Brand New Ancients is a spoken word performance (review) by poet, singer and playwright Kate Tempest that won the Ted Hughes Award For New Poetry in 2012. Early this year, to coincide with a wider tour of the show, Kate Tempest and the Battersea Arts Centre produced three short films based on the performance. One. Two. Three (trigger warning, as this one is terrifying).
After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format better captured the city’s night lighting. Even the film’s protagonist taxi needed a custom coat to pick up different sheens depending on the type of artificial lighting the cab passed beneath. That city, at least as it appears in Collateral and countless other films, will never be the same again. L.A. has made a vast change-over to LED street lights, with New York City not far behind. Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA & NY
It's debatable whether the troubled World War Z signals the end of the ongoing zombie craze, but the film that started it all is much more clear: Danny Boyle's bleak, artful cult horror-drama 28 Days Later, which saw its US premiere ten years ago this weekend. From its iconic opening shots of an eerily abandoned London (set to Godspeed You! Black Emperor's brooding post-rock epic "East Hastings") to the frenzied chaos of its climax, Boyle's film -- a dark yet humanist tale of a world eviscerated by a frighteningly contagious epidemic of murderous rage -- reinvented and reinvigorated the genre that Romero built (though many insist its rabid, sprinting berserkers don't really count). And while sequel 28 Weeks Later with its heavyhanded Iraq War allusions failed to live up to the original (despite boasting one of the most viscerally terrifying opening sequences in modern horror), and 28 Months looks increasingly unlikely, there remains a small universe of side content from the film, including music, short films, comics, and inspired-by games. [more inside]
"This video has been dramatically enhanced in quality, using modern video editing tools. The film has been motion stabilized and the speed has been slowed down to correct speed (from 18 fps to 24 fps) using special frame interpolation software that re-creates missing frames." Watch corrected and cleaned footage of circa 1900s London and Cork (5 min 35 sec). (via)
Every few minutes of the day, all over the capital, people gather into small groups to share the same space and fleeting moment in time... simply to wait for something routine and forgettable as a London bus. In transient, with time to kill, and often among strangers, each collection of these individuals proves completely unique from the next. Each collection provides a little insight into London's incredible diversity, how they relate to their surroundings, and each other. The very deliberate intention with By the Bus Stop, was to capture those little moments which happen spontaneously, when the meeting of individuals is completely left to chance. [more inside]
Sci-Fi-London put on another 48 hour film challenge this year, challenging film teams to make a short based around a given title, a snippet of dialogue, a short list of props, and an optional "scientific" theme. After two days in April, over 380 shorts had been made, and the winners have now been announced and and their short films posted on Sci-Fi-London's Vimeo account. 17 more shorts below the break. [more inside]
Alan Moore and David Lloyd designed it 30 years ago. The V for Vendetta mask appropriated by Occupy protesters the world over. The Guardian recently asked Alan what he thought about the masks. Now Channel 4 news takes him into Occupy territory to face that face. But who is the true anarchist?
Movie trivia: If someone were to ask you the name of a 1966 mystery/thriller that was shot in London, included a Redgrave sister in the cast, and had a soundtrack composed by a jazz giant, you would have two choices for an answer. [more inside]
The British Film Institute has a youtube channel with rare footage going back over 100 years, covering many aspects of British life. Highlights include: 'Solarflares Burn For You' (1973) (featuring a soundtrack by Robert Wyatt); Rush Hour, Waterloo Station (1970); London Bridge (1926); Productivity Primer (1964); Today in Britain (1964); Snow (1963); Holiday (1957).
Lego in the city. This is an advert I made for Lego. It uses pieces from the stash my brother and I used to play with when we were younger, so perhaps it looks a bit dated compared with modern day Lego. Dated, but still great. Temujin Doran makes a short film. (More from Doran.)
Pentecostal minister Clovis Salmon, known in Brixton as "Sam The Wheels" due to his wheel-making skills, came to Britain from Jamaica in the 1950s. From the 1960s to the 1980s he used his Super-8 camera to film Brixton daily life and church scenes, including the aftermath of the 1981 riots.
To accompany collections of posters and photographs, the London Transport Museum has recently added a number of short films to its website, including All That Mighty Heart (autoplay) showing a day in the life of London's transport in 1962. (previous 1, 2)
The Open Road London pioneering colour footage from 1927 (SLYT)
One minute and four seconds in London, 1904. Birkbeck College professor Ian Christie rediscovered this footage in an archive in Canberra, shot for a travelogue by film pioneer Charles Urban.
The first known film of the long-eared jerboa, an endangered Mongolian rodent with legs like a kangaroo, was released today by the owners of London Zoo. Previously