race was the unfortunate condition of nonwhite people that had nothing to do with white people and as such was not a natural part of the Universal of Literature, and anyone that tried to introduce racial consciousness to the Great (White) Universal of Literature would be seen as politicizing the Pure Art and betraying the (White) Universal (no race) ideal of True Literature.In the New Yorker Junot Diaz talks about MFA vs POC. [more inside]
Alistair Macleod, one of Canada's greatest writers, has passed away. With just one novel, and two collections of short stories to his name, Macleod left an indelible mark on Canadian, and modern, literature. Other writers share their memories at the National Post (skip the first, Joyce Carol Oates' completely bland and characterless effort). At the Globe and Mail, Steven Galloway shares his own stories with Alistair. [more inside]
The Emily Dickinson Archive is a collection of high resolution digital images of Emily Dickinson's handwritten manuscripts. Here are, for instance, Because I Could Not Stop for Death, Tell the Truth but Tell It Slant, I Dwell in Possibility, They Shut Me Up in Prose and I Heard a Fly Buzz When I Died. The whole collection is fully searchable and the images include the text of the poems as they were written down by Dickinson. The archive is a project of Harvard's Houghton Library but many other institutions provided manuscripts. Perhaps the best place to start is to simply browse the poems by title.
The British Library today unveiled a major addition to its website: Discovering Literature, a portal to digitized collections and supporting material. The first installment, Romantics and Victorians, includes work from Austen, the Brontës, Dickens, and Blake, and forthcoming modules will expand coverage of the site to encompass everything from Beowulf to the present day.
Cultivating Thought: Cups and bags at Chipotle (previously) will now feature stories and essays by famous authors, including Toni Morrison, George Saunders, Steven Pinker, Sarah Silverman, and Jonathan Safran Foer, who came up with the idea for the series and will be curating it as well.
“If someone goes out on a limb and tries something different, and the book doesn’t sell, you know who to blame: the guy who didn’t put the acacia tree on the cover.” [more inside]
The literary novel as an art work and a narrative art form central to our culture is indeed dying before our eyes. Will Self on the future of the novel.
The Huffington Post does a surprisingly decent, nostalgic roundup of 18 books women readers say "shaped the way they thought about themselves as young women," from Jane Eyre to Tori Amos.
From grilled kidneys to gruel to open faced sandwiches to sliced up grapefruits, photos of literature's most memorable meals.
Shakespeare Jest-Books: Reprints of the Early and Very Rare Jest-Books Supposed to Have Been Used by Shakespeare.
Dmitri Nabokov, Car Guy [Part One], Dmitri Nabokov, Car Guy [Part Two]: Dmitri Nabokov, son of Vladimir: his father’s work (Lolita, Pale Fire, Ada, etc.), and cars. [more inside]
Novelist Gabriel García Márquez has died at the age of 87. A giant of Latin American literature, he had struggled with lymphatic cancer and likely dementia (previously) in his latter years. To honor his memory, The Paris Review has reposted their interview with García Márquez from 1981, the year before he won the Nobel Prize for Literature.
The earliest Shakespeare quartos are over four hundred years old and constitute the rarest, most fragile body of printed literature available to Shakespeare scholars. Sold unbound and often read to pieces, they are among the most ephemeral books of the age and survive in relatively low numbers. In the absence of surviving manuscripts, the quartos offer the earliest known evidence of what Shakespeare might actually have written, and what appeared on the early modern English stage. Only about half of Shakespeare’s plays were printed in quarto during his lifetime (1564–1616), and before the first printed collection of his plays, the First Folio of 1623. They are living artifacts telling the story of how Shakespeare's Hamlet, Henry V, King Lear, A Midsummer Night's Dream, and Romeo and Juliet, to name just a few, first circulated in print.... Due to their rarity and fragility, the earliest quartos are often not accessible to those who need to study them. Today, six institutions in the United Kingdom and United States stand out as the main repositories of the pre-1642 quartos.... Through this international collaboration, many of the earliest Shakespeare quartos are now freely available for in-depth study to students of Shakespeare across the globe. You can read, compare, read annotations and overlay copies at Quartos.org.
Aspiring writers often ask established authors, "How did you do it?" The truth is that there is no single path to literary success. We sent a nonscientific survey to writers participating in the Los Angeles Times Festival of Books: Did they keep a diary as a child? Did they ever have a book rejected? Did they earn a living from writing? We tabulated more than 200 responses to make the board game below. Roll a die and see where the writing life takes you.
One should add that he was an extraordinarily gifted con man, persuading the most discerning intellectuals that he had credentials he did not possess and a heroic personal history, rather than a scandalous one, while he worked his charm on generations of students. Just who was Paul de Man?
