After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format better captured the city’s night lighting. Even the film’s protagonist taxi needed a custom coat to pick up different sheens depending on the type of artificial lighting the cab passed beneath. That city, at least as it appears in Collateral and countless other films, will never be the same again. L.A. has made a vast change-over to LED street lights, with New York City not far behind. Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA & NY
You may not know his name but you will certainly know his work: Morris Cassanova (aka Mr Chicken) designs and makes signs for most of the fried chicken shops in the UK. Meet Mr. Chicken
He is unknown. No name, no profession, no identifying details, but he looks out with the calm sternness of one who knows his place in the world. And because of this calmness, this sternness—the skeptical gaze and tight lips—we suspect it might be an image of the artist himself. Why Is This Man Wearing A Turban?, by Teju Cole.
Friday dreams. Simon Raymonde, bassist of Cocteau Twins, writes: A rare nostalgia moment: i didnt think any footage from the Heaven or Las Vegas tour in 1990 existed and i remember how cool it was being able to have a lighting designer for the first time that tour but have never seen how our stage looked from the audience till tonight so this is a treat to me. The whole concert in on youtube now pretty much. And my god, what a voice Elizabeth had on this tour, absolutely perfect on every song. Some rare good memories. [more inside]
"Everyone knows there’s a catastrophe unfolding, that few can afford to live in their own city. It was not always so." - China Miéville on Apocalyptic London