It's debatable whether the troubled World War Z signals the end of the ongoing zombie craze, but the film that started it all is much more clear: Danny Boyle's bleak, artful cult horror-drama 28 Days Later, which saw its US premiere ten years ago this weekend. From its iconic opening shots of an eerily abandoned London (set to Godspeed You! Black Emperor's brooding post-rock epic "East Hastings") to the frenzied chaos of its climax, Boyle's film -- a dark yet humanist tale of a world eviscerated by a frighteningly contagious epidemic of murderous rage -- reinvented and reinvigorated the genre that Romero built (though many insist its rabid, sprinting berserkers don't really count). And while sequel 28 Weeks Later with its heavyhanded Iraq War allusions failed to live up to the original (despite boasting one of the most viscerally terrifying opening sequences in modern horror), and 28 Months looks increasingly unlikely, there remains a small universe of side content from the film, including music, short films, comics, and inspired-by games. [more inside]
Sci-Fi-London put on another 48 hour film challenge this year, challenging film teams to make a short based around a given title, a snippet of dialogue, a short list of props, and an optional "scientific" theme. After two days in April, over 380 shorts had been made, and the winners have now been announced and and their short films posted on Sci-Fi-London's Vimeo account. 17 more shorts below the break. [more inside]
From 1999 to 2003, the largely-female UK comedy trope Smack The Pony had a series of short skits based on video dating ads. Youtube user myLastTears has edited them together into a supercut: 1 - 2 - 3 - 4 [more inside]
Cabaret's Don't Tell Momma performed by a young Judi Dench, or by Molly Ringwald, or Chris Moore, but what would she want with me?
How to be cool? How to stay calm? How to have better conversations? How to make love last? The School of Life is a place to step back and think intelligently about these and other concerns. [more inside]
Pentecostal minister Clovis Salmon, known in Brixton as "Sam The Wheels" due to his wheel-making skills, came to Britain from Jamaica in the 1950s. From the 1960s to the 1980s he used his Super-8 camera to film Brixton daily life and church scenes, including the aftermath of the 1981 riots.
Corey Arcangel is perhaps the internet's most infamous hack, masher-upper, digi/net artist. His work stands for a growing culture of artists who run wildly through animated GIF landscapes populated with corrupted data-compressed bunny rabbits and tinny, MIDI renditions of Savage Garden ballads. As the Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net art be set to infect the real, fleshy world, like a rampant Conficker Worm? Has YouTube become the truest reflection of our anthropological selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore, hoping, in time, that digi art can free us from the confines of this fleshy void? [...previously]
UK band The Get Out Clause made their newest video by performing in front of 80 of London's approximately 13 million CCTV cameras, and then requesting the footage via the Data Protection Act. The footage was then edited together into this music video. [more inside]
Some commuters are nervous about London Underground drivers filming journeys on their camera phones and posting them on YouTube. YouTube links all. BBC Story.
London to Brighton in Two Minutes (2006) [HI Apple Quicktime, LO Adobe Flash] preceeded by London to Brighton in Three-and-a-Half Minutes (1983) [RealMedia, context] preceeded by London to Brighton in Four Minutes (1953) [RealMedia, context]