The Travels of Sir John Mandeville is a remarkable 14th Century book which tells the autobiographical story of Sir John Mandeville's travels from England to Jerusalem and beyond to Asia. The only problem is that the book "had been a household word in eleven languages and for five centuries before it was ascertained that Sir John never lived, that his travels never took place, and that his personal experiences, long the test of others' veracity, were compiled out of every possible authority, going back to Pliny, if not further." The book was very popular for many centuries and was illustrated many times. For more about the book there is the introduction to a recent scholarly Middle English version and an illuminating podcast interview [iTunes link] with Professor Anthony Bale, the translator of a new version of the "defective" version of the book, which was the best known version for centuries. The interview goes into the many errors and fantasias of Mandeville but also puts the work in the context of its time and place.
Julianne Ross asks: Must Every YA Action Heroine Be Petite? Amy McCarthy asks a similar question: Why do all our young adult heroines look the same? Mandy Stewart also offers up her own advice: Be Divergent and Other Lessons for My Daughter. Interview with Veronica Roth on her book 'Insurgent' and feminism. [more inside]
Mental Floss makes couplets from literary first lines and hip hop hits using the "generate line" feature from rappad.co.
Lessons From A Demigod
The Epic of Gilgamesh has been read in the modern world for a little longer than a century, and, in that time, this oldest of stories has become a classic college text. In my own courses on ancient literature and mythology, it is the book I always begin with. But why should a tale whose origins stretch back more than four thousand years draw such attention in an age of genetic engineering and text messaging? The answer I have given to hundreds of students is that almost every joy and sorrow they will face in life was revealed in Gilgamesh millennia before they were born. Reading Gilgamesh will not only teach them to face the challenges that lie ahead, but also give them an appreciation for the idea that no matter how much our modern world might seem different from earlier times, the essence of the human experience remains the same.[more inside]
If there's a literary equivalent of reality television right now--albeit one with more reflections on the cultural taboos surrounding dead bodies and the lingering consequences of the Holocaust--it's Karl Ove Knausgaard's sprawling autobiographical novel My Struggle (Min Kamp). [more inside]
World Lite is a polemic against 'world literature' published last year in the magazine N+1. It is the latest salvo in a long-running debate about the term. M. Lynx Qualey of Arabic Literature (in English) gave a response to N+1, and so did Poorva Rajaram and Michael Griffith in Tehelka, N+1 responded to both, and the article was discussed at the Hay Festival in Dhaka. The N+1 article references Franco Moretti, who framed the contemporary version of the debate when he published Conjectures on World Literature and More Conjectures in 2000 and 2003 respectively. [more inside]
Exactly what it says on the tin -- 40 Worst Book Covers and Titles Ever These things have got to be real, no one could ever dream this stuff up. [more inside]
SCENE I.[more inside]
An Anti-Chamber in the Palace.
Enter RIGDUM-FUNNIDOS and ALDIBORONTIPHOSCOPHORNIO, courtiers.
Where left you Chrononhotonthologos?
The drama issues from the assailability of vital, tenacious men with their share of peculiarities who are neither mired in weakness nor made of stone and who, almost inevitably, are bowed by blurred moral vision, real and imaginary culpability, conflicting allegiances, urgent desires, uncontrollable longings, unworkable love, the culprit passion, the erotic trance, rage, self-division, betrayal, drastic loss, vestiges of innocence, fits of bitterness, lunatic entanglements, consequential misjudgment, understanding overwhelmed, protracted pain, false accusation, unremitting strife, illness, exhaustion, estrangement, derangement, aging, dying and, repeatedly, inescapable harm, the rude touch of the terrible surprise — unshrinking men stunned by the life one is defenseless against, including especially history: the unforeseen that is constantly recurring as the current moment.Philip Roth on his life as a writer.
Creative writing professor Hanif Kureishi says such courses are 'a waste of time' [The Guardian]
Buddha of Suburbia author, who teaches subject at Kingston University, added that many of his students could 'write sentences' but not tell stories.
Although Moby-Dick is regarded as a pinnacle of American Romanticism, its themes of destiny and defiance transcend national borders. Over the decades, the Library of Congress has procured editions translated into Spanish, German, Russian, Japanese, Korean and Lithuanian. But the latest translation eschews the written word altogether, telling the story through emoji icons—the pictograms seen in text messages and e-mails. It’s the most ambitious (and playful) effort to explore whether emoji itself is becoming a free-standing language.
And so I ask myself: Is Mary Sue - obnoxious and world-distorting as she can be - simply making up for a lack in the world she has entered? When we see Mary Sue, should we be deriding the fanfic writer? Or questioning the gender breakdown of the original universe?
These days, the idea of being a “good reader” or a “good critic” is very much out of fashion — not because we believe that such creatures do not exist, but because we all identify as both. The machine of consumerism is designed to encourage us all to believe that our preferences are significant and self-revealing; that a taste for Coke over Pepsi, or for KFC over McDonald’s, means something about us; that our tastes comprise, in sum, a kind of aggregate expression of our unique selfhood. We are led to believe that our brand loyalties are the result of a deep, essential affinity between the consumer and product — this soap is “you”; this bank is “yours” — and social networking affords us countless opportunities to publicise and justify these brand loyalties as partial explanations of “who we are”.