Two and a half years ago, we explored the early history of Cartoon Network
... but it wasn't the only player in the youth television game.
As a matter of fact, Fred Seibert
-- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly
venerable forerunner: Nickelodeon
Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE
system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to the versatile orange "splat."
But starting tonight in response to popular demand, the network is looking back
with a summer programming block dedicated to the greatest hits of the 1990s
, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple
, and All That
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
Remember AOL Time Warner, the poster child of dotcom corporate hubris? It's still around, if only for a few more days. On December 9, the current media megacorp will fraction off former computer network behemoth AOL as a web portal firm and online brand. And what will that brand be? It will be a stock photo superimposed with a white Helvetica "Aol."
And, well, that's it
. [more inside]
posted by ardgedee
on Nov 23, 2009 -
website is about advertising mistakes, such as the L in Staples, capitalized letters where they shouldn't be, and other things that could confuse kindergarten students.
posted by angry modem
on Aug 12, 2005 -
Goodbye, DC Bullet. Hello, DC Spin.
Branding is very important for business, even when that business is comic books. So this week, DC Comics announced
their first new logo
in 29 years
. Why? Ask DC's President Paul Levitz
: "The hope always, for a brand like ours, is that somehow you can have a logo that somehow acknowledges all the wonderful things that have happened in the past, and looks forward with a sense of 'We’re as cool as tomorrow.'"
Compelling, but Senior VP and Creative Director Richard Bruning
has a more practical explanation: "[A]s we moved into other areas, and got into things like manufacturing toys or action figures or statues, the physical construction of the bullet, the little hairlines that are built around all the letter shapes, made it very difficult to reproduce on any other medium or form than large and on paper."
Another good point ... but can a spinning baby blue swoosh really replace that classic Milton Glaser
posted by grabbingsand
on May 12, 2005 -
More tragicomic WTC news.
Apparently, the Port Authority of New York and New Jersey had a pending trademark patent on the official logo for the WTC commercial district. The logo was Published for Opposition, in which third parties could oppose the patent filing. If gone unopposed, the logo would then be granted the patent. ...Note the status date.
posted by Down10
on Sep 24, 2001 -
appears to be telling a story
with their logo. Is this a fun and creative way to "extend their brand" (as the marcom kids like to say) or do they need to stop letting their engineers handle their logo design?
posted by jkottke
on May 2, 2000 -
Apple is apparently tidying up their corporate image
even more while riding the wave of Jobs. They'll be eliminating the 'computer' part of the company name and will standardize on a series of 3D-ish solid color logos. The logos themselves, look as if they were stamped out of jello if you ask me. The next question is, of course, how long until Apple gets feeling retro about their identity, and starts using the old rainbow logo again. Anyone remember their 70's corporate typeface? Motter Tektura
posted by grant
on Dec 31, 1999 -